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The Survivor
The Survivor

Chapter XI · Chapter 11

Chapter 11 of The Survivor is here in full — 122 sentences across 25 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/24 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.
All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.
When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.
They brought him pen and paper and a box of cigarettes--which he ignored.
Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Survivor

Chapter XI · Chapter 11

Chapter 11 of The Survivor is here in full — 122 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.
/ðə mæn huː ˈnɪrli went ˈʌndər æt ˈmɪdnaɪt ə mæn sæt ˈraɪtɪŋ æt ə desk ɪn ə ˈkɔːrnər ʌv ə ɡreɪt ruːm fʊl ʌv ˈhæŋɪŋ laɪts ə haɪv ʌv ˈɪndəstri/
Line 2
All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.
/ɔːl ərˈaʊnd hɪm wɑːz ðə ˈklɪkɪŋ ʌv ˈtaɪpraɪtərz ðə məˈnɑːtənəs dɪkˈteɪʃən ʌv rɪˈpɔːrtərz ðə ˈtɪŋkəlɪŋ ʌv ˈteləfoʊn belz/
Line 3
When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.
/wen ðeɪ hæd set hɪm daʊn hiːr ðeɪ hæd æskt hɪm ˈweðər ðə ˈnɔɪzɪz wʊd dɪˈstɜːrb hɪm bʌt hiː hæd ˈoʊnli smaɪld ˈɡrɪmli/
Line 4
They brought him pen and paper and a box of cigarettes--which he ignored.
Line 5
Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.
/ðen ðeɪ left hɪm əˈloʊn ənd noʊ saʊnd ɪn ðə ɡreɪt ruːm wɑːz mɔːr ˈkɑːnstənt ðæn ðə ˈskrætʃɪŋ ʌv hɪz pen əˈkrɔːs ðə ˈpeɪpər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cigarettes noun US /ˌsɪɡərˈets/

plural of “cigarette” — finely ground tobacco wrapped in paper; for smoking

From this reading “They brought him pen and paper and a box of cigarettes--which he ignored.”

clicking verb US /ˈklɪkɪŋ/

-ing form of “click” — move or strike with a noise

From this reading “All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.”

dictation noun US /dɪkˈteɪʃən/

an authoritative direction or instruction to do something

From this reading “All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.”

hive noun US /haɪv/

a teeming multitude

From this reading “THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.”

reporters noun US /rɪˈpɔːrtərz/

plural of “reporter” — a person who investigates and reports or edits news stories

From this reading “All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.”

scratching noun US /ˈskrætʃɪŋ/

a harsh noise made by scraping

From this reading “Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.”

tinkling adjective US /ˈtɪŋkəlɪŋ/

like the short high ringing sound of a small bell

From this reading “All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.”

typewriters noun US /ˈtaɪpraɪtərz/

plural of “typewriter” — hand-operated character printer for printing written messages one character at a time

From this reading “All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.”

All words in this reading · 69

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

AtprepositionUS /æt/

in or near a particular place or position

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

bellsnounUS /belz/

plural of “bell” — a hollow device made of metal that makes a ringing sound when struck

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

boxnounUS /bɑːks/

a (usually rectangular) container; may have a lid

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

cigarettesnounUS /ˌsɪɡərˈets/

plural of “cigarette” — finely ground tobacco wrapped in paper; for smoking

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

clickingverbUS /ˈklɪkɪŋ/

-ing form of “click” — move or strike with a noise

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

constantadjectiveUS /ˈkɑːnstənt/

unvarying in nature

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

cornernounUS /ˈkɔːrnər/

a place off to the side of an area

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

desknounUS /desk/

a piece of furniture with a writing surface and usually drawers or other compartments

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

dictationnounUS /dɪkˈteɪʃən/

an authoritative direction or instruction to do something

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

disturbverbUS /dɪˈstɜːrb/

move deeply

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

grimlyadverbUS /ˈɡrɪmli/

in a grim implacable manner

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

hangingnounUS /ˈhæŋɪŋ/

decoration that is hung (as a tapestry) on a wall or over a window

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

hivenounUS /haɪv/

a teeming multitude

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

ignoredadjectiveUS /ˌɪɡˈnɔːrd/

disregarded

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

industrynounUS /ˈɪndəstri/

the people or companies engaged in a particular kind of commercial enterprise

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

MANnounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

midnightnounUS /ˈmɪdnaɪt/

12 o'clock at night; the middle of the night

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

monotonousadjectiveUS /məˈnɑːtənəs/

tediously repetitious or lacking in variety

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

NEARLYadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

nodeterminerUS /noʊ/

not any; not one

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

noisesnounUS /ˈnɔɪzɪz/

plural of “noise” — sound of any kind (especially unintelligible or dissonant sound)

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

papernounUS /ˈpeɪpər/

a material made of cellulose pulp derived mainly from wood or rags or certain grasses

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

pennounUS /pen/

a writing implement with a point from which ink flows

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

reportersnounUS /rɪˈpɔːrtərz/

plural of “reporter” — a person who investigates and reports or edits news stories

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

scratchingnounUS /ˈskrætʃɪŋ/

a harsh noise made by scraping

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

setverbUS /set/

put into a certain place or abstract location

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

smiledverbUS /smaɪld/

past form of “smile” — change one's facial expression by spreading the lips, often to signal pleasure

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

telephonenounUS /ˈteləfoʊn/

electronic equipment that converts sound into electrical signals that can be transmitted over distances and then converts received signals back into sounds

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then they left him alone, and no sound in the great room was more constant than the scratching of his pen across the paper.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

tinklingadjectiveUS /ˈtɪŋkəlɪŋ/

like the short high ringing sound of a small bell

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

typewritersnounUS /ˈtaɪpraɪtərz/

plural of “typewriter” — hand-operated character printer for printing written messages one character at a time

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

UNDERprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading All around him was the clicking of typewriters, the monotonous dictation of reporters, the tinkling of telephone bells.

WENTverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

WhenconjunctionUS /wen/

at the time that

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading They brought him pen and paper and a box of cigarettes--which he ignored.

WHOpronounUS /huː/

which person or people

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading When they had set him down here, they had asked him whether the noises would disturb him, but he had only smiled grimly.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading THE MAN WHO NEARLY WENT UNDER At midnight a man sat writing at a desk in a corner of a great room full of hanging lights, a hive of industry.

Chapter 11 of The Survivor by E. Phillips (Edward Phillips) Oppenheim holds 122 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of The Survivor contain?

Chapter 11 holds 122 sentences of The Survivor, unabridged, divided into 25 reading sections.

This page carries chapter 11 of The Survivor by E. Phillips (Edward Phillips) Oppenheim exactly as it stands in the source edition, without abridgement. It runs to 122 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of The Survivor?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Survivor

Common questions about reading The Survivor by E. Phillips (Edward Phillips) Oppenheim on this page, its source edition and its audio.

Is this the complete text of The Survivor?

Yes. All 5163 sentences of Project Gutenberg eBook #17040 are kept, with a record of which sentences cover which part.

Which edition of The Survivor is used?

Project Gutenberg eBook #17040, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Survivor take to read?

About 430 minutes of reading across 1033 sections of 5 sentences each, at an unhurried pace.

How to read The Survivor section by section

How to work through The Survivor section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 39 chapters of The Survivor to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Survivor

Words and structures a reader meets early in The Survivor, each tappable for pronunciation and meaning.

Chilly
A word that appears in the opening chapter of The Survivor; the reader can tap it to hear it and see its dictionary entry.
Discomfort
A word that appears in the opening chapter of The Survivor; the reader can tap it to hear it and see its dictionary entry.
Farmhouse
A word that appears in the opening chapter of The Survivor; the reader can tap it to hear it and see its dictionary entry.
Parlour
A word that appears in the opening chapter of The Survivor; the reader can tap it to hear it and see its dictionary entry.