Chapter XIV · Chapter 14

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The artist thus chosen was Carolus-Duran.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The artist thus chosen was Carolus-Duran.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The artist thus chosen was Carolus-Duran.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The artist thus chosen was Carolus-Duran.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sargent, Dannat, Harrison, Beckwith, Hinckley, and many others whom it is needless to mention here, will—if these lines come under their notice—doubtless recall with a thrill of pleasure the roomy one-storied structure in the rue Notre-Dame des Champs where we established our _atelier d’élèves_, a self-supporting cooperative concern, each student contributing ten francs a month toward rent, fire, and models, “Carolus”—the name by which this master is universally known abroad—not only refusing all compensation, according to the immutable custom of French painters of distinction, but, as we discovered later, contributing too often from his own pocket to help out the _massier_ at the end of a difficult season, or smooth the path of some improvident pupil.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first modest workroom on the Boulevard Montparnasse was soon too small to hold the pupils who crowded under this newly raised banner, and a move was made to more commodious quarters near the master’s private studio.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the early seventies a group of students—dissatisfied with the cut-and-dried instruction of the Paris art school and attracted by certain qualities of color and technique in the work of a young Frenchman from the city of Lille, who was just beginning to attract the attention of connoisseurs—went in a body to his studio with the request that he would oversee their work and direct their studies.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oddly enough, a majority of the youths who sought him out and made him their master were Americans.