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The Temptress (La tierra de todos)
The Temptress (La tierra de todos)

Chapter III

Chapter 3 of The Temptress (La tierra de todos) is here in full — 257 sentences across 52 reading sections, with audio for every sentence and word.

Cover illustration for The Temptress (La tierra de todos)
Context Illustration Reading 1/51 · 5 lines
English subtitles · tap any word to listen 1 / 5
The Countess Titonius appeared one day at one of Elena’s teas.
The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.
Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.
Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”
Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Temptress (La tierra de todos)

Chapter III

Chapter 3 of The Temptress (La tierra de todos) is here in full — 257 sentences across 52 reading sections, with audio for every sentence and word.

Reading 1/51 · 5 reading units · Lines 1–5

Line 1
The Countess Titonius appeared one day at one of Elena’s teas.
Line 2
The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.
/ðə ˈkaʊntəs wɑːz ə ˈrʌʃən ˈleɪdi huː hæd ˈmerid ə ˌskændɪˈneɪviən ˈnoʊbəlmən baɪ wɪtʃ ækt ʃiː hæd kæst hɪm ˈɪntuː sʌtʃ kəmˈpliːt ɪˈklɪps ðæt noʊ wʌn kʊd rɪˈmɛm.bər ˈevər ˈhævɪŋ siːn hɪm/
Line 3
Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.
/wel ɑːn ðə weɪ təˈwɔːrd ˈfɪfti ðə ˈkaʊntəs stɪl pəˈzest ðə dreɡz ɔːlˈbiːɪt ˈsʌmˈwʌt ˈmʌdi ʌv ə rɪˈmoʊt bʌt wʌns ˈhedi ˈbjuːti/
Line 4
Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”
Line 5
Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dregs noun US /dreɡz/

sediment that has settled at the bottom of a liquid

From this reading “Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.”

flaccid adjective US /ˈflæksɪd/

drooping without elasticity; wanting in stiffness

From this reading “Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.””

heady adjective US /ˈhedi/

marked by the exercise of good judgment or common sense in practical matters

From this reading “Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.”

obesity noun US /oʊˈbiːsəti/

more than average fatness

From this reading “Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.””

purchasing noun US /ˈpɜːrtʃəsɪŋ/

the act of buying

From this reading “Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.”

reciting verb US /riˈsaɪtɪŋ/

-ing form of “recite” — recite in elocution

From this reading “Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.””

Scandinavian adjective US /ˌskændɪˈneɪviən/

of or relating to Scandinavia or its peoples or cultures

From this reading “The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.”

teas noun US /tiːz/

plural of “tea” — a beverage made by steeping tea leaves in water

From this reading “The Countess Titonius appeared one day at one of Elena’s teas.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

within hearing preposition + noun

In this reading “Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.””

set off verb + particle

put in motion or move to act

In this reading “Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.”

red gold noun + noun

In this reading “Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.”

All words in this reading · 111

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

additionaladjectiveUS /əˈdɪʃənəl/

further or added

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

adornedadjectiveUS /əˈdɔːrnd/

provided with something intended to increase its beauty or distinction

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

albeitconjunctionUS /ɔːlˈbiːɪt/

although

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

AlreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

amorousadjectiveUS /ˈæmərəs/

inclined toward or displaying love

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

anyonepronounUS /ˈeniwʌn/

any person at all

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

atprepositionUS /æt/

in or near a particular place or position

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

barbarousadjectiveUS /ˈbɑːrbərəs/

(of persons or their actions) able or disposed to inflict pain or suffering

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

castverbUS /kæst/

put or send forth

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

circlesnounUS /ˈsɜːrkəlz/

plural of “circle” — ellipse in which the two axes are of equal length; a plane curve generated by one point moving at a constant distance from a fixed point

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

completeverbUS /kəmˈpliːt/

come or bring to a finish or an end

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

CountessnounUS /ˈkaʊntəs/

female equivalent of a count or earl

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

curlsnounUS /kɜːrlz/

plural of “curl” — a round shape formed by a series of concentric circles (as formed by leaves or flower petals)

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

decolleté

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

dollnounUS /dɑːl/

a small replica of a person; used as a toy

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

dregsnounUS /dreɡz/

sediment that has settled at the bottom of a liquid

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

eclipseverbUS /ɪˈklɪps/

be greater in significance than

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

Elena's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

everadverbUS /ˈevər/

at any time

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

fiftynounUS /ˈfɪfti/

the cardinal number that is the product of ten and five

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

five-hundred-weight

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

flaccidadjectiveUS /ˈflæksɪd/

drooping without elasticity; wanting in stiffness

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

fleshnounUS /fleʃ/

the soft tissue of the body of a vertebrate: mainly muscle tissue and fat

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

frequentlyadverbUS /ˈfriːkwəntli/

many times at short intervals

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

generouslyadverbUS /ˈdʒenərəsli/

in a generous manner

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

giganticadjectiveUS /dʒaɪˈɡæntɪk/

so exceedingly large or extensive as to suggest a giant or mammoth

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

goldnounUS /ɡoʊld/

coins made of gold

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

headyadjectiveUS /ˈhedi/

marked by the exercise of good judgment or common sense in practical matters

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

hearingnounUS /ˈhiːrɪŋ/

(law) a proceeding (usually by a court) where evidence is taken for the purpose of determining an issue of fact and reaching a decision based on that evidence

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

HerdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

hollowsnounUS /ˈhɑːloʊz/

plural of “hollow” — a cavity or space in something

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

jewelsnounUS /ˈdʒuːəlz/

plural of “jewel” — a precious or semiprecious stone incorporated into a piece of jewelry

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

ladynounUS /ˈleɪdi/

a polite name for any woman

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

marriedadjectiveUS /ˈmerid/

joined in matrimony

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

mid-afternoon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

movedadjectiveUS /muːvd/

being excited or provoked to the expression of an emotion

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

muddyadjectiveUS /ˈmʌdi/

(of soil) soft and watery

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

nodeterminerUS /noʊ/

not any; not one

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

noblemannounUS /ˈnoʊbəlmən/

a titled peer of the realm

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

obesitynounUS /oʊˈbiːsəti/

more than average fatness

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

onceadverbUS /wʌns/

on one occasion

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

overflowingadjectiveUS /ˈoʊvərfloʊɪŋ/

covered with water

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

perpetuallyadverbUS /pərˈpetʃuːəli/

everlastingly; for all time

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

possessedadjectiveUS /pəˈzest/

influenced or controlled by a powerful force such as a strong emotion

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

purchasingnounUS /ˈpɜːrtʃəsɪŋ/

the act of buying

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

quiveringnounUS /ˈkwɪvərɪŋ/

a shaky motion

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

recitingverbUS /riˈsaɪtɪŋ/

-ing form of “recite” — recite in elocution

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

rednounUS /red/

red color or pigment; the chromatic color resembling the hue of blood

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

referredverbUS /rəˈfɜːrd/

inflected form of “refer” — make reference to

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

remoteadjectiveUS /rɪˈmoʊt/

located far away spatially

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

rotundities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

RussiannounUS /ˈrʌʃən/

a native or inhabitant of Russia

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

ScandinavianadjectiveUS /ˌskændɪˈneɪviən/

of or relating to Scandinavia or its peoples or cultures

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

sentimentaladjectiveUS /ˌsentəˈmentəl/

given to or marked by sentiment or sentimentality

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

servedverbUS /sɜːrvd/

past form of “serve” — serve a purpose, role, or function

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

setverbUS /set/

put into a certain place or abstract location

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

supportnounUS /səˈpɔːrt/

the activity of providing for or maintaining by supplying with money or necessities

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

teasnounUS /tiːz/

plural of “tea” — a beverage made by steeping tea leaves in water

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

Titonius

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Countess Titonius appeared one day at one of Elena’s teas.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

versesnounUS /ˈvɜːrsəz/

plural of “verse” — literature in metrical form

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

waynounUS /weɪ/

how something is done or how it happens

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

WelladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Well on the way toward fifty, the Countess still possessed the dregs, albeit somewhat muddy, of a remote but once heady beauty.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

whitenounUS /waɪt/

a Caucasian

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

whopronounUS /huː/

which person or people

From this reading The Countess was a Russian lady who had married a Scandinavian nobleman, by which act she had cast him into such complete eclipse that no one could remember ever having seen him.

wignounUS /wɪɡ/

hairpiece covering the head and made of real or synthetic hair

From this reading Already generously decolleté by mid-afternoon, her gigantic and barbarous jewels adorned the hollows and rotundities of her quivering flesh, or set off the high lights of a red gold wig for which the Countess was perpetually purchasing additional curls.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Her overflowing obesity, her white and flaccid flesh, now served as the support for a head and face much like those of a sentimental doll; and as the Countess was given to writing amorous verses and reciting them to anyone within hearing, she was frequently referred to in the circles in which she moved, as “the five-hundred-weight of poetry.”

Chapter 3 of The Temptress (La tierra de todos) by Vicente Blasco Ibáñez holds 257 sentences, grouped into 52 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of The Temptress (La tierra de todos) contain?

Chapter 3 holds 257 sentences of The Temptress (La tierra de todos), unabridged, divided into 52 reading sections.

This page carries chapter 3 of The Temptress (La tierra de todos) by Vicente Blasco Ibáñez exactly as it stands in the source edition, without abridgement. It runs to 257 sentences, grouped into 52 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of The Temptress (La tierra de todos)?

Work through the 52 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 52 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Temptress (La tierra de todos)

Common questions about reading The Temptress (La tierra de todos) by Vicente Blasco Ibáñez on this page, its source edition and its audio.

Is this the complete text of The Temptress (La tierra de todos)?

Yes. All 5582 sentences of Project Gutenberg eBook #63649 are kept, with a record of which sentences cover which part.

Which edition of The Temptress (La tierra de todos) is used?

Project Gutenberg eBook #63649, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Temptress (La tierra de todos) take to read?

About 465 minutes of reading across 1117 sections of 5 sentences each, at an unhurried pace.

How to read The Temptress (La tierra de todos) section by section

How to work through The Temptress (La tierra de todos) section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 20 chapters of The Temptress (La tierra de todos) to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Temptress (La tierra de todos)

Words and structures a reader meets early in The Temptress (La tierra de todos), each tappable for pronunciation and meaning.

Usual
A word that appears in the opening chapter of The Temptress (La tierra de todos); the reader can tap it to hear it and see its dictionary entry.
Marquis
A word that appears in the opening chapter of The Temptress (La tierra de todos); the reader can tap it to hear it and see its dictionary entry.
Torre
A word that appears in the opening chapter of The Temptress (La tierra de todos); the reader can tap it to hear it and see its dictionary entry.
Bianca
A word that appears in the opening chapter of The Temptress (La tierra de todos); the reader can tap it to hear it and see its dictionary entry.