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The Talk of the Town, Volume 2 (of 2)
The Talk of the Town, Volume 2 (of 2)

Chapter XII

Chapter 12 of The Talk of the Town, Volume 2 (of 2) is here in full — 200 sentences across 40 reading sections, with audio for every sentence and word.

Cover illustration for The Talk of the Town, Volume 2 (of 2)
Context Illustration Reading 1/40 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE PLAY.
THE first night of one new play is much the same as that of another, I suppose, all the world over.
The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.
Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.
Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Talk of the Town, Volume 2 (of 2)

Chapter XII

Chapter 12 of The Talk of the Town, Volume 2 (of 2) is here in full — 200 sentences across 40 reading sections, with audio for every sentence and word.

Reading 1/40 · 5 reading units · Lines 1–5

Line 1
THE PLAY.
/ðə pleɪ/
Line 2
THE first night of one new play is much the same as that of another, I suppose, all the world over.
/ðə fɜːrst naɪt ʌv wʌn nuː pleɪ ɪz mʌtʃ ðə seɪm æz ðæt ʌv əˈnʌðər aɪ səˈpoʊz ɔːl ðə wɜːrld ˈoʊvər/
Line 3
The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.
Line 4
Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.
/ˈevribɑːdi huː ɪz ˈenibədi ə ˈtʃɑːrmɪŋ freɪz ˈɪndəkeɪtɪŋ əˈbaʊt wʌn ˈbɪljənθ ʌv ðə ˈhjuːmən reɪs ɪz ðer/
Line 5
Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

author's noun US /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

billionth noun US /ˈbɪljənθ/

position 1,000,000,000 in a countable series of things

From this reading “Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.”

expectancy noun US /ɪkˈspektənsi/

an expectation

From this reading “The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.”

gossips noun US /ˈɡɑːsəps/

plural of “gossip” — light informal conversation for social occasions

From this reading “Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.”

Inferno noun US /ˌɪnˈfɜːrnoʊ/

any place of pain and turmoil

From this reading “Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.”

longs verb US /lɔːŋz/

third-person singular of “long” — desire strongly or persistently

From this reading “The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.”

satins noun US /ˈsætənz/

plural of “satin” — a smooth fabric of silk or rayon; has a glossy face and a dull back

From this reading “The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.”

silks noun US /sɪlks/

the brightly colored garments of a jockey; emblematic of the stable

From this reading “The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

human race adjective + noun

all of the living human inhabitants of the earth

In this reading “Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.”

sick man adjective + noun

In this reading “The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.”

first night adjective + noun

In this reading “THE first night of one new play is much the same as that of another, I suppose, all the world over.”

sits at verb + particle counted as “sit at”

In this reading “The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.”

All words in this reading · 78

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

anybodypronounUS /ˈenibədi/

any person at all

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

atprepositionUS /æt/

in or near a particular place or position

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

backadverbUS /bæk/

in or to or toward a former location

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

beatingnounUS /ˈbiːtɪŋ/

the act of overcoming or outdoing

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

billionthnounUS /ˈbɪljənθ/

position 1,000,000,000 in a countable series of things

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

boxnounUS /bɑːks/

a (usually rectangular) container; may have a lid

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

breastnounUS /brest/

the front of the trunk from the neck to the abdomen

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

charmingadjectiveUS /ˈtʃɑːrmɪŋ/

pleasing or delighting

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

damnedadjectiveUS /dæmd/

expletives used informally as intensifiers

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

doorsnounUS /dɔːrz/

plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

EverybodypronounUS /ˈevribɑːdi/

every person

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

expectancynounUS /ɪkˈspektənsi/

an expectation

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

fashionnounUS /ˈfæʃən/

how something is done or how it happens

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

fastadverbUS /fæst/

quickly or rapidly (often used as a combining form)

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

gossipsnounUS /ˈɡɑːsəps/

plural of “gossip” — light informal conversation for social occasions

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

hushverbUS /hʌʃ/

become quiet or still; fall silent

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

indicatingverbUS /ˈɪndəkeɪtɪŋ/

-ing form of “indicate” — be a signal for or a symptom of

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

InfernonounUS /ˌɪnˈfɜːrnoʊ/

any place of pain and turmoil

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

likeverbUS /laɪk/

prefer or wish to do something

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

longsverbUS /lɔːŋz/

third-person singular of “long” — desire strongly or persistently

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

looseadjectiveUS /luːs/

not compact or dense in structure or arrangement

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

MennounUS /men/

the force of workers available

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

murmurnounUS /ˈmɜːrmər/

a low continuous indistinct sound; often accompanied by movement of the lips without the production of articulate speech

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

nodeterminerUS /noʊ/

not any; not one

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

openingnounUS /ˈoʊpənɪŋ/

an open or empty space in or between things

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

phrasenounUS /freɪz/

an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

PLAYverbUS /pleɪ/

participate in games or sport

From this reading THE PLAY.

playwriters

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

racenounUS /reɪs/

any competition

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

rivalverbUS /ˈraɪvəl/

be equal to in quality or ability

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

rustlingnounUS /ˈrʌslɪŋ/

the stealing of cattle

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

satinsnounUS /ˈsætənz/

plural of “satin” — a smooth fabric of silk or rayon; has a glossy face and a dull back

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

shuttingnounUS /ˈʃʌtɪŋ/

the act of closing something

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

sickadjectiveUS /sɪk/

affected by an impairment of normal physical or mental function

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

silksnounUS /sɪlks/

the brightly colored garments of a jockey; emblematic of the stable

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

sitsverbUS /sɪts/

third-person singular of “sit” — be seated

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

succeededverbUS /səkˈsiːdɪd/

past form of “succeed” — attain success or reach a desired goal

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

supposeverbUS /səˈpoʊz/

express a supposition

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE PLAY.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

thereadverbUS /ðer/

in or at that place or location

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

whopronounUS /huː/

which person or people

From this reading Everybody who is anybody (a charming phrase indicating about one billionth of the human race) is there.

witnounUS /wɪt/

a message whose ingenuity or verbal skill or incongruity has the power to evoke laughter

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

withprepositionUS /wɪð/

in the company of; together with

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading Men of fashion and women of wit: gossips and critics; playwriters who have been damned and hope for company in their Inferno; playwriters who have succeeded, with no love for a new rival; the fast and the loose.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading THE first night of one new play is much the same as that of another, I suppose, all the world over.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The opening and shutting of doors, the rustling of silks and satins, the murmur of expectancy, cannot hush the beating of the young author’s breast, as he sits at the back of the box and longs, like the sick man, for the morning.

Chapter 12 of The Talk of the Town, Volume 2 (of 2) by James Payn holds 200 sentences, grouped into 40 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of The Talk of the Town, Volume 2 (of 2) contain?

Chapter 12 holds 200 sentences of The Talk of the Town, Volume 2 (of 2), unabridged, divided into 40 reading sections.

This page carries chapter 12 of The Talk of the Town, Volume 2 (of 2) by James Payn exactly as it stands in the source edition, without abridgement. It runs to 200 sentences, grouped into 40 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of The Talk of the Town, Volume 2 (of 2)?

Work through the 40 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 40 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Talk of the Town, Volume 2 (of 2)

Common questions about reading The Talk of the Town, Volume 2 (of 2) by James Payn on this page, its source edition and its audio.

Is this the complete text of The Talk of the Town, Volume 2 (of 2)?

Yes. All 2283 sentences of Project Gutenberg eBook #47965 are kept, with a record of which sentences cover which part.

Which edition of The Talk of the Town, Volume 2 (of 2) is used?

Project Gutenberg eBook #47965, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Talk of the Town, Volume 2 (of 2) take to read?

About 190 minutes of reading across 457 sections of 5 sentences each, at an unhurried pace.

How to read The Talk of the Town, Volume 2 (of 2) section by section

How to work through The Talk of the Town, Volume 2 (of 2) section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of The Talk of the Town, Volume 2 (of 2) to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Talk of the Town, Volume 2 (of 2)

Words and structures a reader meets early in The Talk of the Town, Volume 2 (of 2), each tappable for pronunciation and meaning.

Another
A word that appears in the opening chapter of The Talk of the Town, Volume 2 (of 2); the reader can tap it to hear it and see its dictionary entry.
Discovery
A word that appears in the opening chapter of The Talk of the Town, Volume 2 (of 2); the reader can tap it to hear it and see its dictionary entry.
Folks
A word that appears in the opening chapter of The Talk of the Town, Volume 2 (of 2); the reader can tap it to hear it and see its dictionary entry.
Accord
A word that appears in the opening chapter of The Talk of the Town, Volume 2 (of 2); the reader can tap it to hear it and see its dictionary entry.