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The Third Miss Symons
The Third Miss Symons

Chapter I

Chapter 1 of The Third Miss Symons is here in full — 105 sentences across 21 reading sections, with audio for every sentence and word.

Cover illustration for The Third Miss Symons
Context Illustration Reading 1/21 · 5 lines
English subtitles · tap any word to listen 1 / 5
_With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.
Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.
Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.
Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.
Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Third Miss Symons

Chapter I

Chapter 1 of The Third Miss Symons is here in full — 105 sentences across 21 reading sections, with audio for every sentence and word.

Reading 1/21 · 5 reading units · Lines 1–5

Line 1
_With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.
/wɪð ə ˈprefəs baɪ dʒɑːn ˈmeɪzfiːld mɪs ˈmeɪərz ˈstɔːri ɪz ʌv ə ˈdeləkət ˈkwɑːləti nɑːt ˈkɑːmən hiːr ðoʊ əˈkɜːrɪŋ æt ˈɪntərvəlz ənd ˈɔːlweɪz ʃʊr ʌv ə tʃɔɪs ɪf nɑːt ˈveri lɑːrdʒ ˈɑːdiəns əˈmʌŋ ðoʊz huː laɪk ɪn ɑːrt ðə rəˈfaɪnd ˈmuːvmənt ənd ðə ˈdʒentəl laɪn/
Line 2
Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.
Line 3
Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.
/mɪs ˈmeɪər telz ðɪs ˈstɔːri wɪð ˈsɪŋɡjələr skɪl mɔːr baɪ ˈkɑːntræst ðæn baɪ ˈdrɑːmə ˈbrɪŋɪŋ hɜːr tʃiːf ˈkerɪktər ˈɪntuː rɪˈliːf əˈɡenst hɜːr wɜːrld æz ɪt ˈpæsəz ɪn swɪft prəˈseʃən/
Line 4
Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.
/hɜːr teɪl ɪz ɪn ə fɔːrm bɪˈkʌmɪŋ ˈkɑːmən əˈmʌŋ ˈaʊər best ˈraɪtərz ɪt ɪz kəmˈprest ˈɪntuː ə speɪs əˈbaʊt ə θɜːrd æz lɔːŋ æz ðə ˈɔːrdəneri ˈnɑːvəl jet fɔːrm ənd ˈmænər ɑːr soʊ ˈkloʊsli ˈsuːtɪd ðæt ɔːl ɪz toʊld ənd ˈnʌθɪŋ siːmz ˈslaɪtli dʌn ɔːr wɜːrkt wɪð tuː ˈræpəd ə hænd/
Line 5
Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Masefield noun US /ˈmeɪzfiːld/

English poet (1878-1967)

Mayor's noun US /ˈmeɪərz/

possessive form of “mayor” — the head of a city government

From this reading “_With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.”

obstruct verb US /əbˈstrʌkt/

hinder or prevent the progress or accomplishment of

From this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

pathology noun US /pəˈθɑːlədʒi/

the branch of medical science that studies the causes and nature and effects of diseases

From this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

platitude noun US /ˈplætɪtuːd/

a trite or obvious remark

From this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

reader's noun US /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

From this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

unabated adjective US /ˌʌnəˈbeɪtɪd/

continuing at full strength or intensity

From this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

wasteful adjective US /ˈweɪstfəl/

inefficient in use of time and effort and materials

From this reading “Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

modern novel adjective + noun

In this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

swift movement adjective + noun

In this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

at intervals preposition + noun counted as “at interval”

In this reading “_With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.”

goes on verb + particle counted as “go on”

continue a certain state, condition, or activity

In this reading “Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.”

common enough adjective + noun

In this reading “Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.”

by contrast preposition + noun

In this reading “Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.”

All words in this reading · 156

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

analysisnounUS /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

atprepositionUS /æt/

in or near a particular place or position

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

becomingadjectiveUS /bɪˈkʌmɪŋ/

according with custom or propriety

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

bestnounUS /best/

the supreme effort one can make

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

bringingnounUS /ˈbrɪŋɪŋ/

the act of delivering or distributing something (as goods or mail)

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

byprepositionUS /baɪ/

showing who or what does the action

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

chosennounUS /ˈtʃoʊzən/

one who is the object of choice; who is given preference

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

commentnounUS /ˈkɑːment/

a statement that expresses a personal opinion or belief or adds information

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

commonlyadverbUS /ˈkɑːmənli/

under normal conditions

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

commonnessnoun

the state of being that is commonly observed

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

compressedadjectiveUS /kəmˈprest/

pressed tightly together

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

condenses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

couplenounUS /ˈkʌpəl/

a pair who associate with one another

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

delayverbUS /dɪˈleɪ/

cause to be slowed down or delayed

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

delicateadjectiveUS /ˈdeləkət/

exquisitely fine and subtle and pleasing; susceptible to injury

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

descriptionsnounUS /dɪˈskrɪpʃənz/

plural of “description” — a statement that represents something in words

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

eyesnounUS /aɪz/

opinion or judgment

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

freshnessnounUS /ˈfreʃnəs/

the property of being pure and fresh (as if newly made); not stale or deteriorated

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

futilitynounUS /fjuːˈtɪləti/

uselessness as a consequence of having no practical result

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

generationnounUS /ˌdʒenərˈeɪʃən/

all the people living at the same time or of approximately the same age

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

gentleadjectiveUS /ˈdʒentəl/

soft and mild; not harsh or stern or severe

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

gettingnounUS /ˈɡetɪŋ/

the act of acquiring something

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

goesnounUS /ɡoʊz/

plural of “go” — a time period for working (after which you will be relieved by someone else)

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

HerdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

idleadjectiveUS /ˈaɪdəl/

not in action or at work

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

intervalsnounUS /ˈɪntərvəlz/

plural of “interval” — a definite length of time marked off by two instants

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

JohnnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

justadverbUS /dʒʌst/

and nothing more

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

justificationnounUS /ˌdʒʌstəfəˈkeɪʃən/

something (such as a fact or circumstance) that shows an action to be reasonable or necessary

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

keepingnounUS /ˈkiːpɪŋ/

conformity or harmony

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

lastadjectiveUS /læst/

immediately past

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

leisurenounUS /ˈleʒər/

time available for ease and relaxation

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

likeverbUS /laɪk/

prefer or wish to do something

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

MasefieldnounUS /ˈmeɪzfiːld/

English poet (1878-1967)

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

MayornounUS /ˈmeɪər/

the head of a city government

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

Mayor'snounUS /ˈmeɪərz/

possessive form of “mayor” — the head of a city government

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

methodnounUS /ˈmeθəd/

a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

MuchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

nervousadjectiveUS /ˈnɜːrvəs/

easily agitated

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

obstructverbUS /əbˈstrʌkt/

hinder or prevent the progress or accomplishment of

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

occurringverbUS /əˈkɜːrɪŋ/

inflected form of “occur” — come to pass

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

omittedverbUS /oʊˈmɪtəd/

inflected form of “omit” — prevent from being included or considered or accepted

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

opportunitiesnounUS /ˌɑːpərˈtuːnətiz/

plural of “opportunity” — a possibility due to a favorable combination of circumstances

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

passesnounUS /ˈpæsəz/

plural of “pass” — (baseball) an advance to first base by a batter who receives four balls

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

pathologynounUS /pəˈθɑːlədʒi/

the branch of medical science that studies the causes and nature and effects of diseases

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

permittedverbUS /pərˈmɪtɪd/

inflected form of “permit” — consent to, give permission

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

platitudenounUS /ˈplætɪtuːd/

a trite or obvious remark

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

PrefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

processionnounUS /prəˈseʃən/

(theology) the origination of the Holy Spirit at Pentecost

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

psychologynounUS /saɪˈkɑːlədʒi/

the science of mental life

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

rapidadjectiveUS /ˈræpəd/

done or occurring in a brief period of time

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

reader'snounUS /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

refinedadjectiveUS /rəˈfaɪnd/

(used of persons and their behavior) cultivated and genteel

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

reliefnounUS /rɪˈliːf/

the feeling that comes when something burdensome is removed or reduced

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

roughlyadverbUS /ˈrʌfli/

(of quantities) imprecise but fairly close to correct

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

shrewdadjectiveUS /ʃruːd/

marked by practical hardheaded intelligence

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

singularadjectiveUS /ˈsɪŋɡjələr/

unusual or striking

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

skillnounUS /skɪl/

an ability that has been acquired by training

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

slightlyadverbUS /ˈslaɪtli/

to a small degree or extent

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

spacenounUS /speɪs/

the unlimited expanse in which everything is located

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

suitedadjectiveUS /ˈsuːtɪd/

meant or adapted for an occasion or use

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

sureadjectiveUS /ʃʊr/

having or feeling no doubt or uncertainty; confident and assured

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

swiftadjectiveUS /swɪft/

moving very fast

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

tellsnounUS /telz/

plural of “tell” — a Swiss patriot who lived in the early 14th century and who was renowned for his skill as an archer

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

temptationsnounUS /temˈteɪʃənz/

plural of “temptation” — something that seduces or has the quality to seduce

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

tiresomeadjectiveUS /ˈtaɪərsəm/

so lacking in interest as to cause mental weariness

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

unabatedadjectiveUS /ˌʌnəˈbeɪtɪd/

continuing at full strength or intensity

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

unmarriedadjectiveUS /ənˈmerid/

not married or related to the unmarried state

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

wastedadjectiveUS /ˈweɪstɪd/

serving no useful purpose; having no excuse for being

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

wastefuladjectiveUS /ˈweɪstfəl/

inefficient in use of time and effort and materials

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

whopronounUS /huː/

which person or people

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

whosedeterminerUS /huːz/

belonging to which person

From this reading Much that is tiresome in the modern novel, the pages of analysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and platitude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated.

WithprepositionUS /wɪð/

in the company of; together with

From this reading _With a Preface by John Masefield_ Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it passes in swift procession.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just.

yetconjunctionUS /jet/

but in spite of that

From this reading Her tale is in a form becoming common among our best writers; it is compressed into a space about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

Chapter 1 of The Third Miss Symons by F. M. (Flora Macdonald) Mayor holds 105 sentences, grouped into 21 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Third Miss Symons contain?

Chapter 1 holds 105 sentences of The Third Miss Symons, unabridged, divided into 21 reading sections.

This page carries chapter 1 of The Third Miss Symons by F. M. (Flora Macdonald) Mayor exactly as it stands in the source edition, without abridgement. It runs to 105 sentences, grouped into 21 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Third Miss Symons?

Work through the 21 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 21 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Third Miss Symons

Common questions about reading The Third Miss Symons by F. M. (Flora Macdonald) Mayor on this page, its source edition and its audio.

Is this the complete text of The Third Miss Symons?

Yes. All 1466 sentences of Project Gutenberg eBook #27071 are kept, with a record of which sentences cover which part.

Which edition of The Third Miss Symons is used?

Project Gutenberg eBook #27071, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Third Miss Symons take to read?

About 122 minutes of reading across 294 sections of 5 sentences each, at an unhurried pace.

How to read The Third Miss Symons section by section

How to work through The Third Miss Symons section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of The Third Miss Symons to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Third Miss Symons

Words and structures a reader meets early in The Third Miss Symons, each tappable for pronunciation and meaning.

Preface
A word that appears in the opening chapter of The Third Miss Symons; the reader can tap it to hear it and see its dictionary entry.
Masefield
A word that appears in the opening chapter of The Third Miss Symons; the reader can tap it to hear it and see its dictionary entry.
Mayor's
A word that appears in the opening chapter of The Third Miss Symons; the reader can tap it to hear it and see its dictionary entry.
Story
A word that appears in the opening chapter of The Third Miss Symons; the reader can tap it to hear it and see its dictionary entry.