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The Spanish farm
The Spanish farm

Chapter I

Chapter 1 of The Spanish farm is here in full — 23 sentences across 5 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/4 · 5 lines
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_by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_
“The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.
For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.
Madeleine is amazingly lifelike.
I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Spanish farm

Chapter I

Chapter 1 of The Spanish farm is here in full — 23 sentences across 5 reading sections, with audio for every sentence and word.

Reading 1/4 · 5 reading units · Lines 1–5

Line 1
_by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_
Line 2
“The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.
Line 3
For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.
Line 4
Madeleine is amazingly lifelike.
Line 5
I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

attracts verb US /əˈtrækts/

third-person singular of “attract” — direct toward itself or oneself by means of some psychological power or physical attributes

From this reading ““The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.”

characterization noun US /ˌkerəktərɪˈzeɪʃən/

a graphic or vivid verbal description

From this reading “For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.”

composite noun US /kəmˈpɑːzət/

a conceptual whole made up of complicated and related parts

From this reading “I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.”

galsworthy noun US /ˈɡælzwɜːrði/

English novelist (1867-1933)

From this reading “_by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_”

ives noun US /aɪvz/

United States composer noted for his innovative use of polytonality (1874-1954)

From this reading “_by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_”

lifelike adjective US /ˈlaɪflaɪk/

evoking lifelike images within the mind

From this reading “Madeleine is amazingly lifelike.”

prototype noun US /ˈproʊtətaɪp/

a standard or typical example

From this reading “I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.”

sketchy adjective US /ˈsketʃi/

giving only major points; lacking completeness

From this reading “I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

three months noun + noun counted as “three month”

In this reading “For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.”

four years noun + noun

In this reading “For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.”

many thousands adjective + noun counted as “many thousand”

In this reading “For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.”

met with verb + particle counted as “meet with”

In this reading ““The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.”

stood on verb + particle

In this reading “I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.”

touch with verb + particle

In this reading “For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.”

from beginning preposition + noun

In this reading “I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.”

All words in this reading · 132

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

amazinglyadverbUS /əˈmeɪzɪŋli/

in an amazing manner; to everyone's surprise

From this reading Madeleine is amazingly lifelike.

AmericanounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

ArmynounUS /ˈɑːrmi/

a permanent organization of the military land forces of a nation or state

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

attractsverbUS /əˈtrækts/

third-person singular of “attract” — direct toward itself or oneself by means of some psychological power or physical attributes

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

Beauchamp's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

BritishnounUS /ˈbrɪtɪʃ/

the people of Great Britain

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

byprepositionUS /baɪ/

showing who or what does the action

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

CareernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

characterizationnounUS /ˌkerəktərɪˈzeɪʃən/

a graphic or vivid verbal description

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

COMPANYnounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

compositenounUS /kəmˈpɑːzət/

a conceptual whole made up of complicated and related parts

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

compromiseverbUS /ˈkɑːmprəmaɪz/

make a compromise; arrive at a compromise

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

contactnounUS /ˈkɑːntækt/

close interaction

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

creationnounUS /kriˈeɪʃən/

the human act of creating

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

DIALnounUS /ˈdaɪəl/

the face of a timepiece; graduated to show the hours

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

directlyadverbUS /dərˈektli/

without deviation

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

distinctadjectiveUS /dɪˈstɪŋkt/

(often followed by “from”) not alike; different in nature or quality

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

drawnadjectiveUS /drɔːn/

showing the wearing effects of overwork or care or suffering

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

educatedadjectiveUS /ˈedʒəkeɪtɪd/

possessing an education (especially having more than average knowledge)

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

endnounUS /end/

either extremity of something that has length

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

EnglishmannounUS /ˈɪŋɡlɪʃmən/

a man who is a native or inhabitant of England

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

EnglishmennounUS /ˌeŋˈlɪʃmən/

plural of “englishman” — a man who is a native or inhabitant of England

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

epochnounUS /ˈepək/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

everadverbUS /ˈevər/

at any time

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

excellentadjectiveUS /ˈeksələnt/

very good; of the highest quality

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

exceptedverbUS /ɪkˈseptɪd/

past form of “except” — take exception to

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

exhibitsnounUS /ɪɡˈzɪbəts/

plural of “exhibit” — an object or statement produced before a court of law and referred to while giving evidence

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

experimentaladjectiveUS /ɪkˌsperɪˈmentəl/

relating to or based on experiment

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

FarmverbUS /fɑːrm/

be a farmer; work as a farmer

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

firmadjectiveUS /fɜːrm/

marked by firm determination or resolution; not shakable

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

fluffyadjectiveUS /ˈflʌfi/

like down or as soft as down

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

Frenchwomannoun

a person of French nationality

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

GALSWORTHYnounUS /ˈɡælzwɜːrði/

English novelist (1867-1933)

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

HnounUS /eɪtʃ/

a nonmetallic univalent element that is normally a colorless and odorless highly flammable diatomic gas; the simplest and lightest and most abundant element in the universe

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

intimateadjectiveUS /ˈɪntəmət/

marked by close acquaintance, association, or familiarity

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

IVESnounUS /aɪvz/

United States composer noted for his innovative use of polytonality (1874-1954)

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

JnounUS /dʒeɪ/

a unit of electrical energy equal to the work done when a current of one ampere passes through a resistance of one ohm for one second

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

JOHNnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

legsnounUS /leɡz/

staying power

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

lifelikeadjectiveUS /ˈlaɪflaɪk/

evoking lifelike images within the mind

From this reading Madeleine is amazingly lifelike.

LINCOLNnounUS /ˈlɪŋkən/

16th President of the United States; saved the Union during the American Civil War and emancipated the slaves; was assassinated by Booth (1809-1865)

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

LITTLEadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

MACVEAGH

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

Madeleine

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

MCMXXIV

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

metverbUS /met/

inflected form of “meet” — come together

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

monthsnounUS /mʌnθs/

plural of “month” — one of the twelve divisions of the calendar year

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

Mottram

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

MYdeterminerUS /maɪ/

belonging to the person speaking

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

NEWadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

nodeterminerUS /noʊ/

not any; not one

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

NorthnounUS /nɔːrθ/

the region of the United States lying to the north of the Mason-Dixon line

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

outlinesnounUS /ˈaʊtlaɪnz/

plural of “outline” — the line that appears to bound an object

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

piecenounUS /piːs/

a separate part of a whole

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

portraitnounUS /ˈpɔːrtrət/

a word picture of a person's appearance and character

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

PrefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

PRESSverbUS /pres/

exert pressure or force to or upon

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

PrintedverbUS /ˈprɪntɪd/

past form of “print” — put into print

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

prototypenounUS /ˈproʊtətaɪp/

a standard or typical example

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

RnounUS /ɑːr/

a unit of radiation exposure; the dose of ionizing radiation that will produce 1 electrostatic unit of electricity in 1 cc of dry air

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

ratheradverbUS /ˈræðər/

on the contrary

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

realizationnounUS /ˈriːləˈzeɪʃən/

coming to understand something clearly and distinctly

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

Renée

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

resultedverbUS /rɪˈzʌltɪd/

past form of “result” — issue or terminate (in a specified way, state, etc.); end

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

sketchyadjectiveUS /ˈsketʃi/

giving only major points; lacking completeness

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

solidadjectiveUS /ˈsɑːləd/

characterized by good substantial quality

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

SpanishnounUS /ˈspænɪʃ/

the Romance language spoken in most of Spain and the countries colonized by Spain

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

StatesnounUS /steɪts/

plural of “state” — the territory occupied by one of the constituent administrative districts of a nation

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

suspectverbUS /səˈspekt/

imagine to be the case or true or probable

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

thereadverbUS /ðer/

in or at that place or location

From this reading I suspect her to be a composite creation rather than drawn directly from one living prototype; however that may be, there she is, an individual Frenchwoman of the North, firm as ever stood on excellent legs--no compromise about her outlines, nothing fluffy and nothing sketchy in her portrait from beginning to end.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

thousandsnounUS /ˈθaʊzəndz/

plural of “thousand” — the cardinal number that is the product of 10 and 100

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

UnitedadjectiveUS /juːˈnaɪtɪd/

characterized by unity; being or joined into a single entity

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

unlessconjunctionUS /ənˈles/

except if; if not

From this reading “The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted.

variedadjectiveUS /ˈverid/

characterized by variety

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

WIFEnounUS /waɪf/

a married woman; a man's partner in marriage

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

WithprepositionUS /wɪð/

in the company of; together with

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

yearsnounUS /jɪrz/

a late time of life

From this reading For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact.

YORKnounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading _by_ R. H. Mottram _The_ Spanish Farm _By_ R·H·MOTTRAM _With a Preface by_ JOHN GALSWORTHY LINCOLN MACVEAGH THE DIAL PRESS NEW YORK · MCMXXIV _Printed in the United States of America by_ J. J. LITTLE AND IVES COMPANY, NEW YORK TO MY WIFE PREFACE _By John Galsworthy_

Chapter 1 of The Spanish farm by R. H. (Ralph Hale) Mottram holds 23 sentences, grouped into 5 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Spanish farm contain?

Chapter 1 holds 23 sentences of The Spanish farm, unabridged, divided into 5 reading sections.

This page carries chapter 1 of The Spanish farm by R. H. (Ralph Hale) Mottram exactly as it stands in the source edition, without abridgement. It runs to 23 sentences, grouped into 5 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Spanish farm?

Work through the 5 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 5 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Spanish farm

Common questions about reading The Spanish farm by R. H. (Ralph Hale) Mottram on this page, its source edition and its audio.

Is this the complete text of The Spanish farm?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Spanish farm is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Spanish farm take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The Spanish farm section by section

How to work through The Spanish farm section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The Spanish farm to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Spanish farm

Words and structures a reader meets early in The Spanish farm, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Spanish farm, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The Spanish farm, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The Spanish farm, divided into 5-sentence reading sections.