Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Supernatural in Modern English Fiction
The Supernatural in Modern English Fiction

Chapter III

Chapter 3 of The Supernatural in Modern English Fiction is here in full — 312 sentences across 63 reading sections, with audio for every sentence and word.

Cover illustration for The Supernatural in Modern English Fiction
Context Illustration Reading 1/62 · 5 lines
English subtitles · tap any word to listen 1 / 5
Later Influences The Gothic period marked a change in the vehicle of supernaturalism.
In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.
But Gothicism brought it over frankly into the novel, which was a new thing.
That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.
The ballad, the epic, the drama, had made the ghostly seem credible.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Supernatural in Modern English Fiction

Chapter III

Chapter 3 of The Supernatural in Modern English Fiction is here in full — 312 sentences across 63 reading sections, with audio for every sentence and word.

Reading 1/62 · 5 reading units · Lines 1–5

Line 1
Later Influences The Gothic period marked a change in the vehicle of supernaturalism.
/ˈleɪtər ˈɪnfluːənsɪz ðə ˈɡɑːθɪk ˈpɪriəd mɑːrkt ə tʃeɪndʒ ɪn ðə ˈviːhɪkəl ʌv ˌsuːpərˈnætʃərəlɪzəm/
Line 2
In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.
Line 3
But Gothicism brought it over frankly into the novel, which was a new thing.
Line 4
That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.
/ðæt ɪz ˈnoʊtwɜːrði sɪns ˌsuːpərˈnætʃərəlɪzəm siːmz mɔːr ˈkloʊsli rɪˈleɪtɪd tuː ˈpoʊətri ðæn tuː proʊz ənd æz ðə ˈɜːrli ˈdrɑːməz wɜːr fɔːr ðə moʊst pɑːrt poʊˈetɪk ɪt dɪd nɑːt ˌriːˈkwaɪər sʌtʃ ə stretʃ ʌv ðə ˌɪmædʒəˈneɪʃən tuː ɡɪv ˈkriːdəns tuː ðə əˈnɜːrθli/
Line 5
The ballad, the epic, the drama, had made the ghostly seem credible.
/ðə ˈbæləd ðə ˈepɪk ðə ˈdrɑːmə hæd meɪd ðə ˈɡoʊstli siːm ˈkredəbəl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

credence noun US /ˈkriːdəns/

the mental attitude that something is believable and should be accepted as true

From this reading “That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.”

credible adjective US /ˈkredəbəl/

capable of being believed

From this reading “The ballad, the epic, the drama, had made the ghostly seem credible.”

dramas noun US /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading “That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.”

Elizabethan noun US /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading “In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.”

epic adjective US /ˈepɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading “In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.”

metrical adjective US /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading “In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.”

noteworthy adjective US /ˈnoʊtwɜːrði/

worthy of attention because interesting, significant, or unusual

From this reading “That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.”

supernaturalism noun US /ˌsuːpərˈnætʃərəlɪzəm/

a belief in forces beyond ordinary human understanding

From this reading “Later Influences The Gothic period marked a change in the vehicle of supernaturalism.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

closely related adverb + adjective

In this reading “That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.”

give credence verb + noun

In this reading “That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.”

ancient times adjective + noun

In this reading “In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.”

stretch of verb + particle

In this reading “That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.”

change in verb + particle

In this reading “Later Influences The Gothic period marked a change in the vehicle of supernaturalism.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

balladnounUS /ˈbæləd/

a narrative song with a recurrent refrain

From this reading The ballad, the epic, the drama, had made the ghostly seem credible.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

credencenounUS /ˈkriːdəns/

the mental attitude that something is believable and should be accepted as true

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

credibleadjectiveUS /ˈkredəbəl/

capable of being believed

From this reading The ballad, the epic, the drama, had made the ghostly seem credible.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

dramasnounUS /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

ElizabethannounUS /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

epicadjectiveUS /ˈepɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

expressedadjectiveUS /ɪkˈsprest/

communicated in words

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

franklyadverbUS /ˈfræŋkli/

(used as intensives reflecting the speaker's attitude) it is sincerely the case that

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

ghostlyadjectiveUS /ˈɡoʊstli/

resembling or characteristic of a phantom

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

GothicadjectiveUS /ˈɡɑːθɪk/

characteristic of the style of type commonly used for printing German

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

Gothicism

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

InfluencesnounUS /ˈɪnfluːənsɪz/

plural of “influence” — a power to affect persons or events especially power based on prestige etc

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

LateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The ballad, the epic, the drama, had made the ghostly seem credible.

markedadjectiveUS /mɑːrkt/

strongly marked; easily noticeable

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

medievalism

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

metricaladjectiveUS /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

mostadverbUS /moʊst/

used to form the superlative

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

noteworthyadjectiveUS /ˈnoʊtwɜːrði/

worthy of attention because interesting, significant, or unusual

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

relatedadjectiveUS /rɪˈleɪtɪd/

being connected either logically or causally or by shared characteristics

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

requireverbUS /ˌriːˈkwaɪər/

require as useful, just, or proper

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

romancesnounUS /roʊˈmænsɪz/

plural of “romance” — a relationship between two lovers

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading The ballad, the epic, the drama, had made the ghostly seem credible.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

specificadjectiveUS /spəˈsɪfɪk/

(sometimes followed by “to”) applying to or characterized by or distinguishing something particular or special or unique

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

stretchverbUS /stretʃ/

occupy a large, elongated area

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

supernaturalismnounUS /ˌsuːpərˈnætʃərəlɪzəm/

a belief in forces beyond ordinary human understanding

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

thingnounUS /θɪŋ/

a special situation

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

unearthlyadjectiveUS /əˈnɜːrθli/

concerned with or affecting the spirit or soul

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

vehiclenounUS /ˈviːhɪkəl/

a conveyance that transports people or objects

From this reading Later Influences The Gothic period marked a change in the vehicle of supernaturalism.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In ancient times the ghostly had been expressed in the epic or the drama, in medievalism in the romances, metrical and prose, as in Elizabethan literature the drama was the specific form.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading That is noteworthy, since supernaturalism seems more closely related to poetry than to prose; and as the early dramas were for the most part poetic, it did not require such a stretch of the imagination to give credence to the unearthly.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading But Gothicism brought it over frankly into the novel, which was a new thing.

Chapter 3 of The Supernatural in Modern English Fiction by Dorothy Scarborough holds 312 sentences, grouped into 63 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of The Supernatural in Modern English Fiction contain?

Chapter 3 holds 312 sentences of The Supernatural in Modern English Fiction, unabridged, divided into 63 reading sections.

This page carries chapter 3 of The Supernatural in Modern English Fiction by Dorothy Scarborough exactly as it stands in the source edition, without abridgement. It runs to 312 sentences, grouped into 63 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of The Supernatural in Modern English Fiction?

Work through the 63 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 63 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Supernatural in Modern English Fiction

Common questions about reading The Supernatural in Modern English Fiction by Dorothy Scarborough on this page, its source edition and its audio.

Is this the complete text of The Supernatural in Modern English Fiction?

Yes. All 3972 sentences of Project Gutenberg eBook #47204 are kept, with a record of which sentences cover which part.

Which edition of The Supernatural in Modern English Fiction is used?

Project Gutenberg eBook #47204, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Supernatural in Modern English Fiction take to read?

About 331 minutes of reading across 795 sections of 5 sentences each, at an unhurried pace.

How to read The Supernatural in Modern English Fiction section by section

How to work through The Supernatural in Modern English Fiction section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 9 chapters of The Supernatural in Modern English Fiction to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Supernatural in Modern English Fiction

Words and structures a reader meets early in The Supernatural in Modern English Fiction, each tappable for pronunciation and meaning.

Supernatural
A word that appears in the opening chapter of The Supernatural in Modern English Fiction; the reader can tap it to hear it and see its dictionary entry.
Modern
A word that appears in the opening chapter of The Supernatural in Modern English Fiction; the reader can tap it to hear it and see its dictionary entry.
English
A word that appears in the opening chapter of The Supernatural in Modern English Fiction; the reader can tap it to hear it and see its dictionary entry.
Fiction
A word that appears in the opening chapter of The Supernatural in Modern English Fiction; the reader can tap it to hear it and see its dictionary entry.