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The Tragic Muse
The Tragic Muse

Chapter XX · Chapter 20

Chapter 20 of The Tragic Muse is here in full — 392 sentences across 79 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."
He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.
He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.
Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.
"I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Tragic Muse

Chapter XX · Chapter 20

Chapter 20 of The Tragic Muse is here in full — 392 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."
Line 2
He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.
/hiː hæd ˈɡæðərd streŋkθ ðoʊ ðɪs streŋkθ wɑːz nɑːt mʌtʃ ɪn hɪz vɔɪs ɪt wɑːz ˈmeɪnli ɪn hɪz ˈbraɪtər aɪz ənd hɪz er ʌv ˈbiːɪŋ pliːzd wɪð hɪmˈself/
Line 3
He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.
Line 4
Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.
Line 5
"I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

canopy noun US /ˈkæn.ə.pi/

An overhead roof or structure, such as the high vaulted ceiling of an ancient library.

From this reading “XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."”

mainly adverb US /ˈmeɪnli/

for the most part

From this reading “He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.”

mornings noun US /ˈmɔːrnɪŋz/

plural of “morning” — the time period between dawn and noon

From this reading “"I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.”

Nick verb US /nɪk/

cut slightly, with a razor

From this reading “XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."”

Nick's noun US /nɪks/

possessive form of “nick” — an impression in a surface (as made by a blow)

From this reading “XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."”

pillows noun US /ˈpɪloʊz/

plural of “pillow” — a cushion to support the head of a sleeping person

From this reading “XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."”

propped verb US /prɑːpt/

inflected form of “prop” — support by placing against something solid or rigid

From this reading “XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."”

replying verb US /rɪˈplaɪɪŋ/

-ing form of “reply” — react verbally

From this reading “He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.”

All words in this reading · 104

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

bednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

beneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

brighteradjectiveUS /ˈbraɪtər/

comparative of “bright” — emitting or reflecting light readily or in large amounts

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

canopynounUS /ˈkæn.ə.pi/

An overhead roof or structure, such as the high vaulted ceiling of an ancient library.

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

Carteret

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

cleveradjectiveUS /ˈklevər/

showing self-interest and shrewdness in dealing with others

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

daresay

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

delightedadjectiveUS /dɪˈlaɪtəd/

greatly pleased

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

divisionnounUS /dɪˈvɪʒən/

an army unit large enough to sustain combat

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

eyesnounUS /aɪz/

opinion or judgment

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

gatheredadjectiveUS /ˈɡæðərd/

brought together in one place

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

I'm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

keepingnounUS /ˈkiːpɪŋ/

conformity or harmony

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

mainlyadverbUS /ˈmeɪnli/

for the most part

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

makeverbUS /meɪk/

engage in

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

morningsnounUS /ˈmɔːrnɪŋz/

plural of “morning” — the time period between dawn and noon

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

murmuredverbUS /ˈmɜːrmərd/

past form of “murmur” — speak softly or indistinctly

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

newspapersnounUS /ˈnuːzpeɪpərz/

plural of “newspaper” — a daily or weekly publication on folded sheets; contains news and articles and advertisements

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

NickverbUS /nɪk/

cut slightly, with a razor

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

Nick'snounUS /nɪks/

possessive form of “nick” — an impression in a surface (as made by a blow)

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

occupiedadjectiveUS /ˈɑːkjəpaɪd/

held or filled or in use

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

picture-seeking

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

pillowsnounUS /ˈpɪloʊz/

plural of “pillow” — a cushion to support the head of a sleeping person

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

pleasedadjectiveUS /pliːzd/

experiencing or manifesting pleasure

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

proppedverbUS /prɑːpt/

inflected form of “prop” — support by placing against something solid or rigid

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

putverbUS /pʊt/

put into a certain place or abstract location

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

ratheradverbUS /ˈræðər/

on the contrary

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

replyingverbUS /rɪˈplaɪɪŋ/

-ing form of “reply” — react verbally

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

richadjectiveUS /rɪtʃ/

possessing material wealth

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

rightadverbUS /raɪt/

precisely, exactly

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

sankverbUS /sæŋk/

inflected form of “sink” — fall or descend to a lower place or level

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

seatnounUS /siːt/

a space reserved for sitting (as in a theater or on a train or airplane)

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

spareverbUS /sper/

refrain from harming

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

strengthnounUS /streŋkθ/

the property of being physically or mentally strong

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

visionnounUS /ˈvɪʒən/

a vivid mental image

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Mr. Carteret said nothing more about the division or the second reading; he only murmured that they were keeping the newspapers for him.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading "I'm rather behind--I'm rather behind," he went on; "but two or three quiet mornings will make it all right.

withprepositionUS /wɪð/

in the company of; together with

From this reading He had gathered strength, though this strength was not much in his voice; it was mainly in his brighter eyes and his air of being pleased with himself.

XXXIIIadjective

being three more than thirty

From this reading XXXIII The rich old man was propped up on pillows, and in this attitude, beneath the high, spare canopy of his bed, presented himself to Nick's picture-seeking vision as a figure in a clever composition or a "story."

youpronounUS /juː/

the person or people being spoken to

From this reading He put out his hand and said, "I daresay you know why I sent for you"; on which Nick sank into the seat he had occupied the day before, replying that he had been delighted to come, whatever the reason.

Chapter 20 of The Tragic Muse by Henry James holds 392 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 20 of The Tragic Muse contain?

Chapter 20 holds 392 sentences of The Tragic Muse, unabridged, divided into 79 reading sections.

This page carries chapter 20 of The Tragic Muse by Henry James exactly as it stands in the source edition, without abridgement. It runs to 392 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 20 of The Tragic Muse?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 20 be read aloud to me?

Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Tragic Muse

Common questions about reading The Tragic Muse by Henry James on this page, its source edition and its audio.

Is this the complete text of The Tragic Muse?

Yes. All 11417 sentences of Project Gutenberg eBook #20085 are kept, with a record of which sentences cover which part.

Which edition of The Tragic Muse is used?

Project Gutenberg eBook #20085, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Tragic Muse take to read?

About 600 minutes of reading across 2284 sections of 5 sentences each, at an unhurried pace.

How to read The Tragic Muse section by section

How to work through The Tragic Muse section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of The Tragic Muse to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Tragic Muse

Words and structures a reader meets early in The Tragic Muse, each tappable for pronunciation and meaning.

Macmillan
A word that appears in the opening chapter of The Tragic Muse; the reader can tap it to hear it and see its dictionary entry.
Limited
A word that appears in the opening chapter of The Tragic Muse; the reader can tap it to hear it and see its dictionary entry.
Martin's
A word that appears in the opening chapter of The Tragic Muse; the reader can tap it to hear it and see its dictionary entry.
Street
A word that appears in the opening chapter of The Tragic Muse; the reader can tap it to hear it and see its dictionary entry.