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The Three Cities Trilogy: Rome, Volume 4
The Three Cities Trilogy: Rome, Volume 4

Chapter IV · Chapter 4

Chapter 4 of The Three Cities Trilogy: Rome, Volume 4 is here in full — 451 sentences across 91 reading sections, with audio for every sentence and word.

Cover illustration for The Three Cities Trilogy: Rome, Volume 4
Context Illustration Reading 1/90 · 5 lines
English subtitles · tap any word to listen 1 / 5
His conviction was immediate and absolute.
But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"
The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.
Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.
"But she's dead," he said.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Three Cities Trilogy: Rome, Volume 4

Chapter IV · Chapter 4

Chapter 4 of The Three Cities Trilogy: Rome, Volume 4 is here in full — 451 sentences across 91 reading sections, with audio for every sentence and word.

Reading 1/90 · 5 reading units · Lines 1–5

Line 1
His conviction was immediate and absolute.
/hɪz kənˈvɪkʃən wɑːz ˌɪˈmiːdiːət ənd ˈæbsəluːt/
Line 2
But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"
Line 3
The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.
Line 4
Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.
Line 5
"But she's dead," he said.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aqueduct noun US /ˈækwədʌkt/

a conduit that resembles a bridge but carries water over a valley

From this reading “The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.”

climb verb US /klaɪm/

go upward with gradual or continuous progress

From this reading “The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.”

culprit noun US /ˈkʌlprɪt/

someone who perpetrates wrongdoing

From this reading “Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.”

hen noun US /hen/

adult female chicken

From this reading “But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"”

impelled adjective US /ˌɪmˈpeld/

urged or forced to action through moral pressure

From this reading “Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.”

pines noun US /paɪnz/

plural of “pine” — a coniferous tree

From this reading “The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.”

premeditate verb US /priˈmedəteɪt/

consider, ponder, or plan (an action) beforehand

From this reading “Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.”

shuddered verb US /ˈʃʌdərd/

past form of “shudder” — shake, as from cold

From this reading “Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.”

All words in this reading · 77

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

absoluteadjectiveUS /ˈæbsəluːt/

perfect or complete or pure

From this reading His conviction was immediate and absolute.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading His conviction was immediate and absolute.

answeredverbUS /ˈænsərd/

past form of “answer” — react verbally

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

aqueductnounUS /ˈækwədʌkt/

a conduit that resembles a bridge but carries water over a valley

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

byprepositionUS /baɪ/

showing who or what does the action

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

carriagenounUS /ˈkærɪdʒ/

a railcar where passengers ride

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

climbverbUS /klaɪm/

go upward with gradual or continuous progress

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

convictionnounUS /kənˈvɪkʃən/

an unshakable belief in something without need for proof or evidence

From this reading His conviction was immediate and absolute.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

culpritnounUS /ˈkʌlprɪt/

someone who perpetrates wrongdoing

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading "But she's dead," he said.

decideverbUS /ˌdɪˈsaɪd/

reach, make, or come to a decision about something

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

exclaimedverbUS /ɪkˈskleɪmd/

past form of “exclaim” — utter aloud; often with surprise, horror, or joy

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

hennounUS /hen/

adult female chicken

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His conviction was immediate and absolute.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading His conviction was immediate and absolute.

impelledadjectiveUS /ˌɪmˈpeld/

urged or forced to action through moral pressure

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

instinctnounUS /ˈɪnstɪŋkt/

inborn pattern of behavior often responsive to specific stimuli

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

it's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

lettingnounUS /ˈletɪŋ/

property that is leased or rented out or let

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

lieverbUS /laɪ/

be located or situated somewhere; occupy a certain position

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

matternounUS /ˈmætər/

a vaguely specified concern

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

obtainverbUS /əbˈteɪn/

come into possession of

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

parasolnoun

a handheld collapsible source of shade

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

PierrenounUS /piˈer/

capital of the state of South Dakota; located in central South Dakota on the Missouri river

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

pinesnounUS /paɪnz/

plural of “pine” — a coniferous tree

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

Prada

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

premeditateverbUS /priˈmedəteɪt/

consider, ponder, or plan (an action) beforehand

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

rearnounUS /rɪr/

the back of a military formation or procession

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

ruinedadjectiveUS /ˈruːənd/

destroyed physically or morally

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading "But she's dead," he said.

Santobono

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

she's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "But she's dead," he said.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

shudderedverbUS /ˈʃʌdərd/

past form of “shudder” — shake, as from cold

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

takeverbUS /teɪk/

carry out

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

timenounUS /taɪm/

an instance or single occasion for some event

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading His conviction was immediate and absolute.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

whatpronounUS /wʌt/

used to ask for information about something

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

what's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct.

whopronounUS /huː/

which person or people

From this reading The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

withprepositionUS /wɪð/

in the company of; together with

From this reading But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

Chapter 4 of The Three Cities Trilogy: Rome, Volume 4 by Émile Zola holds 451 sentences, grouped into 91 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Three Cities Trilogy: Rome, Volume 4 contain?

Chapter 4 holds 451 sentences of The Three Cities Trilogy: Rome, Volume 4, unabridged, divided into 91 reading sections.

This page carries chapter 4 of The Three Cities Trilogy: Rome, Volume 4 by Émile Zola exactly as it stands in the source edition, without abridgement. It runs to 451 sentences, grouped into 91 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Three Cities Trilogy: Rome, Volume 4?

Work through the 91 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 91 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Three Cities Trilogy: Rome, Volume 4

Common questions about reading The Three Cities Trilogy: Rome, Volume 4 by Émile Zola on this page, its source edition and its audio.

Is this the complete text of The Three Cities Trilogy: Rome, Volume 4?

Yes. All 2693 sentences of Project Gutenberg eBook #8724 are kept, with a record of which sentences cover which part.

Which edition of The Three Cities Trilogy: Rome, Volume 4 is used?

Project Gutenberg eBook #8724, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Three Cities Trilogy: Rome, Volume 4 take to read?

About 224 minutes of reading across 539 sections of 5 sentences each, at an unhurried pace.

How to read The Three Cities Trilogy: Rome, Volume 4 section by section

How to work through The Three Cities Trilogy: Rome, Volume 4 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of The Three Cities Trilogy: Rome, Volume 4 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Three Cities Trilogy: Rome, Volume 4

Words and structures a reader meets early in The Three Cities Trilogy: Rome, Volume 4, each tappable for pronunciation and meaning.

Anxiety
A word that appears in the opening chapter of The Three Cities Trilogy: Rome, Volume 4; the reader can tap it to hear it and see its dictionary entry.
Bring
A word that appears in the opening chapter of The Three Cities Trilogy: Rome, Volume 4; the reader can tap it to hear it and see its dictionary entry.
Things
A word that appears in the opening chapter of The Three Cities Trilogy: Rome, Volume 4; the reader can tap it to hear it and see its dictionary entry.
Finish
A word that appears in the opening chapter of The Three Cities Trilogy: Rome, Volume 4; the reader can tap it to hear it and see its dictionary entry.