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The Vanity of Human Wishes (1749) and Two
The Vanity of Human Wishes (1749) and Two

Chapter I · Chapter 1

Chapter 1 of The Vanity of Human Wishes (1749) and Two is here in full — 285 sentences across 57 reading sections, with audio for every sentence and word.

Cover illustration for The Vanity of Human Wishes (1749) and Two
Context Illustration Reading 6/57 · 5 lines
English subtitles · tap any word to listen 1 / 5
He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.
While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.
When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.
It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.
But let us begin with titles.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Vanity of Human Wishes (1749) and Two

Chapter I · Chapter 1

Chapter 1 of The Vanity of Human Wishes (1749) and Two is here in full — 285 sentences across 57 reading sections, with audio for every sentence and word.

Reading 6/57 · 5 reading units · Lines 26–30

Line 1
He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.
Line 2
While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.
/waɪl wiː siː ˈmʌltətjuːdz ˈpæsɪŋ bɪˈfɔːr ʌs ʌv huːm pərˈhæps nɑːt wʌn əˈpɪrz tuː dɪˈzɜːrv ˈaʊər ˈnoʊtəs ɔːr ɪkˈsaɪt ˈaʊər ˈsɪmpəθi wiː ʃʊd rɪˈmɛm.bər ðæt wiː ˈlaɪkwaɪz ɑːr lɔːst ɪn ðə seɪm θrɔːŋ ðæt ðə aɪ wɪtʃ ˈhæpənz tuː ɡlæns əˈpɑːn ʌs ɪz tɜːrnd ɪn ə ˈmoʊmənt ɑːn hɪm ðæt ˈfɑːloʊz ʌs ənd ðæt ðə ˈʌtmoʊst wɪtʃ wiː kæn ˈriːzənəbli hoʊp ɔːr fɪr ɪz tuː fɪl ə ˈveɪkənt ˈaʊər wɪð ˈprætəl ənd biː fərˈɡɑːt.n̩/
Line 3
When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.
/wen wiː əˈproʊtʃ ˈdʒɑːnsənz ˈpoʊətri ðə ˌrevəˈluːʃən ʌv teɪst bɪˈkʌmz ə mɔːr əˈkjuːt kənˌsɪdərˈeɪʃən/
Line 4
It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.
Line 5
But let us begin with titles.
/bʌt let ʌs bɪˈɡɪn wɪð ˈtaɪtəlz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

considers verb US /kənˈsɪdərz/

third-person singular of “consider” — deem to be

From this reading “He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.”

dwells verb US /dwelz/

third-person singular of “dwell” — think moodily or anxiously about something

From this reading “He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.”

Johnson's noun US /ˈdʒɑːnsənz/

possessive form of “johnson” — English writer and lexicographer (1709-1784)

From this reading “When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.”

multitudes noun US /ˈmʌltətjuːdz/

plural of “multitude” — a large indefinite number

From this reading “While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.”

prattle verb US /ˈprætəl/

speak (about unimportant matters) rapidly and incessantly

From this reading “While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.”

tipping verb US /ˈtɪpɪŋ/

inflected form of “tip” — cause to tilt

From this reading “It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.”

twentieth noun US /ˈtwentiəθ/

position 20 in a countable series of things

From this reading “It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.”

wilfully adverb US /ˈwɪlfəli/

in a willful manner

From this reading “It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.”

All words in this reading · 105

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

acuteadjectiveUS /əˈkjuːt/

having or experiencing a rapid onset and short but severe course

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

approachverbUS /əˈproʊtʃ/

move towards

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

areanounUS /ˈeriə/

a particular geographical region of indefinite boundary (usually serving some special purpose or distinguished by its people or culture or geography)

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

attractedverbUS /əˈtræktɪd/

past form of “attract” — direct toward itself or oneself by means of some psychological power or physical attributes

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading But let us begin with titles.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But let us begin with titles.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

compareverbUS /kəmˈper/

examine and note the similarities or differences of

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

considerationnounUS /kənˌsɪdərˈeɪʃən/

the process of giving careful thought to something

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

considersverbUS /kənˈsɪdərz/

third-person singular of “consider” — deem to be

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

deserveverbUS /dɪˈzɜːrv/

be worthy or deserving

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

directionnounUS /dərˈekʃən/

a line leading to a place or point

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

dwellsverbUS /dwelz/

third-person singular of “dwell” — think moodily or anxiously about something

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

eighteenth-century

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

exciteverbUS /ɪkˈsaɪt/

arouse or elicit a feeling

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

eyenounUS /aɪ/

the organ of sight

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

fillverbUS /fɪl/

make full, also in a metaphorical sense

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

followsverbUS /ˈfɑːloʊz/

third-person singular of “follow” — to travel behind, go after, come after

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

forgottenadjectiveUS /fərˈɡɑːt.n̩/

Not remembered; lapsed from memory.

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

glanceverbUS /ɡlæns/

throw a glance at; take a brief look at

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

happensverbUS /ˈhæpənz/

third-person singular of “happen” — come to pass

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

impossibleadjectiveUS /ˌɪmˈpɑːsəbəl/

not capable of occurring or being accomplished or dealt with

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

influencedverbUS /ˈɪnfluːənst/

past form of “influence” — have and exert influence or effect

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

Johnson'snounUS /ˈdʒɑːnsənz/

possessive form of “johnson” — English writer and lexicographer (1709-1784)

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

learnverbUS /lɜːrn/

gain knowledge or skills

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading But let us begin with titles.

likewiseadverbUS /ˈlaɪkwaɪz/

in like or similar manner

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

multitudesnounUS /ˈmʌltətjuːdz/

plural of “multitude” — a large indefinite number

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

noticenounUS /ˈnoʊtəs/

an announcement containing information about an event

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

perhapsadverbUS /pərˈhæps/

by chance

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

prattleverbUS /ˈprætəl/

speak (about unimportant matters) rapidly and incessantly

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

preferencenounUS /ˈprefərəns/

a strong liking

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

reasonablyadverbUS /ˈriːzənəbli/

to certain extent or degree

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

revolutionnounUS /ˌrevəˈluːʃən/

a drastic and far-reaching change in ways of thinking and behaving

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

scalesnounUS /skeɪlz/

plural of “scale” — an ordered reference standard

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

sympathynounUS /ˈsɪmpəθi/

an inclination to support or be loyal to or to agree with an opinion

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

throngnounUS /θrɔːŋ/

a large gathering of people

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

tippingverbUS /ˈtɪpɪŋ/

inflected form of “tip” — cause to tilt

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

titlesnounUS /ˈtaɪtəlz/

plural of “title” — a heading that names a statute or legislative bill; may give a brief summary of the matters it deals with

From this reading But let us begin with titles.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

twentiethnounUS /ˈtwentiəθ/

position 20 in a countable series of things

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

utmostadjectiveUS /ˈʌtmoʊst/

of the greatest possible degree or extent or intensity

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

vacantadjectiveUS /ˈveɪkənt/

void of intelligence or thought

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

WhenconjunctionUS /wen/

at the time that

From this reading When we approach Johnson's poetry, the revolution of taste becomes a more acute consideration.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

WhileconjunctionUS /waɪl/

during the time that

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

wilfullyadverbUS /ˈwɪlfəli/

in a willful manner

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading He that considers how little he dwells upon the condition of others, will learn how little the attention of others is attracted to himself.

withprepositionUS /wɪð/

in the company of; together with

From this reading While we see multitudes passing before us, of whom, perhaps, not one appears to deserve our notice, or excite our sympathy, we should remember that we likewise are lost in the same throng; that the eye which happens to glance upon us is turned in a moment on him that follows us, and that the utmost which we can reasonably hope or fear is, to fill a vacant hour with prattle, and be forgotten.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading It seems very nearly impossible to compare or contrast eighteenth-century poetry and that of the twentieth without wilfully tipping the scales in one direction or the other, judgment in this area being so much influenced by preference.

Chapter 1 of The Vanity of Human Wishes (1749) and Two by Samuel Johnson holds 285 sentences, grouped into 57 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Vanity of Human Wishes (1749) and Two contain?

Chapter 1 holds 285 sentences of The Vanity of Human Wishes (1749) and Two, unabridged, divided into 57 reading sections.

This page carries chapter 1 of The Vanity of Human Wishes (1749) and Two by Samuel Johnson exactly as it stands in the source edition, without abridgement. It runs to 285 sentences, grouped into 57 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Vanity of Human Wishes (1749) and Two?

Work through the 57 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 57 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Vanity of Human Wishes (1749) and Two

Common questions about reading The Vanity of Human Wishes (1749) and Two by Samuel Johnson on this page, its source edition and its audio.

Is this the complete text of The Vanity of Human Wishes (1749) and Two?

Yes. All 285 sentences of Project Gutenberg eBook #13350 are kept, with a record of which sentences cover which part.

Which edition of The Vanity of Human Wishes (1749) and Two is used?

Project Gutenberg eBook #13350, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Vanity of Human Wishes (1749) and Two take to read?

About 23 minutes of reading across 57 sections of 5 sentences each, at an unhurried pace.

How to read The Vanity of Human Wishes (1749) and Two section by section

How to work through The Vanity of Human Wishes (1749) and Two section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in The Vanity of Human Wishes (1749) and Two

Words and structures a reader meets early in The Vanity of Human Wishes (1749) and Two, each tappable for pronunciation and meaning.

Vanity
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.
Human
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.
Wishes
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.
Introduction
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.