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The Story of the Amulet
The Story of the Amulet

Chapter XIII · Chapter 13

Chapter 13 of The Story of the Amulet is here in full — 364 sentences across 73 reading sections, with audio for every sentence and word.

Cover illustration for The Story of the Amulet
Context Illustration Reading 1/72 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE SHIPWRECK ON THE TIN ISLANDS Blue and red,” said Jane softly, make purple.”
Not always they don’t,” said Cyril, it has to be crimson lake and Prussian blue.
If you mix Vermilion and Indigo you get the most loathsome slate colour.”
Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.
They were all painting.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Story of the Amulet

Chapter XIII · Chapter 13

Chapter 13 of The Story of the Amulet is here in full — 364 sentences across 73 reading sections, with audio for every sentence and word.

Reading 1/72 · 5 reading units · Lines 1–5

Line 1
THE SHIPWRECK ON THE TIN ISLANDSBlue and red,” said Jane softly, “make purple.”
Line 2
Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.
Line 3
If you mix Vermilion and Indigo you get the most loathsome slate colour.”
/ɪf juː mɪks vərˈmɪljən ənd ˈɪndəɡoʊ juː ɡet ðə moʊst ˈloʊðsəm sleɪt ˈkʌlər/
Line 4
Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.
Line 5
They were all painting.
/ðeɪ wɜːr ɔːl ˈpeɪntɪŋ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Indigo noun US /ˈɪndəɡoʊ/

a blue dye obtained from plants or made synthetically

From this reading “If you mix Vermilion and Indigo you get the most loathsome slate colour.””

loathsome adjective US /ˈloʊðsəm/

causing or able to cause nausea

From this reading “If you mix Vermilion and Indigo you get the most loathsome slate colour.””

nastiest adjective US /ˈnæstiəst/

superlative of “nasty” — offensive or even (of persons) malicious

From this reading ““Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.”

Prussian noun US /ˈprʌʃən/

a German inhabitant of Prussia

From this reading ““Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.”

shipwreck noun US /ˈʃɪprek/

a wrecked ship (or a part of one)

From this reading “THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.””

slate noun US /sleɪt/

(formerly) a writing tablet made of slate

From this reading “If you mix Vermilion and Indigo you get the most loathsome slate colour.””

sucking noun US /ˈsʌkɪŋ/

the act of sucking

From this reading ““Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.”

Vermilion adjective US /vərˈmɪljən/

of a vivid red to reddish-orange color

From this reading “If you mix Vermilion and Indigo you get the most loathsome slate colour.””

All words in this reading · 47

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading They were all painting.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

BlueadjectiveUS /bluː/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

boxnounUS /bɑːks/

a (usually rectangular) container; may have a lid

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

brushverbUS /brʌʃ/

rub with a brush, or as if with a brush

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

colouradjectiveUS /ˈkʌlər/

having or capable of producing colors

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

crimsonadjectiveUS /ˈkrɪmzən/

of a color at the end of the color spectrum (next to orange); resembling the color of blood or cherries or tomatoes or rubies

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

CyrilnounUS /ˈsɪrəl/

Greek missionary; the invention of the Cyrillic alphabet is attributed to him (826-869)

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

IndigonounUS /ˈɪndəɡoʊ/

a blue dye obtained from plants or made synthetically

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

ISLANDSnounUS /ˈaɪləndz/

plural of “island” — a land mass (smaller than a continent) that is surrounded by water

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

Jane

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

lakenounUS /leɪk/

a body of (usually fresh) water surrounded by land

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

loathsomeadjectiveUS /ˈloʊðsəm/

causing or able to cause nausea

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

makeverbUS /meɪk/

engage in

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

mixverbUS /mɪks/

mix together different elements

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

mostadverbUS /moʊst/

used to form the superlative

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

nastiestadjectiveUS /ˈnæstiəst/

superlative of “nasty” — offensive or even (of persons) malicious

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

NotadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading They were all painting.

PrussiannounUS /ˈprʌʃən/

a German inhabitant of Prussia

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

purplenounUS /ˈpɜːrpəl/

a purple color or pigment

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

rednounUS /red/

red color or pigment; the chromatic color resembling the hue of blood

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

Sepia's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

SHIPWRECKnounUS /ˈʃɪprek/

a wrecked ship (or a part of one)

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

slatenounUS /sleɪt/

(formerly) a writing tablet made of slate

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

softlyadverbUS /ˈsɔːftli/

with low volume

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

suckingnounUS /ˈsʌkɪŋ/

the act of sucking

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading “Sepia’s the nastiest colour in the box, I think,” said Jane, sucking her brush.

TINnounUS /tɪn/

a silvery malleable metallic element that resists corrosion; used in many alloys and to coat other metals to prevent corrosion; obtained chiefly from cassiterite where it occurs as tin oxide

From this reading THE SHIPWRECK ON THE TIN ISLANDS “Blue and red,” said Jane softly, “make purple.”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “Not always they don’t,” said Cyril, “it has to be crimson lake and Prussian blue.

VermilionadjectiveUS /vərˈmɪljən/

of a vivid red to reddish-orange color

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading They were all painting.

youpronounUS /juː/

the person or people being spoken to

From this reading If you mix Vermilion and Indigo you get the most loathsome slate colour.”

Chapter 13 of The Story of the Amulet by E. (Edith) Nesbit holds 364 sentences, grouped into 73 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The Story of the Amulet contain?

Chapter 13 holds 364 sentences of The Story of the Amulet, unabridged, divided into 73 reading sections.

This page carries chapter 13 of The Story of the Amulet by E. (Edith) Nesbit exactly as it stands in the public-domain source edition, without abridgement. It runs to 364 sentences, grouped into 73 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The Story of the Amulet?

Work through the 73 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 73 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Story of the Amulet

Common questions about reading The Story of the Amulet by E. (Edith) Nesbit on this page, its source edition and its audio.

Is this the complete text of The Story of the Amulet?

Yes. All 4855 sentences of Project Gutenberg eBook #837 are kept, with a record of which sentences cover which part.

Which edition of The Story of the Amulet is used?

Project Gutenberg eBook #837, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Story of the Amulet take to read?

About 404 minutes of reading across 971 sections of 5 sentences each, at an unhurried pace.

How to read The Story of the Amulet section by section

How to work through The Story of the Amulet section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 14 chapters of The Story of the Amulet to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Story of the Amulet

Words and structures a reader meets early in The Story of the Amulet, each tappable for pronunciation and meaning.

Children
A word that appears in the opening chapter of The Story of the Amulet; the reader can tap it to hear it and see its dictionary entry.
Spent
A word that appears in the opening chapter of The Story of the Amulet; the reader can tap it to hear it and see its dictionary entry.
Summer
A word that appears in the opening chapter of The Story of the Amulet; the reader can tap it to hear it and see its dictionary entry.
Holidays
A word that appears in the opening chapter of The Story of the Amulet; the reader can tap it to hear it and see its dictionary entry.