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The Twelfth Hour
The Twelfth Hour

Chapter XII · Chapter 12

Chapter 12 of The Twelfth Hour is here in full — 130 sentences across 26 reading sections, with audio for every sentence and word.

Cover illustration for The Twelfth Hour
Context Illustration Reading 1/26 · 5 lines
English subtitles · tap any word to listen 1 / 5
AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.
On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.
It was not good, and it made him sick to look at it.
The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.
From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Twelfth Hour

Chapter XII · Chapter 12

Chapter 12 of The Twelfth Hour is here in full — 130 sentences across 26 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.
Line 2
On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.
/ɑːn ɪt wɑːz ə ˈsekənd ˈkɑːpi ʌv ə ˈkɑːpi ðæt sʌm wʌn hæd faʊnd hɪm ˈduːɪŋ æt ðə ˈnæʃənəl ˈɡæləri ʌv ðə ɡreɪt ˌliːəˈnɑːrdoʊ/
Line 3
It was not good, and it made him sick to look at it.
/ɪt wɑːz nɑːt ɡʊd ənd ɪt meɪd hɪm sɪk tuː lʊk æt ɪt/
Line 4
The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.
Line 5
From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.
/frʌm ðə ˈwɪndoʊ ʃrɪl kraɪz wɜːr hɜːrd frʌm ðə ˈræɡəd ˈtʃɪldrən huː fɔːt ənd pleɪd ɪn ðə ˈɡʌtər ʌv ə ˈsɔːrdəd striːt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

despondency noun US /dɪˈspɑːndənsi/

feeling downcast and disheartened and hopeless

From this reading “AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.”

devoid adjective US /dɪˈvɔɪd/

completely wanting or lacking

From this reading “The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.”

easel noun US /ˈiːzəl/

an upright tripod for displaying something (usually an artist's canvas)

From this reading “AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.”

gutter noun US /ˈɡʌtər/

a channel along the eaves or on the roof; collects and carries away rainwater

From this reading “From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.”

Leonardo noun US /ˌliːəˈnɑːrdoʊ/

Italian painter and sculptor and engineer and scientist and architect; the most versatile genius of the Italian Renaissance (1452-1519)

From this reading “On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.”

sordid adjective US /ˈsɔːrdəd/

morally degraded

From this reading “From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.”

stale adjective US /steɪl/

lacking freshness, palatability, or showing deterioration from age

From this reading “The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.”

trappings noun US /ˈtræpɪŋz/

(usually plural) accessory wearing apparel

From this reading “The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

ATprepositionUS /æt/

in or near a particular place or position

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

barnnounUS /bɑːrn/

an outlying farm building for storing grain or animal feed and housing farm animals

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

batteredadjectiveUS /ˈbætərd/

damaged by blows or hard usage

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

Chelsea

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

copynounUS /ˈkɑːpi/

a reproduction of a written record (e.g. of a legal or school record)

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

criesnounUS /kraɪz/

plural of “cry” — a loud utterance; often in protest or opposition

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

depthsnounUS /depθs/

(plural) the deepest and most remote part

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

despondencynounUS /dɪˈspɑːndənsi/

feeling downcast and disheartened and hopeless

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

devoidadjectiveUS /dɪˈvɔɪd/

completely wanting or lacking

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

doingverbUS /ˈduːɪŋ/

-ing form of “do” — engage in

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

dulladjectiveUS /dʌl/

lacking in liveliness or animation

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

easelnounUS /ˈiːzəl/

an upright tripod for displaying something (usually an artist's canvas)

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

else

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

foughtverbUS /fɔːt/

inflected form of “fight” — be engaged in a fight; carry on a fight

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

foundverbUS /faʊnd/

set up or found

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

frontnounUS /frʌnt/

the side that is forward or prominent

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

GallerynounUS /ˈɡæləri/

spectators at a golf or tennis match

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading It was not good, and it made him sick to look at it.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

gutternounUS /ˈɡʌtər/

a channel along the eaves or on the roof; collects and carries away rainwater

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

keynounUS /kiː/

metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

LeonardonounUS /ˌliːəˈnɑːrdoʊ/

Italian painter and sculptor and engineer and scientist and architect; the most versatile genius of the Italian Renaissance (1452-1519)

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading It was not good, and it made him sick to look at it.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading It was not good, and it made him sick to look at it.

NationaladjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It was not good, and it made him sick to look at it.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

paintverbUS /peɪnt/

make a painting

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

raggedadjectiveUS /ˈræɡəd/

being or dressed in clothes that are worn or torn

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

scentnounUS /sɛnt/

A distinctive smell or aroma.

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

shrilladjectiveUS /ʃrɪl/

having or emitting a high-pitched and sharp tone or tones

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

sickadjectiveUS /sɪk/

affected by an impairment of normal physical or mental function

From this reading It was not good, and it made him sick to look at it.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

sordidadjectiveUS /ˈsɔːrdəd/

morally degraded

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

staleadjectiveUS /steɪl/

lacking freshness, palatability, or showing deterioration from age

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

staler

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

STUDIOnounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It was not good, and it made him sick to look at it.

tobacconounUS /təˈbækoʊ/

leaves of the tobacco plant dried and prepared for smoking or ingestion

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

trappingsnounUS /ˈtræpɪŋz/

(usually plural) accessory wearing apparel

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

usualadjectiveUS /ˈjuːʒəwəl/

occurring or encountered or experienced or observed frequently or in accordance with regular practice or procedure

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite devoid of the ordinary artistic trappings.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

whopronounUS /huː/

which person or people

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

windownounUS /ˈwɪndoʊ/

a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air

From this reading From the window shrill cries were heard from the ragged children, who fought and played in the gutter of a sordid street.

withprepositionUS /wɪð/

in the company of; together with

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

Woodville

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AT THE STUDIO Woodville let himself in with the key, and sat down, in deep despondency, in front of his easel.

Chapter 12 of The Twelfth Hour by Ada Leverson holds 130 sentences, grouped into 26 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of The Twelfth Hour contain?

Chapter 12 holds 130 sentences of The Twelfth Hour, unabridged, divided into 26 reading sections.

This page carries chapter 12 of The Twelfth Hour by Ada Leverson exactly as it stands in the source edition, without abridgement. It runs to 130 sentences, grouped into 26 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of The Twelfth Hour?

Work through the 26 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 26 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Twelfth Hour

Common questions about reading The Twelfth Hour by Ada Leverson on this page, its source edition and its audio.

Is this the complete text of The Twelfth Hour?

Yes. All 5089 sentences of Project Gutenberg eBook #27554 are kept, with a record of which sentences cover which part.

Which edition of The Twelfth Hour is used?

Project Gutenberg eBook #27554, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Twelfth Hour take to read?

About 424 minutes of reading across 1018 sections of 5 sentences each, at an unhurried pace.

How to read The Twelfth Hour section by section

How to work through The Twelfth Hour section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of The Twelfth Hour to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Twelfth Hour

Words and structures a reader meets early in The Twelfth Hour, each tappable for pronunciation and meaning.

Originally
A word that appears in the opening chapter of The Twelfth Hour; the reader can tap it to hear it and see its dictionary entry.
Published
A word that appears in the opening chapter of The Twelfth Hour; the reader can tap it to hear it and see its dictionary entry.
Grant
A word that appears in the opening chapter of The Twelfth Hour; the reader can tap it to hear it and see its dictionary entry.
Richards
A word that appears in the opening chapter of The Twelfth Hour; the reader can tap it to hear it and see its dictionary entry.