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The Two-Gun Man
The Two-Gun Man

Chapter XVIII · Chapter 18

Chapter 18 of The Two-Gun Man is here in full — 91 sentences across 19 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/18 · 5 lines
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THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.
After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.
Yes, she discovered the happiness shining out of the glass.
Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."
Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Two-Gun Man

Chapter XVIII · Chapter 18

Chapter 18 of The Two-Gun Man is here in full — 91 sentences across 19 reading sections, with audio for every sentence and word.

Reading 1/18 · 5 reading units · Lines 1–5

Line 1
THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.
Line 2
After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.
Line 3
Yes, she discovered the happiness shining out of the glass.
/jes ʃiː dɪˈskʌvərd ðə ˈhæpinəs ˈʃaɪnɪŋ aʊt ʌv ðə ɡlæs/
Line 4
Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."
Line 5
Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

beset verb US /bɪˈset/

annoy continually or chronically

From this reading “THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.”

deceive verb US /dɪˈsiːv/

be false to; be dishonest with

From this reading “Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."”

gleam verb US /ɡliːm/

be shiny, as if wet

From this reading “Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."”

interior adjective US /ˌɪnˈtɪriər/

situated within or suitable for inside a building

From this reading “After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.”

mask verb US /mæsk/

hide under a false appearance

From this reading “Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."”

materials noun US /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading “THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.”

pouring adjective US /ˈpɔːrɪŋ/

flowing profusely

From this reading “Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.”

transcribe verb US /trænˈskraɪb/

write out from speech, notes, etc.

From this reading “THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.”

All words in this reading · 115

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

afternoonnounUS /ˌæftərˈnuːn/

the part of the day between noon and evening

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

atprepositionUS /æt/

in or near a particular place or position

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

attemptnounUS /əˈtempt/

earnest and conscientious activity intended to do or accomplish something

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

attemptedadjectiveUS /əˈtemptɪd/

tried unsuccessfully

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

BennounUS /ben/

a mountain or tall hill

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

besetverbUS /bɪˈset/

annoy continually or chronically

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

cabinnounUS /ˈkæbən/

small room on a ship or boat where people sleep

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

controlnounUS /kənˈtroʊl/

power to direct or determine

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

cupnounUS /kʌp/

a small open container usually used for drinking; usually has a handle

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

DARKnounUS /dɑːrk/

absence of light or illumination

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

deceiveverbUS /dɪˈsiːv/

be false to; be dishonest with

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

decidedadjectiveUS /ˌdɪˈsaɪdɪd/

recognizable; marked

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

departurenounUS /dɪˈpɑːrtʃər/

the act of departing

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

discoveredadjectiveUS /dɪˈskʌvərd/

discovered or determined by scientific observation

From this reading Yes, she discovered the happiness shining out of the glass.

doingverbUS /ˈduːɪŋ/

-ing form of “do” — engage in

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

eatenverbUS /ˈiːtən/

inflected form of “eat” — take in solid food

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

emotionsnounUS /ɪˈmoʊʃənz/

plural of “emotion” — any strong feeling

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

expectedadjectiveUS /ɪkˈspektəd/

considered likely or probable to happen or arrive

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

eyesnounUS /aɪz/

opinion or judgment

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

Ferguson's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

garmentsnounUS /ˈɡɑːrmənts/

plural of “garment” — an article of clothing

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

glassnounUS /ɡlæs/

a brittle transparent solid with irregular atomic structure

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

gleamverbUS /ɡliːm/

be shiny, as if wet

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

hadn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

happinessnounUS /ˈhæpinəs/

state of well-being characterized by emotions ranging from contentment to intense joy

From this reading Yes, she discovered the happiness shining out of the glass.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

interioradjectiveUS /ˌɪnˈtɪriər/

situated within or suitable for inside a building

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

keepverbUS /kiːp/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

makingnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

maskverbUS /mæsk/

hide under a false appearance

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

materialsnounUS /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

obtainedverbUS /əbˈteɪnd/

past form of “obtain” — come into possession of

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

pouringadjectiveUS /ˈpɔːrɪŋ/

flowing profusely

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

Radford

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

removedadjectiveUS /riˈmuːvd/

separated in relationship by a given degree of descent

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

reposeverbUS /riˈpoʊz/

put or confide something in a person or thing

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

returningadjectiveUS /rɪˈtɜːrnɪŋ/

tending to return to an earlier state

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

ridingnounUS /ˈraɪdɪŋ/

the sport of sitting on the back of a horse while controlling its movements

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

sayverbUS /seɪ/

express in words

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

scenenounUS /siːn/

the place where some action occurs

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

seatedadjectiveUS /ˈsiːtɪd/

(of persons) having the torso erect and legs bent with the body supported on the buttocks

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

secretnounUS /ˈsiː.krət/

Something that is kept or meant to be kept unknown or unseen by others.

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

shiningadjectiveUS /ˈʃaɪnɪŋ/

marked by exceptional merit

From this reading Yes, she discovered the happiness shining out of the glass.

SHOTnounUS /ʃɑːt/

the act of firing a projectile

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

standingadjectiveUS /ˈstændɪŋ/

having a supporting base

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

studiedadjectiveUS /ˈstʌdid/

produced or marked by conscious design or premeditation

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

succeededverbUS /səkˈsiːdɪd/

past form of “succeed” — attain success or reach a desired goal

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

tablenounUS /ˈteɪbəl/

a set of data arranged in rows and columns

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

teanounUS /tiː/

a beverage made by steeping tea leaves in water

From this reading Ben hadn't eaten much, she decided, as she seated herself at the table, after pouring a cup of tea.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

timenounUS /taɪm/

an instance or single occasion for some event

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

transcribeverbUS /trænˈskraɪb/

write out from speech, notes, etc.

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

walkedverbUS /wɔːkt/

past form of “walk” — use one's feet to advance; advance by steps

From this reading After Ferguson's departure she removed her riding garments, walked several times around the interior of the cabin, and for a long time studied her face in the looking glass.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

withprepositionUS /wɪð/

in the company of; together with

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading THE SHOT IN THE DARK Now that Mary Radford had obtained experience for the love scene in her story it might be expected that on returning to the cabin she would get out her writing materials and attempt to transcribe the emotions that had beset her during the afternoon, but she did nothing of the kind.

YesnounUS /jes/

an affirmative

From this reading Yes, she discovered the happiness shining out of the glass.

YoupronounUS /juː/

the person or people being spoken to

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading Several times, standing before the glass, she attempted to keep the lines of her face in repose, and though she almost succeeded in doing this she could not control her eyes--they simply would gleam with the light that seemed to say to her: "You may deceive people by making a mask of your face, but the eyes are the windows of the soul and through them people will see your secret."

Chapter 18 of The Two-Gun Man by Charles Alden Seltzer holds 91 sentences, grouped into 19 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 18 of The Two-Gun Man contain?

Chapter 18 holds 91 sentences of The Two-Gun Man, unabridged, divided into 19 reading sections.

This page carries chapter 18 of The Two-Gun Man by Charles Alden Seltzer exactly as it stands in the source edition, without abridgement. It runs to 91 sentences, grouped into 19 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 18 of The Two-Gun Man?

Work through the 19 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 19 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 18 be read aloud to me?

Yes — every sentence and every individual word in chapter 18 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Two-Gun Man

Common questions about reading The Two-Gun Man by Charles Alden Seltzer on this page, its source edition and its audio.

Is this the complete text of The Two-Gun Man?

Yes. All 3886 sentences of Project Gutenberg eBook #19012 are kept, with a record of which sentences cover which part.

Which edition of The Two-Gun Man is used?

Project Gutenberg eBook #19012, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Two-Gun Man take to read?

About 323 minutes of reading across 778 sections of 5 sentences each, at an unhurried pace.

How to read The Two-Gun Man section by section

How to work through The Two-Gun Man section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 23 chapters of The Two-Gun Man to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Two-Gun Man

Words and structures a reader meets early in The Two-Gun Man, each tappable for pronunciation and meaning.

Stranger
A word that appears in the opening chapter of The Two-Gun Man; the reader can tap it to hear it and see its dictionary entry.
Seemed
A word that appears in the opening chapter of The Two-Gun Man; the reader can tap it to hear it and see its dictionary entry.
Taller
A word that appears in the opening chapter of The Two-Gun Man; the reader can tap it to hear it and see its dictionary entry.
Ground
A word that appears in the opening chapter of The Two-Gun Man; the reader can tap it to hear it and see its dictionary entry.