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The Vanity of Human Wishes (1749) and Two
The Vanity of Human Wishes (1749) and Two

Chapter I · Chapter 1

Chapter 1 of The Vanity of Human Wishes (1749) and Two is here in full — 285 sentences across 57 reading sections, with audio for every sentence and word.

Cover illustration for The Vanity of Human Wishes (1749) and Two
Context Illustration Reading 7/57 · 5 lines
English subtitles · tap any word to listen 1 / 5
For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".
Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.
Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.
Titles are not poems but they have a barometric function.
The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Vanity of Human Wishes (1749) and Two

Chapter I · Chapter 1

Chapter 1 of The Vanity of Human Wishes (1749) and Two is here in full — 285 sentences across 57 reading sections, with audio for every sentence and word.

Reading 7/57 · 5 reading units · Lines 31–35

Line 1
For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".
Line 2
Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.
Line 3
Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.
/bɪˈsaɪd ðem ˈdʒɑːnsənz ˈtaɪtəl ðə ˈvænəti ʌv ˈhjuːmən ˈwɪʃɪz lʊks ˈveri dɔːɡd ənd ˈdaʊnraɪt/
Line 4
Titles are not poems but they have a barometric function.
/ˈtaɪtəlz ɑːr nɑːt ˈpoʊəmz bʌt ðeɪ hæv ə ˌbærəˈmetrɪk ˈfʌŋkʃən/
Line 5
The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.
/ðə ˈmɑːdərn ˈtaɪtəlz ˈsaɪtəd əˈbʌv ɑːr ɪˈvɑːkətɪv ʌv ə wɜːrld wɪð wɪtʃ fɔːr ðə pæst ˈsentʃəri ənd ə hæf wiː hæv bɪn ˈɡroʊɪŋ ɪnˈkriːsɪŋli fəˈmɪljər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

barometric adjective US /ˌbærəˈmetrɪk/

relating to atmospheric pressure or indicated by a barometer

From this reading “Titles are not poems but they have a barometric function.”

evocative adjective US /ɪˈvɑːkətɪv/

serving to bring to mind

From this reading “The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.”

headings noun US /ˈhedɪŋz/

plural of “heading” — a line of text serving to indicate what the passage below it is about

From this reading “Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.”

increasingly adverb US /ɪnˈkriːsɪŋli/

advancing in amount or intensity

From this reading “The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.”

Lineman noun US /ˈlaɪnmən/

one of the players on the line of scrimmage

From this reading “For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".”

Monologue noun US /ˈmɑːnəlɔːɡ/

speech you make to yourself

From this reading “For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".”

Pulitzer noun US /ˈpʊlətsər/

United States newspaper publisher (born in Hungary) who established the Pulitzer prizes (1847-1911)

From this reading “For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".”

Rounder noun US /ˈraʊndər/

a dissolute person; usually a man who is morally unrestrained

From this reading “For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".”

All words in this reading · 100

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

AfterprepositionUS /ˈæftər/

later than; following

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

AnglesnounUS /ˈæŋɡəlz/

plural of “angle” — the space between two lines or planes that intersect; the inclination of one line to another; measured in degrees or radians

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

Areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

assertionsnounUS /əˈsɜːrʃənz/

plural of “assertion” — a declaration that is made emphatically (as if no supporting evidence were necessary)

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

atprepositionUS /æt/

in or near a particular place or position

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

barometricadjectiveUS /ˌbærəˈmetrɪk/

relating to atmospheric pressure or indicated by a barometer

From this reading Titles are not poems but they have a barometric function.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

BesideprepositionUS /bɪˈsaɪd/

next to; at the side of

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

CallingnounUS /ˈkɔːlɪŋ/

the particular occupation for which you are trained

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

citedverbUS /ˈsaɪtəd/

past form of “cite” — make reference to

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

currentnounUS /ˈkɜːrənt/

a flow of electricity through a conductor

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

Day'snounUS /deɪz/

possessive form of “day” — time for Earth to make a complete rotation on its axis

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

distinguishedadjectiveUS /dɪˈstɪŋɡwɪʃt/

(used of persons) standing above others in character or attainment or reputation

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

doggedadjectiveUS /dɔːɡd/

stubbornly unyielding

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

Don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

downrightadverbUS /ˈdaʊnraɪt/

thoroughgoing

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

Eidolon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

EverybodypronounUS /ˈevribɑːdi/

every person

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

evocativeadjectiveUS /ɪˈvɑːkətɪv/

serving to bring to mind

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

fourthnounUS /fɔːrθ/

following the third position; number four in a countable series

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

functionnounUS /ˈfʌŋkʃən/

(mathematics) a mathematical relation such that each element of a given set (the domain of the function) is associated with an element of another set (the range of the function)

From this reading Titles are not poems but they have a barometric function.

growingnounUS /ˈɡroʊɪŋ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Titles are not poems but they have a barometric function.

headingsnounUS /ˈhedɪŋz/

plural of “heading” — a line of text serving to indicate what the passage below it is about

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

HumanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

increasinglyadverbUS /ɪnˈkriːsɪŋli/

advancing in amount or intensity

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

Isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

ItsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

Johnson'snounUS /ˈdʒɑːnsənz/

possessive form of “johnson” — English writer and lexicographer (1709-1784)

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

LinemannounUS /ˈlaɪnmən/

one of the players on the line of scrimmage

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

LookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

looksnounUS /lʊks/

plural of “look” — the feelings expressed on a person's face

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

LostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

MeaningnounUS /ˈmiːnɪŋ/

the message that is intended or expressed or signified

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

MeetingnounUS /ˈmiːtɪŋ/

a formally arranged gathering

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

MidnightnounUS /ˈmɪdnaɪt/

12 o'clock at night; the middle of the night

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

momentsnounUS /ˈmoʊmənts/

plural of “moment” — a particular point in time

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

MonologuenounUS /ˈmɑːnəlɔːɡ/

speech you make to yourself

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

monumentsnounUS /ˈmɑːnjəmənts/

plural of “monument” — a structure erected to commemorate persons or events

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

MotionnounUS /ˈmoʊʃən/

the use of movements (especially of the hands) to communicate familiar or prearranged signals

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

NodeterminerUS /noʊ/

not any; not one

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Titles are not poems but they have a barometric function.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

pastnounUS /pæst/

the time that has elapsed

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

PicnicnounUS /ˈpɪknɪk/

a day devoted to an outdoor social gathering

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading Titles are not poems but they have a barometric function.

Prize-winner

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

PulitzernounUS /ˈpʊlətsər/

United States newspaper publisher (born in Hungary) who established the Pulitzer prizes (1847-1911)

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

recentadjectiveUS /ˈriːsənt/

new

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

RememberedverbUS /rɪˈmembərd/

past form of “remember” — recall knowledge from memory; have a recollection

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

RoundernounUS /ˈraʊndər/

a dissolute person; usually a man who is morally unrestrained

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

SeanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

signalizeverb

provide with traffic signals

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

startverbUS /stɑːrt/

take the first step or steps in carrying out an action

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

suggestiveadjectiveUS /səˈdʒestɪv/

tending to suggest or imply

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

takeverbUS /teɪk/

carry out

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

TerrornounUS /ˈterər/

an overwhelming feeling of fear and anxiety

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

ThanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Titles are not poems but they have a barometric function.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

titlenounUS /ˈtaɪtəl/

a heading that names a statute or legislative bill; may give a brief summary of the matters it deals with

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

TitlesnounUS /ˈtaɪtəlz/

plural of “title” — a heading that names a statute or legislative bill; may give a brief summary of the matters it deals with

From this reading Titles are not poems but they have a barometric function.

TrancenounUS /træns/

a psychological state induced by (or as if induced by) a magical incantation

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

VanitynounUS /ˈvænəti/

feelings of excessive pride

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading For a start, let us take, from a recent Pulitzer Prize-winner: "The Day's No Rounder Than Its Angles Are", and "Don't Look Now But Mary Is Everybody"; from another distinguished current volume, these: "The Trance", "Lost", "Meeting"; from another, "After This, Sea", "Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", "Picnic Remembered", "Eidolon", and "Monologue at Midnight".

waysnounUS /weɪz/

structure consisting of a sloping way down to the water from the place where ships are built or repaired

From this reading Here are individual assertions, suggestive of individual ways of looking at things; here are headings that signalize particular events in the authors' experience,--moments' monuments.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

WishesnounUS /ˈwɪʃɪz/

plural of “wish” — a specific feeling of desire

From this reading Beside them, Johnson's title, "The Vanity of Human Wishes", looks very dogged and downright.

withprepositionUS /wɪð/

in the company of; together with

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading The modern titles cited above are evocative of a world with which, for the past century and a half, we have been growing increasingly familiar.

Chapter 1 of The Vanity of Human Wishes (1749) and Two by Samuel Johnson holds 285 sentences, grouped into 57 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Vanity of Human Wishes (1749) and Two contain?

Chapter 1 holds 285 sentences of The Vanity of Human Wishes (1749) and Two, unabridged, divided into 57 reading sections.

This page carries chapter 1 of The Vanity of Human Wishes (1749) and Two by Samuel Johnson exactly as it stands in the source edition, without abridgement. It runs to 285 sentences, grouped into 57 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Vanity of Human Wishes (1749) and Two?

Work through the 57 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 57 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Vanity of Human Wishes (1749) and Two

Common questions about reading The Vanity of Human Wishes (1749) and Two by Samuel Johnson on this page, its source edition and its audio.

Is this the complete text of The Vanity of Human Wishes (1749) and Two?

Yes. All 285 sentences of Project Gutenberg eBook #13350 are kept, with a record of which sentences cover which part.

Which edition of The Vanity of Human Wishes (1749) and Two is used?

Project Gutenberg eBook #13350, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Vanity of Human Wishes (1749) and Two take to read?

About 23 minutes of reading across 57 sections of 5 sentences each, at an unhurried pace.

How to read The Vanity of Human Wishes (1749) and Two section by section

How to work through The Vanity of Human Wishes (1749) and Two section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of The Vanity of Human Wishes (1749) and Two to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Vanity of Human Wishes (1749) and Two

Words and structures a reader meets early in The Vanity of Human Wishes (1749) and Two, each tappable for pronunciation and meaning.

Vanity
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.
Human
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.
Wishes
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.
Introduction
A word that appears in the opening chapter of The Vanity of Human Wishes (1749) and Two; the reader can tap it to hear it and see its dictionary entry.