Chapter I

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

higher than, or over, something

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

how long something has existed

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

the form of “a” used before a word that begins with a vowel sound

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

used to join words or parts of a sentence that go together

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

the form of “be” used with you, we, they, or a plural noun

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

at the same time that; because; in the way that

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

in or near a particular place or position

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

the people of Great Britain

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

a university in England

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

a condition that accompanies or influences some event or activity

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

rid of obstructions

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

slightly wet

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

without light

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

the event of dying or departure from life

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

A series of thoughts, images, or emotions during sleep.

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

owed and payable immediately or on demand

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

earlier in time; previously

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

plural of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

past form of “extract” — remove, usually with some force or effort; also used in an abstract sense

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

stunned or confused and slow to react (as from blows or drunkenness or exhaustion)

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

intended to be given to, or used by, somebody

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

showing where something starts, or who sent it

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

-ing form of “gaze” — look at with fixed eyes

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a mental representation of some haunting experience

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

the 3rd planet from the sun; the planet we live on

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

the (prehensile) extremity of the superior limb

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

the form of “have” used with he, she, it, or a singular noun

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

used with a past participle to form the perfect tenses

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

a loud raucous cry (as of an owl)

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

English actor of stage and screen (1893-1943)

From this reading LONDON: HOWARD LATIMER LTD.

the person speaking or writing, as the subject of the verb

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

inside something, or within a place, period, or state

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

the form of “be” used with he, she, it, or a singular noun

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

an artificial source of visible illumination

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LONDON: HOWARD LATIMER LTD.

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading LONDON: HOWARD LATIMER LTD.

perceive with attention; direct one's gaze towards

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LONDON: HOWARD LATIMER LTD.

plural of “make” — a recognizable kind

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

English businessman who created a retail chain (1888-1964)

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

plural of “melt” — the process whereby heat changes something from a solid to a liquid

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

used to form the superlative

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

in motion

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

belonging to the person speaking

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

the time after sunset and before sunrise while it is dark outside

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

used to make a word, phrase, or sentence negative

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

belonging to, or connected with, somebody or something

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

touching and supported by a surface

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

used of mouth or eyes

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

used to join alternatives or possibilities

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

a city in southern England to the northwest of London; site of Oxford University

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

past form of “pass” — go across or through

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

(American football) a play that involves one player throwing the ball to a teammate

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

approval to do something

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

a raised horizontal surface

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

affix in a public place or for public notice

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

possession of controlling influence

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a barrier consisting of a horizontal bar and supports

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a bar or pair of parallel bars of rolled steel making the railway along which railroad cars or other vehicles can roll

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

line that is the commercial organization responsible for operating a system of transportation for trains that pull passengers or freight

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

water falling in drops from vapor condensed in the atmosphere

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a publication (such as a book) that is reprinted without changes or editing and offered again for sale

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

a new appraisal or evaluation

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

perceive by sight or have the power to perceive by sight

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

be bright by reflecting or casting light

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

used to say what is right, expected, or advisable

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

an instance of visual perception

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

marked by absence of sound

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

resembling or reminiscent of silver

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

for that reason; with the result that

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

yielding readily to pressure or weight

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

characterized by good substantial quality

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

be standing; be upright

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a man who is a respected leader in national or international affairs

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

a facility equipped with special equipment and personnel for a particular purpose

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a lump or mass of hard consolidated mineral matter

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

plural of “stone” — a lump or mass of hard consolidated mineral matter

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a natural body of running water flowing on or under the earth

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

happening without warning or in a short space of time

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

an acknowledgment of appreciation

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

used to introduce what somebody said, thought, or felt

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

the people or things already mentioned, as the object

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

any movable possession (especially articles of clothing)

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

used for a person or thing that is near, or that has just been mentioned

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

the cardinal number that is the sum of one and one and one

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

from one end or side of something to the other

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

used before the base form of a verb to make the infinitive

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

create by training and teaching

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a psychological state induced by (or as if induced by) a magical incantation

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

plural of “translation” — a written communication in a second language having the same meaning as the written communication in a first language

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

lacking material form or substance; unreal

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

a vivid mental image

From this reading What sudden door has opened so, What hand has passed, that I should know This moving vision not of trance That melts the globe of circumstance, This sight that marks not least or most And makes a stone a passing ghost?

the amount of 3-dimensional space occupied by an object

From this reading Three of the short poems and most of the translations are extracted from an earlier volume.

the act of waiting (remaining inactive in one place while expecting something)

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

indecision in speech or action

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

used to ask for information about something

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

used to introduce a clause giving more about a thing just mentioned

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

not having, not using, or not accompanied by

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

someone who sees an event and reports what happened

From this reading Many of the above poems have appeared in the "British Review," the "Eye-Witness," the "New Witness," the "Oxford and Cambridge Review," the "New Statesman," and the "New Age," to the Editors of which thanks are due for permission to reprint.

a mental representation of some haunting experience

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?

but in spite of that

From this reading ANTINOMIES ON A RAILWAY STATION As I stand waiting in the rain For the foggy hoot of the London train, Gazing at silent wall and lamp And post and rail and platform damp, What is this power that comes to my sight That I see a night without the night, That I see them clear, yet look them through, The silvery things and the darkly blue, That the solid wall seems soft as death, A wavering and unanchored wraith, And rails that shine and stones that stream Unsubstantial as a dream?