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The Uses of Diversity: A Book of Essays
The Uses of Diversity: A Book of Essays

Chapter IV

Chapter 4 of The Uses of Diversity: A Book of Essays is here in full — 511 sentences across 103 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/102 · 5 lines
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For nothing in this world can be amiss When simpleness and duty tender it.
Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:
The best in this kind are but shadows; and the worst are no worse if imagination amend them.
These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.
But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.
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The Uses of Diversity: A Book of Essays

Chapter IV

Chapter 4 of The Uses of Diversity: A Book of Essays is here in full — 511 sentences across 103 reading sections, with audio for every sentence and word.

Reading 1/102 · 5 reading units · Lines 1–5

Line 1
For nothing in this world can be amiss When simpleness and duty tender it.
Line 2
Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:
Line 3
The best in this kind are but shadows; and the worst are no worse if imagination amend them.
/ðə best ɪn ðɪs kaɪnd ɑːr bʌt ˈʃædoʊz ənd ðə wɜːrst ɑːr noʊ wɜːrs ɪf ˌɪmædʒəˈneɪʃən əˈmend ðem/
Line 4
These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.
/ðiːz ɑːr ˈɑːbviəsli ðə ˈiːzi ənd ˈrekənsaɪlɪŋ ˈkɑːments ʌv sʌm ˈkaɪndli bʌt ˈkʌltəveɪtɪd skwaɪr huː wɪl nɑːt priˈtend tuː hɪz ɡests ðæt ðə pleɪ ɪz ɡʊd bʌt huː wɪl nɑːt let ðə ˈæktərz siː ðæt hiː θɪŋks ɪt bæd/
Line 5
But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.
/bʌt ðɪs ɪz ˈsɜːrtənli nɑːt ðə weɪ ɪn wɪtʃ æn əˈθiːniən ˈtɔːri laɪk ˌærəˈstɔːfəniz wʊd hæv tɔːkt əˈbaʊt ə bæd pleɪ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

amend verb US /əˈmend/

make amendments to

From this reading “The best in this kind are but shadows; and the worst are no worse if imagination amend them.”

amiss adjective US /əˈmɪs/

not functioning properly

From this reading “For nothing in this world can be amiss When simpleness and duty tender it.”

Aristophanes noun US /ˌærəˈstɔːfəniz/

an ancient Greek dramatist remembered for his comedies (448-380 BC)

From this reading “But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.”

Athenian noun US /əˈθiːniən/

a resident of Athens

From this reading “But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.”

comments noun US /ˈkɑːments/

plural of “comment” — a statement that expresses a personal opinion or belief or adds information

From this reading “These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.”

reconciling adjective US /ˈrekənsaɪlɪŋ/

tending to reconcile or accommodate; bringing into harmony

From this reading “These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.”

Tory noun US /ˈtɔːri/

an American who favored the British side during the American Revolution

From this reading “But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.”

unaccountably adverb US /ˌʌnəˈkaʊntəbli/

in an unaccountable manner

From this reading “Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

talked about verb + particle counted as “talk about”

to consider or examine in speech or writing

In this reading “But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.”

cut out verb + adjective

delete or remove

In this reading “Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

againadverbUS /əˈɡen/

anew

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

amendverbUS /əˈmend/

make amendments to

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

amissadjectiveUS /əˈmɪs/

not functioning properly

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

AristophanesnounUS /ˌærəˈstɔːfəniz/

an ancient Greek dramatist remembered for his comedies (448-380 BC)

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

AtheniannounUS /əˈθiːniən/

a resident of Athens

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

bestnounUS /best/

the supreme effort one can make

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

commentsnounUS /ˈkɑːments/

plural of “comment” — a statement that expresses a personal opinion or belief or adds information

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

cultivatedadjectiveUS /ˈkʌltəveɪtɪd/

(of land or fields) prepared for raising crops by plowing or fertilizing

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

cutverbUS /kʌt/

separate with or as if with an instrument

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

dutynounUS /ˈduːti/

the social force that binds you to the courses of action demanded by that force

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

guestsnounUS /ɡests/

plural of “guest” — a visitor to whom hospitality is extended

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

kindlyadjectiveUS /ˈkaɪndli/

showing or motivated by sympathy and understanding and generosity

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

lastadjectiveUS /læst/

immediately past

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

likeverbUS /laɪk/

prefer or wish to do something

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

magnanimitynoun

liberality in bestowing gifts; extremely liberal and generous of spirit

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

nodeterminerUS /noʊ/

not any; not one

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

nobleadjectiveUS /ˈnoʊbəl/

impressive in appearance

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

obviouslyadverbUS /ˈɑːbviəsli/

unmistakably (“plain” is often used informally for “plainly”)

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

OrconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

performancenounUS /pərˈfɔːrməns/

a dramatic or musical entertainment

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

playverbUS /pleɪ/

participate in games or sport

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

pretendverbUS /priˈtend/

make believe with the intent to deceive

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

reconcilingadjectiveUS /ˈrekənsaɪlɪŋ/

tending to reconcile or accommodate; bringing into harmony

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

scepticaladjective

marked by or given to doubt

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

scrapnounUS /skræp/

a small fragment of something broken off from the whole

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

shadowsnounUS /ˈʃædoʊz/

plural of “shadow” — shade within clear boundaries

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

simplenessnoun

a lack of penetration or subtlety

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

squirenounUS /skwaɪr/

young nobleman attendant on a knight

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

talkedverbUS /tɔːkt/

past form of “talk” — exchange thoughts; talk with

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

tenderadjectiveUS /ˈtendər/

given to sympathy or gentleness or sentimentality

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

thinksnounUS /θɪŋks/

plural of “think” — an instance of deliberate thinking

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

TorynounUS /ˈtɔːri/

an American who favored the British side during the American Revolution

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

unaccountablyadverbUS /ˌʌnəˈkaʊntəbli/

in an unaccountable manner

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

waynounUS /weɪ/

how something is done or how it happens

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

WhenconjunctionUS /wen/

at the time that

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Or, again, in that noble scrap of sceptical magnanimity which was unaccountably cut out in the last performance:

whopronounUS /huː/

which person or people

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading These are obviously the easy and reconciling comments of some kindly but cultivated squire, who will not pretend to his guests that the play is good, but who will not let the actors see that he thinks it bad.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading For nothing in this world can be amiss When simpleness and duty tender it.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

worstnounUS /wɜːrst/

the least favorable outcome

From this reading The best in this kind are but shadows; and the worst are no worse if imagination amend them.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading But this is certainly not the way in which an Athenian Tory like Aristophanes would have talked about a bad play.

Chapter 4 of The Uses of Diversity: A Book of Essays by G. K. (Gilbert Keith) Chesterton holds 511 sentences, grouped into 103 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Uses of Diversity: A Book of Essays contain?

Chapter 4 holds 511 sentences of The Uses of Diversity: A Book of Essays, unabridged, divided into 103 reading sections.

This page carries chapter 4 of The Uses of Diversity: A Book of Essays by G. K. (Gilbert Keith) Chesterton exactly as it stands in the source edition, without abridgement. It runs to 511 sentences, grouped into 103 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Uses of Diversity: A Book of Essays?

Work through the 103 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 103 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading The Uses of Diversity: A Book of Essays by G. K. (Gilbert Keith) Chesterton on this page, its source edition and its audio.

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Project Gutenberg eBook #60057, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 166 minutes of reading across 400 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Uses of Diversity: A Book of Essays

Words and structures a reader meets early in The Uses of Diversity: A Book of Essays, each tappable for pronunciation and meaning.

Seriousness
A word that appears in the opening chapter of The Uses of Diversity: A Book of Essays; the reader can tap it to hear it and see its dictionary entry.
Think
A word that appears in the opening chapter of The Uses of Diversity: A Book of Essays; the reader can tap it to hear it and see its dictionary entry.
Irreligious
A word that appears in the opening chapter of The Uses of Diversity: A Book of Essays; the reader can tap it to hear it and see its dictionary entry.
Prefer
A word that appears in the opening chapter of The Uses of Diversity: A Book of Essays; the reader can tap it to hear it and see its dictionary entry.