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The Tale of Terror
The Tale of Terror

Chapter XIII · Chapter 13

Chapter 13 of The Tale of Terror is here in full — 1138 sentences across 228 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/227 · 5 lines
English subtitles · tap any word to listen 1 / 5
This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.
Such a survey is necessarily incomplete.
For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.
To follow every trail of its influence would lead us far afield.
The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Tale of Terror

Chapter XIII · Chapter 13

Chapter 13 of The Tale of Terror is here in full — 1138 sentences across 228 reading sections, with audio for every sentence and word.

Reading 1/227 · 5 reading units · Lines 1–5

Line 1
This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.
/ðɪs bʊk ɪz æn əˈtempt tuː treɪs ɪn ˈaʊtlaɪn ðə ˈɔːrədʒən ənd dɪˈveləpmənt ʌv ðə ˈɡɑːθɪk roʊˈmæns ənd ðə teɪl ʌv ˈterər/
Line 2
Such a survey is necessarily incomplete.
/sʌtʃ ə sərˈveɪ ɪz ˌnesəˈserəli ˌɪnkəmˈpliːt/
Line 3
For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.
Line 4
To follow every trail of its influence would lead us far afield.
/tuː ˈfɑːloʊ ˈevəri treɪl ʌv ɪts ˈɪnfluːəns wʊd led ʌs fɑːr əˈfiːld/
Line 5
The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

afield adverb US /əˈfiːld/

far away from home or one's usual surroundings

From this reading “To follow every trail of its influence would lead us far afield.”

Babel noun US /ˈbæbəl/

(Genesis 11:1-11) a tower built by Noah's descendants (probably in Babylon) who intended it to reach up to heaven; God foiled them by confusing their language so they could no longer understand one another

From this reading “The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.”

Deluge noun US /ˈdeljuːdʒ/

an overwhelming number or amount

From this reading “The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.”

include verb US /ˌɪnˈkluːd/

have as a part, be made up out of

From this reading “For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.”

incomplete adjective US /ˌɪnkəmˈpliːt/

not complete or total; not completed

From this reading “Such a survey is necessarily incomplete.”

individuality noun US /ˌɪndɪvɪdʒuːˈælɪti/

the quality of being individual

From this reading “For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.”

merged adjective US /mɜːrdʒd/

formed or united into a whole

From this reading “For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.”

scope noun US /skoʊp/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading “For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.”

All words in this reading · 98

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Such a survey is necessarily incomplete.

afieldadverbUS /əˈfiːld/

far away from home or one's usual surroundings

From this reading To follow every trail of its influence would lead us far afield.

afterprepositionUS /ˈæftər/

later than; following

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

atprepositionUS /æt/

in or near a particular place or position

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

attemptnounUS /əˈtempt/

earnest and conscientious activity intended to do or accomplish something

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

BabelnounUS /ˈbæbəl/

(Genesis 11:1-11) a tower built by Noah's descendants (probably in Babylon) who intended it to reach up to heaven; God foiled them by confusing their language so they could no longer understand one another

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

Belshazzar's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

bestnounUS /best/

the supreme effort one can make

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

ByronnounUS /ˈbaɪrən/

English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

CastlenounUS /ˈkæsəl/

a large and stately mansion

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

definitelyadverbUS /ˈdefənətli/

without question and beyond doubt

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

DelugenounUS /ˈdeljuːdʒ/

an overwhelming number or amount

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

developmentnounUS /dɪˈveləpmənt/

act of improving by expanding or enlarging or refining

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

Endor

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading To follow every trail of its influence would lead us far afield.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading To follow every trail of its influence would lead us far afield.

FeastnounUS /fiːst/

a ceremonial dinner party for many people

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

fiftynounUS /ˈfɪfti/

the cardinal number that is the product of ten and five

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

followverbUS /ˈfɑːloʊ/

to travel behind, go after, come after

From this reading To follow every trail of its influence would lead us far afield.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

ghostnounUS /ɡoʊst/

a mental representation of some haunting experience

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

GothicadjectiveUS /ˈɡɑːθɪk/

characteristic of the style of type commonly used for printing German

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

graduallyadverbUS /ˈɡrædʒuːəli/

in a gradual manner

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

includeverbUS /ˌɪnˈkluːd/

have as a part, be made up out of

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

incompleteadjectiveUS /ˌɪnkəmˈpliːt/

not complete or total; not completed

From this reading Such a survey is necessarily incomplete.

individualitynounUS /ˌɪndɪvɪdʒuːˈælɪti/

the quality of being individual

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading To follow every trail of its influence would lead us far afield.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

JobnounUS /dʒɑːb/

the principal activity in your life that you do to earn money

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

leadverbUS /led/

take somebody somewhere

From this reading To follow every trail of its influence would lead us far afield.

legendsnounUS /ˈledʒəndz/

plural of “legend” — a story about mythical or supernatural beings or events

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

magnificentadjectiveUS /mæɡˈnɪfəsənt/

characterized by grandeur

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

mergedadjectiveUS /mɜːrdʒd/

formed or united into a whole

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

necessarilyadverbUS /ˌnesəˈserəli/

in an essential manner

From this reading Such a survey is necessarily incomplete.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

originnounUS /ˈɔːrədʒən/

the place where something begins, where it springs into being

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

Otranto

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

outlinenounUS /ˈaʊtlaɪn/

the line that appears to bound an object

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

publicationnounUS /ˌpʌblɪˈkeɪʃən/

a copy of a printed work offered for distribution

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

rangenounUS /reɪndʒ/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

recognisedadjectiveUS /ˈrekəɡnaɪzd/

provided with a secure reputation

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

Saul's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

scopenounUS /skoʊp/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

sensenounUS /sens/

a general conscious awareness

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

SuchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Such a survey is necessarily incomplete.

surveynounUS /sərˈveɪ/

a detailed critical inspection

From this reading Such a survey is necessarily incomplete.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

termnounUS /tɜːrm/

a word or expression used for some particular thing

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

terrornounUS /ˈterər/

an overwhelming feeling of fear and anxiety

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

TowernounUS /ˈtaʊər/

a structure taller than its diameter; can stand alone or be attached to a larger building

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

tracenounUS /treɪs/

a just detectable amount

From this reading This book is an attempt to trace in outline the origin and development of the Gothic romance and the tale of terror.

trailnounUS /treɪl/

a track or mark left by something that has passed

From this reading To follow every trail of its influence would lead us far afield.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading To follow every trail of its influence would lead us far afield.

usenounUS /juːs/

the act of using

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

VisitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

WallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

wideradjectiveUS /ˈwaɪdər/

comparative of “wide” — having great (or a certain) extent from one side to the other

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

WitchnounUS /wɪtʃ/

a female sorcerer or magician

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading To follow every trail of its influence would lead us far afield.

WritingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading The Tale of Terror, if we use the term in its wider sense, may be said to include the magnificent story of the Writing on the Wall at Belshazzar's Feast, the Book of Job, the legends of the Deluge and of the Tower of Babel, and Saul's Visit to the Witch of Endor, which Byron regarded as the best ghost story in the world.

yearsnounUS /jɪrz/

a late time of life

From this reading For more than fifty years after the publication of _The Castle of Otranto_ the Gothic Romance remained a definitely recognised kind of fiction; but, as the scope of the novel gradually came to include the whole range of human expression, it lost its individuality, and was merged into other forms.

Chapter 13 of The Tale of Terror by Edith Birkhead holds 1138 sentences, grouped into 228 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The Tale of Terror contain?

Chapter 13 holds 1138 sentences of The Tale of Terror, unabridged, divided into 228 reading sections.

This page carries chapter 13 of The Tale of Terror by Edith Birkhead exactly as it stands in the source edition, without abridgement. It runs to 1138 sentences, grouped into 228 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The Tale of Terror?

Work through the 228 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 228 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Tale of Terror

Common questions about reading The Tale of Terror by Edith Birkhead on this page, its source edition and its audio.

Is this the complete text of The Tale of Terror?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Tale of Terror is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Tale of Terror take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The Tale of Terror section by section

How to work through The Tale of Terror section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The Tale of Terror to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Tale of Terror

Words and structures a reader meets early in The Tale of Terror, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Tale of Terror, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The Tale of Terror, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The Tale of Terror, divided into 5-sentence reading sections.