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The Turmoil: A Novel
The Turmoil: A Novel

Chapter XXVII · Chapter 27

Chapter 27 of The Turmoil: A Novel is here in full — 201 sentences across 41 reading sections, with audio for every sentence and word.

Cover illustration for The Turmoil: A Novel
Context Illustration Reading 1/40 · 5 lines
English subtitles · tap any word to listen 1 / 5
Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.
At the old house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.
Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.
Oh, I'm AWAKE!
Come in, if you want to, and shut the door.”
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Turmoil: A Novel

Chapter XXVII · Chapter 27

Chapter 27 of The Turmoil: A Novel is here in full — 201 sentences across 41 reading sections, with audio for every sentence and word.

Reading 1/40 · 5 reading units · Lines 1–5

Line 1
Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.
Line 2
At theoldhouse they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.
Line 3
Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.
/ˈʃerɪdən dɪd nɑːt stɜːr ənd ʃiː wɑːz wɪθˈdrɔːɪŋ hɜːr hed frʌm ðə ˈæpərtʃər wen hiː spoʊk/
Line 4
Oh, I'm AWAKE!
Line 5
Come in, if you want to, and shut the door.”
/kʌm ɪn ɪf juː wɑːnt tuː ənd ʃʌt ðə dɔːr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aperture noun US /ˈæpərtʃər/

a device that controls amount of light admitted

From this reading “Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.”

architect noun US /ˈɑːrkətekt/

someone who creates plans to be used in making something (such as buildings)

From this reading “At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.”

daybreak noun US /ˈdeɪbreɪk/

the first light of day

From this reading “Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.”

formulate verb US /ˈfɔːrmjəleɪt/

elaborate, as of theories and hypotheses

From this reading “At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.”

reprehensible adjective US /ˌreprɪˈhensəbəl/

bringing or deserving severe rebuke or censure

From this reading “At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.”

Sheridan noun US /ˈʃerɪdən/

Irish playwright remembered for his satirical comedies of manners (1751-1816)

From this reading “Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.”

withdrawing verb US /wɪθˈdrɔːɪŋ/

-ing form of “withdraw” — pull back or move away or backward

From this reading “Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.”

wrapper noun US /ˈræpər/

a loose dressing gown for women

From this reading “Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

aperturenounUS /ˈæpərtʃər/

a device that controls amount of light admitted

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

architectnounUS /ˈɑːrkətekt/

someone who creates plans to be used in making something (such as buildings)

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

arrangementnounUS /ərˈeɪndʒmənt/

the thing arranged or agreed to

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

atprepositionUS /æt/

in or near a particular place or position

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

AWAKEadjectiveUS /əˈweɪk/

not in a state of sleep; completely conscious

From this reading “Oh, I'm AWAKE!

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

chambernounUS /ˈtʃeɪmbər/

a natural or artificial enclosed space

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

chosennounUS /ˈtʃoʊzən/

one who is the object of choice; who is given preference

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

ComeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading Come in, if you want to, and shut the door.”

darkenedadjectiveUS /ˈdɑːrkənd/

(of fabrics and paper) grown dark in color over time

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

daybreaknounUS /ˈdeɪbreɪk/

the first light of day

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

formulateverbUS /ˈfɔːrmjəleɪt/

elaborate, as of theories and hypotheses

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

husband'snounUS /ˈhʌzbəndz/

possessive form of “husband” — a married man; a woman's partner in marriage

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

I'm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Oh, I'm AWAKE!

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Come in, if you want to, and shut the door.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

noiselesslyadverb

without a sound

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

objectionnounUS /əbˈdʒekʃən/

the act of expressing earnest opposition or protest

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading “Oh, I'm AWAKE!

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

peeredverbUS /pɪrd/

past form of “peer” — look searchingly

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

reprehensibleadjectiveUS /ˌreprɪˈhensəbəl/

bringing or deserving severe rebuke or censure

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

separateverbUS /ˈsepəreɪt/

act as a barrier between; stand between

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

sharedadjectiveUS /ʃerd/

have in common; held or experienced in common

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

SheridannounUS /ˈʃerɪdən/

Irish playwright remembered for his satirical comedies of manners (1751-1816)

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

shutverbUS /ʃʌt/

move so that an opening or passage is obstructed; make shut

From this reading Come in, if you want to, and shut the door.”

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

stirverbUS /stɜːr/

move an implement through

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

vaguelyadverbUS /ˈveɪɡli/

in a vague way

From this reading At the “old” house they had shared a room, but the architect had chosen to separate them at the New, and they had not known how to formulate an objection, although to both of them something seemed vaguely reprehensible in the new arrangement.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading Come in, if you want to, and shut the door.”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

whenconjunctionUS /wen/

at the time that

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

withdrawingverbUS /wɪθˈdrɔːɪŋ/

-ing form of “withdraw” — pull back or move away or backward

From this reading Sheridan did not stir, and she was withdrawing her head from the aperture when he spoke.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

wrappernounUS /ˈræpər/

a loose dressing gown for women

From this reading Mrs. Sheridan, in a wrapper, noiselessly opened the door of her husband's room at daybreak the next morning, and peered within the darkened chamber.

youpronounUS /juː/

the person or people being spoken to

From this reading Come in, if you want to, and shut the door.”

Chapter 27 of The Turmoil: A Novel by Booth Tarkington holds 201 sentences, grouped into 41 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 27 of The Turmoil: A Novel contain?

Chapter 27 holds 201 sentences of The Turmoil: A Novel, unabridged, divided into 41 reading sections.

This page carries chapter 27 of The Turmoil: A Novel by Booth Tarkington exactly as it stands in the public-domain source edition, without abridgement. It runs to 201 sentences, grouped into 41 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 27 of The Turmoil: A Novel?

Work through the 41 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 41 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 27 be read aloud to me?

Yes — every sentence and every individual word in chapter 27 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Turmoil: A Novel

Common questions about reading The Turmoil: A Novel by Booth Tarkington on this page, its source edition and its audio.

Is this the complete text of The Turmoil: A Novel?

Yes. All 6351 sentences of Project Gutenberg eBook #1098 are kept, with a record of which sentences cover which part.

Which edition of The Turmoil: A Novel is used?

Project Gutenberg eBook #1098, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Turmoil: A Novel take to read?

About 529 minutes of reading across 1271 sections of 5 sentences each, at an unhurried pace.

How to read The Turmoil: A Novel section by section

How to work through The Turmoil: A Novel section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 33 chapters of The Turmoil: A Novel to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Turmoil: A Novel

Words and structures a reader meets early in The Turmoil: A Novel, each tappable for pronunciation and meaning.

Midland
A word that appears in the opening chapter of The Turmoil: A Novel; the reader can tap it to hear it and see its dictionary entry.
Heart
A word that appears in the opening chapter of The Turmoil: A Novel; the reader can tap it to hear it and see its dictionary entry.
Country
A word that appears in the opening chapter of The Turmoil: A Novel; the reader can tap it to hear it and see its dictionary entry.
Dirty
A word that appears in the opening chapter of The Turmoil: A Novel; the reader can tap it to hear it and see its dictionary entry.