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The Summit House Mystery
The Summit House Mystery

Chapter I

Chapter 1 of The Summit House Mystery is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

Cover illustration for The Summit House Mystery
Context Illustration Reading 1/19 · 5 lines
English subtitles · tap any word to listen 1 / 5
Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.
"The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.
Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.
How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.
Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Summit House Mystery

Chapter I

Chapter 1 of The Summit House Mystery is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

Reading 1/19 · 5 reading units · Lines 1–5

Line 1
Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.
Line 2
"The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.
/ðə ˈstɔːriz ðə θɪŋ ɪz ə kriːd tuː wɪtʃ ˈnɑːvəl ˈriːdərz ɑːr səˈpoʊzd tuː ɡɪv juːˈnænəməs ədˈhɪrəns/
Line 3
Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.
/ɑːrt ˈlɪtəreri staɪl ˈstʌdi ʌv ˈkerɪktər ənd ˈʌðər ʌv ðə ˈhaɪər ˈsʌtələr ˈeləmənts ʌv ˈfɪkʃən ɡʊd æz ðeɪ ɑːr ækˈnɑːlɪdʒd tuː biː mʌst jiːld fɜːrst pleɪs tuː ðə ˈstɔːri ənd ˈæftərwərdz ʃɪft fɔːr ðemˈselvz ðə best weɪ ðeɪ meɪ/
Line 4
How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.
Line 5
Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adhere verb US /ədˈhɪr/

be compatible or in accordance with

From this reading “How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.”

adherence noun US /ədˈhɪrəns/

faithful support for a cause or political party or religion

From this reading “"The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.”

exponents noun US /ɪkˈspoʊnənts/

plural of “exponent” — a person who pleads for a cause or propounds an idea

From this reading “How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.”

Madonna noun US /məˈdɑːnə/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading “Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.”

story's noun US /ˈstɔːriz/

possessive form of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading “"The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.”

subtler adjective US /ˈsʌtələr/

comparative of “subtle” — difficult to detect or grasp by the mind or analyze

From this reading “Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.”

unanimous adjective US /juːˈnænəməs/

in complete agreement

From this reading “"The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.”

Unquestionably adverb US /ənˈkwestʃənəbli/

without question

From this reading “Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

literary style adjective + noun

In this reading “Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.”

first place adjective + noun

In this reading “Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.”

best way noun + noun

In this reading “Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

acknowledgedadjectiveUS /ækˈnɑːlɪdʒd/

recognized or made known or admitted

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

adhereverbUS /ədˈhɪr/

be compatible or in accordance with

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

adherencenounUS /ədˈhɪrəns/

faithful support for a cause or political party or religion

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

afterwardsadverbUS /ˈæftərwərdz/

happening at a time subsequent to a reference time

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

Artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

BeggarsnounUS /ˈbeɡərz/

plural of “beggar” — a pauper who lives by begging

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

bestnounUS /best/

the supreme effort one can make

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

controlnounUS /kənˈtroʊl/

power to direct or determine

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

creednounUS /kriːd/

any system of principles or beliefs

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

DaynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

elementsnounUS /ˈeləmənts/

violent or severe weather (viewed as caused by the action of the four elements)

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

etc

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

exponentsnounUS /ɪkˈspoʊnənts/

plural of “exponent” — a person who pleads for a cause or propounds an idea

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

higheradjectiveUS /ˈhaɪər/

advanced in complexity or elaboration

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

MadonnanounUS /məˈdɑːnə/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

pre-eminent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

shiftverbUS /ʃɪft/

make a shift in or exchange of

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

so-calledadjectiveUS /ˈsoʊˈkɔːld/

doubtful or suspect

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

story'snounUS /ˈstɔːriz/

possessive form of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

stylenounUS /staɪl/

how something is done or how it happens

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

subtleradjectiveUS /ˈsʌtələr/

comparative of “subtle” — difficult to detect or grasp by the mind or analyze

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

supposedadjectiveUS /səˈpoʊzd/

required or under orders

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

thereadverbUS /ðer/

in or at that place or location

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

thingnounUS /θɪŋ/

a special situation

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading How many so-called novel readers adhere to this creed is a matter of question--probably not as many as its exponents believe.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

unanimousadjectiveUS /juːˈnænəməs/

in complete agreement

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

UnquestionablyadverbUS /ənˈkwestʃənəbli/

without question

From this reading Unquestionably there are two forms of fiction--the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing.

waynounUS /weɪ/

how something is done or how it happens

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading "The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence.

yieldverbUS /jiːld/

be the cause or source of

From this reading Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may.

Zeit-Geist

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.

Chapter 1 of The Summit House Mystery by L. (Lily) Dougall holds 97 sentences, grouped into 20 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Summit House Mystery contain?

Chapter 1 holds 97 sentences of The Summit House Mystery, unabridged, divided into 20 reading sections.

This page carries chapter 1 of The Summit House Mystery by L. (Lily) Dougall exactly as it stands in the source edition, without abridgement. It runs to 97 sentences, grouped into 20 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Summit House Mystery?

Work through the 20 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 20 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Summit House Mystery

Common questions about reading The Summit House Mystery by L. (Lily) Dougall on this page, its source edition and its audio.

Is this the complete text of The Summit House Mystery?

Yes. All 4087 sentences of Project Gutenberg eBook #55189 are kept, with a record of which sentences cover which part.

Which edition of The Summit House Mystery is used?

Project Gutenberg eBook #55189, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Summit House Mystery take to read?

About 340 minutes of reading across 818 sections of 5 sentences each, at an unhurried pace.

How to read The Summit House Mystery section by section

How to work through The Summit House Mystery section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 35 chapters of The Summit House Mystery to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Summit House Mystery

Words and structures a reader meets early in The Summit House Mystery, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Summit House Mystery; the reader can tap it to hear it and see its dictionary entry.
Beggars
A word that appears in the opening chapter of The Summit House Mystery; the reader can tap it to hear it and see its dictionary entry.
Madonna
A word that appears in the opening chapter of The Summit House Mystery; the reader can tap it to hear it and see its dictionary entry.
Zeit-geist
A word that appears in the opening chapter of The Summit House Mystery; the reader can tap it to hear it and see its dictionary entry.