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The Trufflers: A Story
The Trufflers: A Story

Chapter XIII · Two Girls of the Village

Chapter XIII of The Trufflers: A Story, “Two Girls of the Village,” is here in full — 184 sentences across 37 reading sections, with audio for every sentence and word.

Cover illustration for The Trufflers: A Story
Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
|IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.
Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.
Of these qualities, I have always believed that the egotism predominated.
He could appear dignified, even distinguished; he could also appear excitable, ungoverned.
Either would be Peter.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Trufflers: A Story

Chapter XIII · Two Girls of the Village

Chapter XIII of The Trufflers: A Story, “Two Girls of the Village,” is here in full — 184 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
|IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.
/ɪt ɪz nɑːt ə ˈsɪmpəl ˈmætər tuː rəˈkɔːrd ɪn ˈeni dɪˈteɪl ðə ˈvaɪələnt ɪˈmoʊʃənəl riˈækʃən θruː wɪtʃ ˈpiːtər naʊ pæst/
Line 2
Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.
/ˈpiːtər hæd ðə ɡɪft ʌv kriˈeɪtɪv ˌɪmædʒəˈneɪʃən ðə ˈiːɡətɪzəm tuː draɪv ɪt fɑːr ənd fɔːr ˈbækɡraʊnd ðə ˈkerɪktər ʌv ə θiˈætrɪkəl kəˈmiːliən/
Line 3
Of these qualities, I have always believed that the egotism predominated.
/ʌv ðiːz ˈkwɑːlətiz aɪ hæv ˈɔːlweɪz bɪˈliːvd ðæt ðə ˈiːɡətɪzəm prɪˈdɑːməneɪtɪd/
Line 4
He could appear dignified, even distinguished; he could also appear excitable, ungoverned.
Line 5
Either would be Peter.
/ˈiːðər wʊd biː ˈpiːtər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

chameleon noun US /kəˈmiːliən/

a changeable or inconstant person

From this reading “Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.”

creative adjective US /kriˈeɪtɪv/

having the ability or power to create

From this reading “Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.”

egotism noun US /ˈiːɡətɪzəm/

an exaggerated opinion of your own importance

From this reading “Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.”

emotional adjective US /ɪˈmoʊʃənəl/

determined or actuated by emotion rather than reason

From this reading “|IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.”

excitable adjective US /ɪkˈsaɪtəbəl/

easily excited

From this reading “He could appear dignified, even distinguished; he could also appear excitable, ungoverned.”

predominated verb US /prɪˈdɑːməneɪtɪd/

past form of “predominate” — be larger in number, quantity, power, status or importance

From this reading “Of these qualities, I have always believed that the egotism predominated.”

reaction noun US /riˈækʃən/

(chemistry) a process in which one or more substances are changed into others

From this reading “|IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.”

theatrical adjective US /θiˈætrɪkəl/

of or relating to the theater

From this reading “Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

simple matter adjective + noun

In this reading “|IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.”

All words in this reading · 54

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading Of these qualities, I have always believed that the egotism predominated.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Either would be Peter.

believedverbUS /bɪˈliːvd/

past form of “believe” — accept as true; take to be true

From this reading Of these qualities, I have always believed that the egotism predominated.

chameleonnounUS /kəˈmiːliən/

a changeable or inconstant person

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

creativeadjectiveUS /kriˈeɪtɪv/

having the ability or power to create

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

dignifiedadjectiveUS /ˈdɪɡnəfaɪd/

having or expressing dignity; especially formality or stateliness in bearing or appearance

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

distinguishedadjectiveUS /dɪˈstɪŋɡwɪʃt/

(used of persons) standing above others in character or attainment or reputation

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

driveverbUS /draɪv/

operate or control a vehicle

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

egotismnounUS /ˈiːɡətɪzəm/

an exaggerated opinion of your own importance

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

EitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading Either would be Peter.

emotionaladjectiveUS /ɪˈmoʊʃənəl/

determined or actuated by emotion rather than reason

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

excitableadjectiveUS /ɪkˈsaɪtəbəl/

easily excited

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

giftnounUS /ɡɪft/

something acquired without compensation

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Of these qualities, I have always believed that the egotism predominated.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Of these qualities, I have always believed that the egotism predominated.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

ITpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

passedverbUS /pæst/

past form of “pass” — go across or through

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

PeternounUS /ˈpiːtər/

disciple of Jesus and leader of the Apostles; regarded by Catholics as the vicar of Christ on earth and first Pope

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

predominatedverbUS /prɪˈdɑːməneɪtɪd/

past form of “predominate” — be larger in number, quantity, power, status or importance

From this reading Of these qualities, I have always believed that the egotism predominated.

qualitiesnounUS /ˈkwɑːlətiz/

plural of “quality” — an essential and distinguishing attribute of something or someone

From this reading Of these qualities, I have always believed that the egotism predominated.

reactionnounUS /riˈækʃən/

(chemistry) a process in which one or more substances are changed into others

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

recordnounUS /rəˈkɔːrd/

anything (such as a document or a phonograph record or a photograph) providing permanent evidence of or information about past events

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Of these qualities, I have always believed that the egotism predominated.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

theatricaladjectiveUS /θiˈætrɪkəl/

of or relating to the theater

From this reading Peter had the gift of creative imagination, the egotism to drive it far, and, for background, the character of a theatrical chameleon.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Of these qualities, I have always believed that the egotism predominated.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

ungovernedadjective

not restrained or controlled

From this reading He could appear dignified, even distinguished; he could also appear excitable, ungoverned.

violentadjectiveUS /ˈvaɪələnt/

acting with or marked by or resulting from great force or energy or emotional intensity

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading |IT is not a simple matter to record in any detail the violent emotional reaction through which Peter now passed.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Either would be Peter.

Chapter 13 of The Trufflers: A Story by Samuel Merwin holds 184 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The Trufflers: A Story contain?

Chapter 13 holds 184 sentences of The Trufflers: A Story, unabridged, divided into 37 reading sections.

This page carries chapter 13 of The Trufflers: A Story by Samuel Merwin exactly as it stands in the source edition, without abridgement. It runs to 184 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The Trufflers: A Story?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Trufflers: A Story

Common questions about reading The Trufflers: A Story by Samuel Merwin on this page, its source edition and its audio.

Is this the complete text of The Trufflers: A Story?

Yes. All 7537 sentences of Project Gutenberg eBook #51985 are kept, with a record of which sentences cover which part.

Which edition of The Trufflers: A Story is used?

Project Gutenberg eBook #51985, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Trufflers: A Story take to read?

About 600 minutes of reading across 1508 sections of 5 sentences each, at an unhurried pace.

How to read The Trufflers: A Story section by section

How to work through The Trufflers: A Story section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 39 chapters of The Trufflers: A Story to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Trufflers: A Story

Words and structures a reader meets early in The Trufflers: A Story, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Trufflers: A Story; the reader can tap it to hear it and see its dictionary entry.
Anthony
A word that appears in the opening chapter of The Trufflers: A Story; the reader can tap it to hear it and see its dictionary entry.
Absolute
A word that appears in the opening chapter of The Trufflers: A Story; the reader can tap it to hear it and see its dictionary entry.
Charmed
A word that appears in the opening chapter of The Trufflers: A Story; the reader can tap it to hear it and see its dictionary entry.