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The Three Fates
The Three Fates

Chapter XXV

Chapter 25 of The Three Fates is here in full — 349 sentences across 70 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/69 · 5 lines
English subtitles · tap any word to listen 1 / 5
George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.
The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.
He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.
It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.
A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Three Fates

Chapter XXV

Chapter 25 of The Three Fates is here in full — 349 sentences across 70 reading sections, with audio for every sentence and word.

Reading 1/69 · 5 reading units · Lines 1–5

Line 1
George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.
Line 2
The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.
/ðə saɪt ʌv ˈbjuːtəfəl ˈɑːbdʒekts hæd ˈɔːlweɪz ˈɡɪvən hɪm ˈpleʒər bʌt ɑːn ðə ˈʌðər hænd hɪz maɪnd riˈzentɪd ənd əbˈhɔːrd əˈlaɪk dɪˈsɔːrdər ənd ˈsensləs prəˈfjuːʒən/
Line 3
He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.
/hiː hæd noʊ tʌtʃ ɪn hɪz ˌkɑːmpəˈzɪʃən ʌv ðæt ˈmɑːdərn teɪst wɪtʃ dɪˈlaɪts ɪn prəˈduːsɪŋ ə ˈsɜːrtən toʊn ʌv ˈkʌlər ɪn ə ruːm baɪ ˈfɪlɪŋ ɪt wɪð ɔːl sɔːrts ʌv ˌhetərəˈdʒiːnjəs ənd ˈjuːsləs ˈɑːrtəkəlz ʌv ɔːl ˈpɪriədz ənd kəˈlektəd aʊt ʌv ɔːl ˈkʌntriz/
Line 4
It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.
/ɪt wɑːz nɑːt səˈfɪʃənt ɪn hɪz aɪz ðæt æn ˈɑːbdʒekt ʃʊd biː ʌv ɡreɪt ˈvæljuː ɔːr ʌv ɡreɪt ˈbjuːti ɔːr ðæt ɪt ʃʊd pəˈzes boʊθ æt wʌns ɪt wɑːz ˈnesəseri ˈɔːlsoʊ ðæt ɪt ʃʊd biː soʊ pleɪst æz tuː əˈkwaɪər ə raɪt tuː ɪts pəˈzɪʃən ənd tuː ɪts sərˈaʊndɪŋz/
Line 5
A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abhorred verb US /əbˈhɔːrd/

inflected form of “abhor” — find repugnant

From this reading “The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.”

acquire verb US /əˈkwaɪər/

come into the possession of something concrete or abstract

From this reading “It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.”

embroidery noun US /emˈbrɔɪdəri/

elaboration of an interpretation by the use of decorative (sometimes fictitious) detail

From this reading “A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.”

heterogeneous adjective US /ˌhetərəˈdʒiːnjəs/

consisting of elements that are not of the same kind or nature

From this reading “He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.”

periods noun US /ˈpɪriədz/

plural of “period” — an amount of time

From this reading “He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.”

profusion noun US /prəˈfjuːʒən/

the property of being extremely abundant

From this reading “The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.”

tile noun US /taɪl/

a flat thin rectangular slab (as of fired clay or rubber or linoleum) used to cover surfaces

From this reading “A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.”

Wood's noun US /wʊdz/

possessive form of “wood” — the hard fibrous lignified substance under the bark of trees

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

at once preposition + adverb

without delay or hesitation; with no time intervening

In this reading “It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.”

first impression adjective + noun

In this reading “George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.”

general effect adjective + noun

In this reading “A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.”

great value adjective + noun

In this reading “It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.”

other hand adjective + noun

In this reading “The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.”

all sorts adjective + noun counted as “all sort”

In this reading “He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.”

beautiful objects adjective + noun counted as “beautiful object”

In this reading “The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.”

great beauty adjective + noun

In this reading “It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.”

All words in this reading · 127

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

abhorredverbUS /əbˈhɔːrd/

inflected form of “abhor” — find repugnant

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

acquireverbUS /əˈkwaɪər/

come into the possession of something concrete or abstract

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

alikeadverbUS /əˈlaɪk/

equally

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

articlesnounUS /ˈɑːrtəkəlz/

plural of “article” — nonfictional prose forming an independent part of a publication

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

atprepositionUS /æt/

in or near a particular place or position

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

byprepositionUS /baɪ/

showing who or what does the action

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

collectedadjectiveUS /kəˈlektəd/

brought together in one place

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

colouradjectiveUS /ˈkʌlər/

having or capable of producing colors

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

countriesnounUS /ˈkʌntriz/

plural of “country” — a politically organized body of people under a single government

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

Craik's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

delightsnounUS /dɪˈlaɪts/

plural of “delight” — a feeling of extreme pleasure or satisfaction

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

dishnounUS /dɪʃ/

a piece of dishware normally used as a container for holding or serving food

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

disordernounUS /dɪˈsɔːrdər/

a physical condition in which there is a disturbance of normal functioning

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

embroiderynounUS /emˈbrɔɪdəri/

elaboration of an interpretation by the use of decorative (sometimes fictitious) detail

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

eyesnounUS /aɪz/

opinion or judgment

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

failedverbUS /feɪld/

past form of “fail” — fail to do something; leave something undone

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

fillingnounUS /ˈfɪlɪŋ/

any material that fills a space or container

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

gentleman'snounUS /ˈdʒentəlmʌnz/

possessive form of “gentleman” — a man of refinement

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

GeorgenounUS /dʒɔːrdʒ/

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

harmoniseverb

go together

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

heterogeneousadjectiveUS /ˌhetərəˈdʒiːnjəs/

consisting of elements that are not of the same kind or nature

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

insideadjectiveUS /ˌɪnˈsaɪd/

relating to or being on the side closer to the center or within a defined space

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

ItaliannounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

JohnsonnounUS /ˈdʒɑːnsən/

English writer and lexicographer (1709-1784)

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

nodeterminerUS /noʊ/

not any; not one

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

objectsnounUS /ˈɑːbdʒekts/

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

onceadverbUS /wʌns/

on one occasion

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

periodsnounUS /ˈpɪriədz/

plural of “period” — an amount of time

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

periwignoun

a wig for men that was fashionable in the 17th and 18th centuries

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

placedadjectiveUS /pleɪst/

situated in a particular spot or position

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

possessverbUS /pəˈzes/

have as an attribute, knowledge, or skill

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

producingverbUS /prəˈduːsɪŋ/

-ing form of “produce” — bring forth or yield

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

profusionnounUS /prəˈfjuːʒən/

the property of being extremely abundant

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

remarkedverbUS /rɪˈmɑːrkt/

past form of “remark” — make mention of

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

resentedverbUS /riˈzentɪd/

past form of “resent” — feel bitter or indignant about

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

rightadverbUS /raɪt/

precisely, exactly

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

senselessadjectiveUS /ˈsensləs/

not marked by the use of reason

From this reading The sight of beautiful objects had always given him pleasure, but, on the other hand, his mind resented and abhorred alike disorder and senseless profusion.

setverbUS /set/

put into a certain place or abstract location

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

sightnounUS /saɪt/

an instance of visual perception

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

singularadjectiveUS /ˈsɪŋɡjələr/

unusual or striking

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

sortsnounUS /sɔːrts/

plural of “sort” — a category of things distinguished by some common characteristic or quality

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

soup-tureen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

Spanish-Moorish

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

spoilverbUS /spɔɪl/

make a mess of, destroy or ruin

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

sufficientadjectiveUS /səˈfɪʃənt/

of a quantity that can fulfill a need or requirement but without being abundant

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

surroundingsnounUS /sərˈaʊndɪŋz/

the environmental condition

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

tilenounUS /taɪl/

a flat thin rectangular slab (as of fired clay or rubber or linoleum) used to cover surfaces

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

tonenounUS /toʊn/

the quality of a person's voice

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

TurkishadjectiveUS /ˈtɜːrkɪʃ/

of or relating to or characteristic of Turkey or its people or language

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

uncultivatedadjective

(of land or fields) not prepared for raising crops

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

uselessadjectiveUS /ˈjuːsləs/

having no beneficial use or incapable of functioning usefully

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

valuenounUS /ˈvæljuː/

a numerical quantity measured or assigned or computed

From this reading It was not sufficient in his eyes that an object should be of great value, or of great beauty, or that it should possess both at once; it was necessary also that it should be so placed as to acquire a right to its position and to its surroundings.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

wallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading George had never been inside Mr. Craik’s house, and the first impression made upon him by the sight of the old gentleman’s collected spoil was a singular one.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

withprepositionUS /wɪð/

in the company of; together with

From this reading He had no touch in his composition of that modern taste which delights in producing a certain tone of colour in a room, by filling it with all sorts of heterogeneous and useless articles, of all periods and collected out of all countries.

Wood'snounUS /wʊdz/

possessive form of “wood” — the hard fibrous lignified substance under the bark of trees

From this reading A Turkish tile, a Spanish-Moorish dish, an Italian embroidery and an old picture might harmonise very well with each other in colour and in general effect, but George Wood’s uncultivated taste failed to see why they should all be placed together, side by side upon the same wall, any more than why a periwig should be set upon a soup-tureen, as Johnson had remarked.

Chapter 25 of The Three Fates by F. Marion (Francis Marion) Crawford holds 349 sentences, grouped into 70 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 25 of The Three Fates contain?

Chapter 25 holds 349 sentences of The Three Fates, unabridged, divided into 70 reading sections.

This page carries chapter 25 of The Three Fates by F. Marion (Francis Marion) Crawford exactly as it stands in the source edition, without abridgement. It runs to 349 sentences, grouped into 70 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 25 of The Three Fates?

Work through the 70 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 70 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 25 be read aloud to me?

Yes — every sentence and every individual word in chapter 25 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Three Fates

Common questions about reading The Three Fates by F. Marion (Francis Marion) Crawford on this page, its source edition and its audio.

Is this the complete text of The Three Fates?

Yes. All 8086 sentences of Project Gutenberg eBook #53486 are kept, with a record of which sentences cover which part.

Which edition of The Three Fates is used?

Project Gutenberg eBook #53486, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Three Fates take to read?

About 600 minutes of reading across 1618 sections of 5 sentences each, at an unhurried pace.

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How to work through The Three Fates section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Three Fates

Words and structures a reader meets early in The Three Fates, each tappable for pronunciation and meaning.

Jonah
A word that appears in the opening chapter of The Three Fates; the reader can tap it to hear it and see its dictionary entry.
Bitterly
A word that appears in the opening chapter of The Three Fates; the reader can tap it to hear it and see its dictionary entry.
Disappointed
A word that appears in the opening chapter of The Three Fates; the reader can tap it to hear it and see its dictionary entry.
During
A word that appears in the opening chapter of The Three Fates; the reader can tap it to hear it and see its dictionary entry.