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The stories editors buy and why
The stories editors buy and why

Chapter XVIII

Chapter 18 of The stories editors buy and why is here in full — 421 sentences across 85 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/84 · 5 lines
English subtitles · tap any word to listen 1 / 5
There will always be a demand for the psychological story.
And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.
But too many psychological stories start out to prove something of no importance.
In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.
If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The stories editors buy and why

Chapter XVIII

Chapter 18 of The stories editors buy and why is here in full — 421 sentences across 85 reading sections, with audio for every sentence and word.

Reading 1/84 · 5 reading units · Lines 1–5

Line 1
There will always be a demand for the psychological story.
/ðer wɪl ˈɔːlweɪz biː ə dɪˈmænd fɔːr ðə ˌsaɪkəˈlɑːdʒɪkəl ˈstɔːri/
Line 2
And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.
/ənd ðə ˈstɔːri ˈdiːlɪŋ wɪð ˈmentəl ˈprɑːsesəz kæn biː meɪd æz tens ənd ˈɡrɪpɪŋ æz ðə ˈsoʊˈkɔːld ˈækʃən ˈstɔːri ɪf ɪt hæz ˈæktʃəwəl ˈstɔːri ˈɪntrəst/
Line 3
But too many psychological stories start out to prove something of no importance.
/bʌt tuː ˈmeni ˌsaɪkəˈlɑːdʒɪkəl ˈstɔːriz stɑːrt aʊt tuː pruːv ˈsʌmθɪŋ ʌv noʊ ˌɪmˈpɔːrtəns/
Line 4
In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.
/ɪn ðə læst əˈnæləsəs ðə ˈstɔːriz ðə θɪŋ ˈweðər ɪt diːlz wɪð ˈbætəl ˈmɜːrdər ɔːr ˈsʌdən deθ ɔːr wɪð ðə kəmˈpleksɪtiz ʌv maɪnd ˌɪnˈduːst baɪ ə ˈɡɪvən ˌsɪtʃuːˈeɪʃən/
Line 5
If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.
/ɪf aɪ wɜːr æskt tuː ɪkˈspleɪn ˈbriːfli wʌt aɪ kənˈsɪdərd ðə tʃiːf ˌkerəktərˈɪstɪk ʌv ðə ˈpiːpəlz hoʊm ˈdʒɜːrnəl ˈstɔːri aɪ wʊd seɪ ðæt ɪt ɪz drəˈmætɪk bɪˈkɔːz ɪt ˌɪnˈtɜːrprəts laɪf ɪn ə weɪ tuː stɜːr ðə ɪˈmoʊʃənz ənd aɪ wʊd æd ðæt ɪt ˈjuːʒəwəli kənˈteɪnz ə ˈmesədʒ ˈɔːlweɪz klɪr tuː ðə ˈriːdər ə ˈmesədʒ wɪtʃ ˈlɪŋɡərz ɪn hɪz ˈmem.ər.i wen pərˈhæps ðə plɑːt ðə ˈkærəktərz ənd ðə ˈstɔːriz tʃɑːrm hæv ˈfeɪdəd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

complexities noun US /kəmˈpleksɪtiz/

plural of “complexity” — the quality of being intricate and compounded

From this reading “In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.”

deals noun US /diːlz/

plural of “deal” — a particular instance of buying or selling

From this reading “In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.”

gripping adjective US /ˈɡrɪpɪŋ/

capable of arousing and holding the attention

From this reading “And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.”

interprets verb US /ˌɪnˈtɜːrprəts/

third-person singular of “interpret” — make sense of; assign a meaning to

From this reading “If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.”

lingers verb US /ˈlɪŋɡərz/

third-person singular of “linger” — remain present although waning or gradually dying

From this reading “If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.”

processes noun US /ˈprɑːsesəz/

plural of “process” — a particular course of action intended to achieve a result

From this reading “And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.”

psychological adjective US /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading “There will always be a demand for the psychological story.”

story's noun US /ˈstɔːriz/

possessive form of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

chief characteristic noun + noun

In this reading “If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.”

explain briefly verb + particle

In this reading “If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.”

last analysis adjective + noun

In this reading “In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.”

sudden death adjective + noun

(sports) overtime in which play is stopped as soon as one contestant scores; e.g. football and golf

In this reading “In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.”

too many adverb + adjective

In this reading “But too many psychological stories start out to prove something of no importance.”

deals with verb + particle counted as “deal with”

In this reading “In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.”

start out verb + adjective

take the first step or steps in carrying out an action

In this reading “But too many psychological stories start out to prove something of no importance.”

lingers in verb + particle counted as “linger in”

In this reading “If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.”

All words in this reading · 97

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There will always be a demand for the psychological story.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

actualadjectiveUS /ˈæktʃəwəl/

presently existing in fact and not merely potential or possible

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

addverbUS /æd/

make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading There will always be a demand for the psychological story.

analysisnounUS /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

battlenounUS /ˈbætəl/

a hostile meeting of opposing military forces in the course of a war

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading There will always be a demand for the psychological story.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

brieflyadverbUS /ˈbriːfli/

for a short time

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But too many psychological stories start out to prove something of no importance.

byprepositionUS /baɪ/

showing who or what does the action

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

characteristicnounUS /ˌkerəktərˈɪstɪk/

a prominent attribute or aspect of something

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

clearverbUS /klɪr/

rid of obstructions

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

complexitiesnounUS /kəmˈpleksɪtiz/

plural of “complexity” — the quality of being intricate and compounded

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

consideredadjectiveUS /kənˈsɪdərd/

carefully weighed

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

dealingnounUS /ˈdiːlɪŋ/

method or manner of conduct in relation to others

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

dealsnounUS /diːlz/

plural of “deal” — a particular instance of buying or selling

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

deathnounUS /deθ/

the event of dying or departure from life

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

demandnounUS /dɪˈmænd/

an urgent or peremptory request

From this reading There will always be a demand for the psychological story.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

emotionsnounUS /ɪˈmoʊʃənz/

plural of “emotion” — any strong feeling

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

explainverbUS /ɪkˈspleɪn/

make plain and comprehensible

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

fadedadjectiveUS /ˈfeɪdəd/

having lost freshness or brilliance of color

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There will always be a demand for the psychological story.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

grippingadjectiveUS /ˈɡrɪpɪŋ/

capable of arousing and holding the attention

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

HomenounUS /hoʊm/

where you live at a particular time

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading But too many psychological stories start out to prove something of no importance.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

inducedadjectiveUS /ˌɪnˈduːst/

brought about or caused; not spontaneous

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

interpretsverbUS /ˌɪnˈtɜːrprəts/

third-person singular of “interpret” — make sense of; assign a meaning to

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

JournalnounUS /ˈdʒɜːrnəl/

a daily written record of (usually personal) experiences and observations

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

lastadjectiveUS /læst/

immediately past

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

lingersverbUS /ˈlɪŋɡərz/

third-person singular of “linger” — remain present although waning or gradually dying

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading But too many psychological stories start out to prove something of no importance.

memorynounUS /ˈmem.ər.i/

The faculty by which the mind stores and remembers information and knowledge.

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

mentaladjectiveUS /ˈmentəl/

involving the mind or an intellectual process

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

messagenounUS /ˈmesədʒ/

a communication (usually brief) that is written or spoken or signaled

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

murderverbUS /ˈmɜːrdər/

kill intentionally and with premeditation

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

nodeterminerUS /noʊ/

not any; not one

From this reading But too many psychological stories start out to prove something of no importance.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading But too many psychological stories start out to prove something of no importance.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading But too many psychological stories start out to prove something of no importance.

People'snounUS /ˈpiːpəlz/

possessive form of “people” — (plural) any group of human beings (men or women or children) collectively

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

perhapsadverbUS /pərˈhæps/

by chance

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

processesnounUS /ˈprɑːsesəz/

plural of “process” — a particular course of action intended to achieve a result

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

proveverbUS /pruːv/

be shown or be found to be

From this reading But too many psychological stories start out to prove something of no importance.

psychologicaladjectiveUS /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading There will always be a demand for the psychological story.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

sayverbUS /seɪ/

express in words

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

situationnounUS /ˌsɪtʃuːˈeɪʃən/

the general state of things; the combination of circumstances at a given time

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

so-calledadjectiveUS /ˈsoʊˈkɔːld/

doubtful or suspect

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading But too many psychological stories start out to prove something of no importance.

startverbUS /stɑːrt/

take the first step or steps in carrying out an action

From this reading But too many psychological stories start out to prove something of no importance.

stirverbUS /stɜːr/

move an implement through

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading But too many psychological stories start out to prove something of no importance.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading There will always be a demand for the psychological story.

story'snounUS /ˈstɔːriz/

possessive form of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

suddenadjectiveUS /ˈsʌdən/

happening without warning or in a short space of time

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

tensenounUS /tens/

a grammatical category of verbs used to express distinctions of time

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading There will always be a demand for the psychological story.

ThereadverbUS /ðer/

in or at that place or location

From this reading There will always be a demand for the psychological story.

thingnounUS /θɪŋ/

a special situation

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading But too many psychological stories start out to prove something of no importance.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading But too many psychological stories start out to prove something of no importance.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

waynounUS /weɪ/

how something is done or how it happens

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

whatpronounUS /wʌt/

used to ask for information about something

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

whenconjunctionUS /wen/

at the time that

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading In the last analysis, “the story’s the thing,” whether it deals with battle, murder or sudden death, or with the complexities of mind induced by a given situation.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading There will always be a demand for the psychological story.

withprepositionUS /wɪð/

in the company of; together with

From this reading And the story dealing with mental processes can be made as tense and gripping as the so-called action story if it has actual story interest.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading If I were asked to explain briefly what I considered the chief characteristic of _The People’s Home Journal_ story, I would say that it is dramatic because it interprets life in a way to stir the emotions, and I would add that it usually contains a message, always clear to the reader, a message which lingers in his memory when perhaps the plot, the characters and the story’s charm have faded.

Chapter 18 of The stories editors buy and why by Jean [Compiler] Wick holds 421 sentences, grouped into 85 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 18 of The stories editors buy and why contain?

Chapter 18 holds 421 sentences of The stories editors buy and why, unabridged, divided into 85 reading sections.

This page carries chapter 18 of The stories editors buy and why by Jean [Compiler] Wick exactly as it stands in the source edition, without abridgement. It runs to 421 sentences, grouped into 85 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 18 of The stories editors buy and why?

Work through the 85 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 85 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 18 be read aloud to me?

Yes — every sentence and every individual word in chapter 18 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The stories editors buy and why

Common questions about reading The stories editors buy and why by Jean [Compiler] Wick on this page, its source edition and its audio.

Is this the complete text of The stories editors buy and why?

Yes. All 7529 sentences of Project Gutenberg eBook #76740 are kept, with a record of which sentences cover which part.

Which edition of The stories editors buy and why is used?

Project Gutenberg eBook #76740, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The stories editors buy and why take to read?

About 600 minutes of reading across 1506 sections of 5 sentences each, at an unhurried pace.

How to read The stories editors buy and why section by section

How to work through The stories editors buy and why section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The stories editors buy and why

Words and structures a reader meets early in The stories editors buy and why, each tappable for pronunciation and meaning.

Through
A word that appears in the opening chapter of The stories editors buy and why; the reader can tap it to hear it and see its dictionary entry.
Constructive
A word that appears in the opening chapter of The stories editors buy and why; the reader can tap it to hear it and see its dictionary entry.
Helpfulness
A word that appears in the opening chapter of The stories editors buy and why; the reader can tap it to hear it and see its dictionary entry.
Creative
A word that appears in the opening chapter of The stories editors buy and why; the reader can tap it to hear it and see its dictionary entry.