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The Tale of Terror
The Tale of Terror

Chapter III · Chapter 3

Chapter 3 of The Tale of Terror is here in full — 229 sentences across 46 reading sections, with audio for every sentence and word.

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To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.
Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.
It was only after it had been received with enthusiasm that he confessed the authorship.
As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.
To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Tale of Terror

Chapter III · Chapter 3

Chapter 3 of The Tale of Terror is here in full — 229 sentences across 46 reading sections, with audio for every sentence and word.

Reading 1/45 · 5 reading units · Lines 1–5

Line 1
To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.
Line 2
Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.
Line 3
It was only after it had been received with enthusiasm that he confessed the authorship.
/ɪt wɑːz ˈoʊnli ˈæftər ɪt hæd bɪn rəˈsiːvd wɪð ɪnˈθuːziæzəm ðæt hiː kənˈfest ðə ˈɔːθərʃɪp/
Line 4
As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.
Line 5
To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

admits verb US /ədˈmɪts/

third-person singular of “admit” — declare to be true or admit the existence or reality or truth of

From this reading “To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.”

authorship noun US /ˈɔːθərʃɪp/

the act of creating written works

From this reading “It was only after it had been received with enthusiasm that he confessed the authorship.”

deplores verb US /dɪˈplɔːrz/

third-person singular of “deplore” — express strong disapproval of

From this reading “To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.”

fattened adjective US /ˈfætənd/

(of market animals) made ready for market

From this reading “As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.”

irregularity noun US /ˌɪreɡjəˈlerəti/

behavior that breaches the rule or etiquette or custom or morality

From this reading “To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.”

Marshall noun US /ˈmɑːrʃəl/

United States actor (1914-1998)

From this reading “Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.”

Strawberry noun US /ˈstrɔːberi/

sweet fleshy red fruit

From this reading “As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.”

Walpole noun US /ˈwɔːlpoʊl/

English writer and historian; son of Sir Robert Walpole (1717-1797)

From this reading “To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.”

All words in this reading · 158

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

14

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

15

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

16

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

17

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

1764

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

Addison

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

admirationnounUS /ˌædmərˈeɪʃən/

a feeling of delighted approval and liking

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

admitsverbUS /ədˈmɪts/

third-person singular of “admit” — declare to be true or admit the existence or reality or truth of

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

afterprepositionUS /ˈæftər/

later than; following

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

agenounUS /eɪdʒ/

how long something has existed

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

amusingadjectiveUS /əˈmjuːzɪŋ/

providing enjoyment; pleasantly entertaining

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

architecturenounUS /ˈɑːrkətektʃər/

an architectural product or work

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

armournounUS /ˈɑːrmər/

a military unit consisting of armored fighting vehicles

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

assignedadjectiveUS /əˈsaɪnd/

appointed to a post or duty

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

atprepositionUS /æt/

in or near a particular place or position

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

authorshipnounUS /ˈɔːθərʃɪp/

the act of creating written works

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

barbarousadjectiveUS /ˈbɑːrbərəs/

(of persons or their actions) able or disposed to inflict pain or suffering

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

BristolnounUS /ˈbrɪstəl/

an industrial city and port in southwestern England near the mouth of the River Avon

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

buildingnounUS /ˈbɪldɪŋ/

a structure that has a roof and walls and stands more or less permanently in one place

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

CastlenounUS /ˈkæsəl/

a large and stately mansion

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

CathedralnounUS /kəˈθiːdrəl/

any large and important church

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

ChristmasnounUS /ˈkrɪsməs/

period extending from Dec. 24 to Jan. 6

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

clearverbUS /klɪr/

rid of obstructions

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

confessedverbUS /kənˈfest/

past form of “confess” — confess to a punishable or reprehensible deed, usually under pressure

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

deploresverbUS /dɪˈplɔːrz/

third-person singular of “deplore” — express strong disapproval of

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

devotedadjectiveUS /dɪˈvoʊtɪd/

zealous in devotion or affection

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

Diffidentadjective

showing modest reserve

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

disguisedadjectiveUS /dɪsˈɡaɪzd/

having its true character concealed with the intent of misleading

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

eighteenthadjectiveUS /eɪˈtiːnθ/

coming next after the seventeenth in position

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

enthusiasmnounUS /ɪnˈθuːziæzəm/

a feeling of excitement

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

EvenounUS /iːv/

(Old Testament) Adam's wife in Judeo-Christian mythology: the first woman and mother of the human race; God created Eve from Adam's rib and placed Adam and Eve in the Garden of Eden

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

everybodypronounUS /ˈevribɑːdi/

every person

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

explainedverbUS /ɪkˈspleɪnd/

past form of “explain” — make plain and comprehensible

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

fancifuladjectiveUS /ˈfænsɪfəl/

indulging in or influenced by fancy

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

fashionableadjectiveUS /ˈfæʃənəbəl/

being or in accordance with current social fashions

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

fattenedadjectiveUS /ˈfætənd/

(of market animals) made ready for market

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

foolnounUS /fuːl/

a person who lacks good judgment

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

forefathersnounUS /ˈfɔːrfɑːðərz/

plural of “forefather” — the founder of a family

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

foundverbUS /faʊnd/

set up or found

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

fourteennounUS /ˈfɔːrˈtiːn/

the cardinal number that is the sum of thirteen and one

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

franklyadverbUS /ˈfræŋkli/

(used as intensives reflecting the speaker's attitude) it is sincerely the case that

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

franticadjectiveUS /ˈfræntɪk/

excessively agitated; distraught with fear or other violent emotion

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

GothicadjectiveUS /ˈɡɑːθɪk/

characteristic of the style of type commonly used for printing German

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

Hannah

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

HillnounUS /hɪl/

a local and well-defined elevation of the land

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

honournounUS /ˈɑːnər/

the state of being honored

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

HoracenounUS /ˈhɔːrəs/

Roman lyric poet said to have influenced English poetry (65-8 BC)

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

impunitynounUS /ˌɪmˈpjuːnɪti/

exemption from punishment or loss

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

instructedverbUS /ˌɪnˈstrʌktəd/

past form of “instruct” — impart skills or knowledge to

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

irregularitynounUS /ˌɪreɡjəˈlerəti/

behavior that breaches the rule or etiquette or custom or morality

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

ItaliannounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

leanverbUS /liːn/

to incline or bend from a vertical position

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

leisurenounUS /ˈleʒər/

time available for ease and relaxation

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

majestynounUS /ˈmædʒəsti/

impressiveness in scale or proportion

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

manifestationnounUS /ˌmænəfeˈsteɪʃən/

a clear appearance

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

MarshallnounUS /ˈmɑːrʃəl/

United States actor (1914-1998)

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

MasonnounUS /ˈmeɪsən/

American Revolutionary leader from Virginia whose objections led to the drafting of the Bill of Rights (1725-1792)

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

mediaevaladjective

relating to or belonging to the Middle Ages

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

milkwoman

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

miniaturenounUS /ˈmɪniətʃʊr/

painting or drawing included in a book (especially in illuminated medieval manuscripts)

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

miraclenounUS /ˈmɪrəkəl/

any amazing or wonderful occurrence

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

MoreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

Muralto

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

Onuphrio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

Otranto

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

playverbUS /pleɪ/

participate in games or sport

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

PopenounUS /poʊp/

the head of the Roman Catholic Church

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

PrefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

puttingnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

receivedadjectiveUS /rəˈsiːvd/

conforming to the established language usage of educated native speakers

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

reproachnounUS /riˈproʊtʃ/

a mild rebuke or criticism

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

reprovingadjective

expressing reproof or reproach especially as a corrective

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

richadjectiveUS /rɪtʃ/

possessing material wealth

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

rightadverbUS /raɪt/

precisely, exactly

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

saintsnounUS /seɪnts/

plural of “saint” — a person who has died and has been declared a saint by canonization

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

sensenounUS /sens/

a general conscious awareness

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

Siena

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

StrawberrynounUS /ˈstrɔːberi/

sweet fleshy red fruit

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

strengthnounUS /streŋkθ/

the property of being physically or mentally strong

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

termnounUS /tɜːrm/

a word or expression used for some particular thing

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

thingnounUS /θɪŋ/

a special situation

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

translationnounUS /trænzˈleɪʃən/

a written communication in a second language having the same meaning as the written communication in a first language

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

triflenounUS /ˈtraɪfəl/

a cold pudding made of layers of sponge cake spread with fruit or jelly; may be decorated with nuts, cream, or chocolate

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

WalpolenounUS /ˈwɔːlpoʊl/

English writer and historian; son of Sir Robert Walpole (1717-1797)

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

waynounUS /weɪ/

how something is done or how it happens

From this reading To Addison, Siena Cathedral was but a "barbarous" building, which might have been a miracle of architecture, had our forefathers "only been instructed in the right way."[17] Pope in his _Preface to Shakespeare_ admits the strength and majesty of the Gothic, but deplores its irregularity.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

whopronounUS /huː/

which person or people

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

whosedeterminerUS /huːz/

belonging to which person

From this reading To Horace Walpole, whose _Castle of Otranto_ was published on Christmas Eve, 1764, must be assigned the honour of having introduced the Gothic romance and of having made it fashionable.

wildadjectiveUS /waɪld/

marked by extreme lack of restraint or control

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

William

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Diffident as to the success of so "wild" a story in an age devoted to good sense and reason, he sent forth his mediaeval tale disguised as a translation from the Italian of "Onuphrio Muralto," by William Marshall.

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

withprepositionUS /wɪð/

in the company of; together with

From this reading It was only after it had been received with enthusiasm that he confessed the authorship.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

yearsnounUS /jɪrz/

a late time of life

From this reading As he explained frankly in a letter to his friend Mason: "It is not everybody that may in this country play the fool with impunity."[14] That Walpole regarded his story merely as a fanciful, amusing trifle is clear from the letter he wrote to Miss Hannah More reproving her for putting so frantic a thing into the hands of a Bristol milkwoman who wrote poetry in her leisure hours.[15] _The Castle of Otranto_ was but another manifestation of that admiration for the Gothic which had found expression fourteen years earlier in his miniature castle at Strawberry Hill, with its old armour and "lean windows fattened with rich saints."[16] The word "Gothic" in the early eighteenth century was used as a term of reproach.

Chapter 3 of The Tale of Terror by Edith Birkhead holds 229 sentences, grouped into 46 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of The Tale of Terror contain?

Chapter 3 holds 229 sentences of The Tale of Terror, unabridged, divided into 46 reading sections.

This page carries chapter 3 of The Tale of Terror by Edith Birkhead exactly as it stands in the source edition, without abridgement. It runs to 229 sentences, grouped into 46 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of The Tale of Terror?

Work through the 46 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 46 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Is this the complete text of The Tale of Terror?

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Which edition of The Tale of Terror is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

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Vocabulary met early in The Tale of Terror

Words and structures a reader meets early in The Tale of Terror, each tappable for pronunciation and meaning.

Chapter 1
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Chapter 2
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Chapter 3
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