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The Spectator, Volume 2.
The Spectator, Volume 2.

Chapter VIII · Chapter 8

Chapter 8 of The Spectator, Volume 2. is here in full — 382 sentences across 77 reading sections, with audio for every sentence and word.

Cover illustration for The Spectator, Volume 2.
Context Illustration Reading 1/76 · 5 lines
English subtitles · tap any word to listen 1 / 5
Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.
At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.
Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.
He died old and poor in 1740.]
* * * * * No. 259.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Spectator, Volume 2.

Chapter VIII · Chapter 8

Chapter 8 of The Spectator, Volume 2. is here in full — 382 sentences across 77 reading sections, with audio for every sentence and word.

Reading 1/76 · 5 reading units · Lines 1–5

Line 1
Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.
Line 2
At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.
Line 3
Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.
Line 4
He died old and poor in 1740.]
Line 5
* * * * * No. 259.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

declining verb US /dɪˈklaɪnɪŋ/

-ing form of “decline” — grow worse

From this reading “Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.”

harpsichord noun US /ˈhɑːrpsəkɔːrd/

a clavier with strings that are plucked by plectra mounted on pivots

From this reading “Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.”

nicety noun US /ˈnaɪsɪti/

conformity with some esthetic standard of correctness or propriety

From this reading “Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.”

operas noun US /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading “At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.”

performer noun US /pərˈfɔːrmər/

an entertainer who performs a dramatic or musical work for an audience

From this reading “Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.”

player noun US /ˈpleɪər/

a person who participates in or is skilled at some game

From this reading “Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.”

representation noun US /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading “At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.”

solos noun US /ˈsoʊloʊz/

plural of “solo” — any activity that is performed alone without assistance

From this reading “Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1740

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He died old and poor in 1740.]

259

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading * * * * * No. 259.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

afterprepositionUS /ˈæftər/

later than; following

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

ale-houses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

Arsinoe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

AtprepositionUS /æt/

in or near a particular place or position

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

CharlesnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

Corellinoun

Italian violinist and composer of violin concertos (1653-1713)

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

decliningverbUS /dɪˈklaɪnɪŋ/

-ing form of “decline” — grow worse

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

designnounUS /dɪˈzaɪn/

the act of working out the form of something (as by making a sketch or outline or plan)

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

diedverbUS /daɪd/

past form of “die” — pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading He died old and poor in 1740.]

Dieupart

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

distinctionnounUS /dɪˈstɪŋkʃən/

a discrimination between things as different and distinct on the basis of their characteristics or attributes

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

dulladjectiveUS /dʌl/

lacking in liveliness or animation

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

earliestadjectiveUS /ˈɜːrliəst/

(comparative and superlative of “early”) more early than; most early

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

earsnounUS /ɪrz/

plural of “ear” — the sense organ for hearing and equilibrium

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

executedadjectiveUS /ˈeksəkjuːtɪd/

put to death as punishment

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

familiesnounUS /ˈfæməliz/

plural of “family” — a social unit living together

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

FrenchmannounUS /ˈfrentʃmæn/

a person of French nationality

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

harpsichordnounUS /ˈhɑːrpsəkɔːrd/

a clavier with strings that are plucked by plectra mounted on pivots

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

Haym

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

nicetynounUS /ˈnaɪsɪti/

conformity with some esthetic standard of correctness or propriety

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

NodeterminerUS /noʊ/

not any; not one

From this reading * * * * * No. 259.

obscureverbUS /əbsˈkjʊr/

make less visible or unclear

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading He died old and poor in 1740.]

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

operasnounUS /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

performernounUS /pərˈfɔːrmər/

an entertainer who performs a dramatic or musical work for an audience

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

playernounUS /ˈpleɪər/

a person who participates in or is skilled at some game

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading He died old and poor in 1740.]

representationnounUS /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

saveprepositionUS /seɪv/

except for; apart from

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

self-respectnounUS /ˌselfrɪˈspekt/

the quality of being worthy of esteem or respect

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

setverbUS /set/

put into a certain place or abstract location

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

solosnounUS /ˈsoʊloʊz/

plural of “solo” — any activity that is performed alone without assistance

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

taughtverbUS /tɔːt/

inflected form of “teach” — impart skills or knowledge to

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

violinnounUS /vaɪəˈlɪn/

bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

violoncellonoun

a large stringed instrument; seated player holds it upright while playing

From this reading At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord.

whereconjunctionUS /wer/

in or at the place that

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

withprepositionUS /wɪð/

in the company of; together with

From this reading Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him.

Chapter 8 of The Spectator, Volume 2. by Joseph Addison holds 382 sentences, grouped into 77 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of The Spectator, Volume 2. contain?

Chapter 8 holds 382 sentences of The Spectator, Volume 2., unabridged, divided into 77 reading sections.

This page carries chapter 8 of The Spectator, Volume 2. by Joseph Addison exactly as it stands in the source edition, without abridgement. It runs to 382 sentences, grouped into 77 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of The Spectator, Volume 2.?

Work through the 77 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 77 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Spectator, Volume 2.

Common questions about reading The Spectator, Volume 2. by Joseph Addison on this page, its source edition and its audio.

Is this the complete text of The Spectator, Volume 2.?

Yes. All 10442 sentences of Project Gutenberg eBook #11010 are kept, with a record of which sentences cover which part.

Which edition of The Spectator, Volume 2. is used?

Project Gutenberg eBook #11010, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Spectator, Volume 2. take to read?

About 600 minutes of reading across 2089 sections of 5 sentences each, at an unhurried pace.

How to read The Spectator, Volume 2. section by section

How to work through The Spectator, Volume 2. section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of The Spectator, Volume 2. to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Spectator, Volume 2.

Words and structures a reader meets early in The Spectator, Volume 2., each tappable for pronunciation and meaning.

Tuesday
A word that appears in the opening chapter of The Spectator, Volume 2.; the reader can tap it to hear it and see its dictionary entry.
October
A word that appears in the opening chapter of The Spectator, Volume 2.; the reader can tap it to hear it and see its dictionary entry.
Addison
A word that appears in the opening chapter of The Spectator, Volume 2.; the reader can tap it to hear it and see its dictionary entry.
Phoebe
A word that appears in the opening chapter of The Spectator, Volume 2.; the reader can tap it to hear it and see its dictionary entry.