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The Victorian Age in Literature
The Victorian Age in Literature

Chapter II · Chapter 2

Chapter 2 of The Victorian Age in Literature is here in full — 448 sentences across 90 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/89 · 5 lines
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THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.
But the novel itself, though not merely Victorian, is mainly modern.
No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.
I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.
There are several things that make this mode of art unique.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Victorian Age in Literature

Chapter II · Chapter 2

Chapter 2 of The Victorian Age in Literature is here in full — 448 sentences across 90 reading sections, with audio for every sentence and word.

Reading 1/89 · 5 reading units · Lines 1–5

Line 1
THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.
Line 2
But the novel itself, though not merely Victorian, is mainly modern.
/bʌt ðə ˈnɑːvəl ˌɪtˈself ðoʊ nɑːt ˈmɪrli vɪkˈtɔːriən ɪz ˈmeɪnli ˈmɑːdərn/
Line 3
No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.
Line 4
I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.
Line 5
There are several things that make this mode of art unique.
/ðer ɑːr ˈsevrəl θɪŋz ðæt meɪk ðɪs moʊd ʌv ɑːrt juːˈniːk/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

definition noun US /ˌdefəˈnɪʃən/

a concise explanation of the meaning of a word or phrase or symbol

From this reading “No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.”

definitions noun US /ˌdefəˈnɪʃənz/

plural of “definition” — a concise explanation of the meaning of a word or phrase or symbol

From this reading “No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.”

fictitious adjective US /fɪkˈtɪʃəs/

formed or conceived by the imagination

From this reading “I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.”

irrelevant adjective US /ˌɪˈreləvənt/

having no bearing on or connection with the subject at issue

From this reading “I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.”

landscapes noun US /ˈlændskeɪps/

plural of “landscape” — an expanse of scenery that can be seen in a single view

From this reading “I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.”

novelists noun US /ˈnɑːvələsts/

plural of “novelist” — one who writes novels

From this reading “THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.”

victorian adjective US /vɪkˈtɔːriən/

of or relating to Queen Victoria of Great Britain or to the age in which she ruled

From this reading “THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.”

wastes noun US /weɪsts/

plural of “waste” — any materials unused and rejected as worthless or unwanted

From this reading “No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

agenounUS /eɪdʒ/

how long something has existed

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

anecdotenounUS /ˈænəkdoʊt/

short account of an incident (especially a biographical one)

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading There are several things that make this mode of art unique.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading There are several things that make this mode of art unique.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

beingsnounUS /ˈbiːɪŋz/

plural of “being” — the state or fact of existing

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But the novel itself, though not merely Victorian, is mainly modern.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

caughtverbUS /kɑːt/

inflected form of “catch” — discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

clear-headed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

cosinessnoun

a state of warm snug comfort

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

definitionnounUS /ˌdefəˈnɪʃən/

a concise explanation of the meaning of a word or phrase or symbol

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

definitionsnounUS /ˌdefəˈnɪʃənz/

plural of “definition” — a concise explanation of the meaning of a word or phrase or symbol

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

disputeverbUS /dɪsˈpjuːt/

take exception to

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

essentialadjectiveUS /eˈsenʃəl/

absolutely necessary; vitally necessary

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

fictitiousadjectiveUS /fɪkˈtɪʃəs/

formed or conceived by the imagination

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

GREATadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

invariablyadverbUS /ˌɪnˈveriəbli/

without variation or change, in every case

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

irrelevantadjectiveUS /ˌɪˈreləvənt/

having no bearing on or connection with the subject at issue

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading But the novel itself, though not merely Victorian, is mainly modern.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading But the novel itself, though not merely Victorian, is mainly modern.

landscapesnounUS /ˈlændskeɪps/

plural of “landscape” — an expanse of scenery that can be seen in a single view

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

mainlyadverbUS /ˈmeɪnli/

for the most part

From this reading But the novel itself, though not merely Victorian, is mainly modern.

makeverbUS /meɪk/

engage in

From this reading There are several things that make this mode of art unique.

meanverbUS /miːn/

mean or intend to express or convey

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading But the novel itself, though not merely Victorian, is mainly modern.

modenounUS /moʊd/

how something is done or how it happens

From this reading There are several things that make this mode of art unique.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading But the novel itself, though not merely Victorian, is mainly modern.

nakedadjectiveUS /ˈneɪkəd/

completely unclothed

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

necessarilyadverbUS /ˌnesəˈserəli/

in an essential manner

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

NodeterminerUS /noʊ/

not any; not one

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But the novel itself, though not merely Victorian, is mainly modern.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

NOVELISTSnounUS /ˈnɑːvələsts/

plural of “novelist” — one who writes novels

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

ownverbUS /oʊn/

have ownership or possession of

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

personnounUS /ˈpɜːrsən/

a human being

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

pointednessnoun

the property of a shape that tapers to a sharp tip

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

sakenounUS /seɪk/

a reason for wanting something done

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

sayverbUS /seɪ/

express in words

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading There are several things that make this mode of art unique.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

suitedadjectiveUS /ˈsuːtɪd/

meant or adapted for an occasion or use

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

ThereadverbUS /ðer/

in or at that place or location

From this reading There are several things that make this mode of art unique.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

thingnounUS /θɪŋ/

a special situation

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading There are several things that make this mode of art unique.

thinksnounUS /θɪŋks/

plural of “think” — an instance of deliberate thinking

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading There are several things that make this mode of art unique.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading But the novel itself, though not merely Victorian, is mainly modern.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

uniqueadjectiveUS /juːˈniːk/

radically distinctive and without equal

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

VICTORIANadjectiveUS /vɪkˈtɔːriən/

of or relating to Queen Victoria of Great Britain or to the age in which she ruled

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

visionsnounUS /ˈvɪʒənz/

plural of “vision” — a vivid mental image

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE GREAT VICTORIAN NOVELISTS The Victorian novel was a thing entirely Victorian; quite unique and suited to a sort of cosiness in that country and that age.

wastesnounUS /weɪsts/

plural of “waste” — any materials unused and rejected as worthless or unwanted

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

whenconjunctionUS /wen/

at the time that

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

whereconjunctionUS /wer/

in or at the place that

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading I merely say, therefore, that when I say "novel," I mean a fictitious narrative (almost invariably, but not necessarily, in prose) of which the essential is that the story is not told for the sake of its naked pointedness as an anecdote, or for the sake of the irrelevant landscapes and visions that can be caught up in it, but for the sake of some study of the difference between human beings.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading No clear-headed person wastes his time over definitions, except where he thinks his own definition would probably be in dispute.

Chapter 2 of The Victorian Age in Literature by G. K. (Gilbert Keith) Chesterton holds 448 sentences, grouped into 90 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Victorian Age in Literature contain?

Chapter 2 holds 448 sentences of The Victorian Age in Literature, unabridged, divided into 90 reading sections.

This page carries chapter 2 of The Victorian Age in Literature by G. K. (Gilbert Keith) Chesterton exactly as it stands in the source edition, without abridgement. It runs to 448 sentences, grouped into 90 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Victorian Age in Literature?

Work through the 90 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 90 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Victorian Age in Literature

Common questions about reading The Victorian Age in Literature by G. K. (Gilbert Keith) Chesterton on this page, its source edition and its audio.

Is this the complete text of The Victorian Age in Literature?

Yes. All 1635 sentences of Project Gutenberg eBook #18639 are kept, with a record of which sentences cover which part.

Which edition of The Victorian Age in Literature is used?

Project Gutenberg eBook #18639, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Victorian Age in Literature take to read?

About 136 minutes of reading across 327 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Victorian Age in Literature

Words and structures a reader meets early in The Victorian Age in Literature, each tappable for pronunciation and meaning.

Previous
A word that appears in the opening chapter of The Victorian Age in Literature; the reader can tap it to hear it and see its dictionary entry.
Literary
A word that appears in the opening chapter of The Victorian Age in Literature; the reader can tap it to hear it and see its dictionary entry.
Country
A word that appears in the opening chapter of The Victorian Age in Literature; the reader can tap it to hear it and see its dictionary entry.
Vigorous
A word that appears in the opening chapter of The Victorian Age in Literature; the reader can tap it to hear it and see its dictionary entry.