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The White Christmas and other Merry
The White Christmas and other Merry

Chapter I · Chapter 1

Chapter 1 of The White Christmas and other Merry is here in full — 355 sentences across 71 reading sections, with audio for every sentence and word.

Cover illustration for The White Christmas and other Merry
Context Illustration Reading 6/71 · 5 lines
English subtitles · tap any word to listen 1 / 5
Try every child in every child's part before you make your final selection of the cast of characters.
If it is possible, begin your second rehearsal on the stage where the play is to be given.
Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.
At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.
DELAYS.
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Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The White Christmas and other Merry

Chapter I · Chapter 1

Chapter 1 of The White Christmas and other Merry is here in full — 355 sentences across 71 reading sections, with audio for every sentence and word.

Reading 6/71 · 5 reading units · Lines 26–30

Line 1
Try every child in every child's part before you make your final selection of the cast of characters.
/traɪ ˈevəri tʃaɪld ɪn ˈevəri tʃaɪldz pɑːrt bɪˈfɔːr juː meɪk jɔːr ˈfaɪnəl səˈlekʃən ʌv ðə kæst ʌv ˈkærəktərz/
Line 2
If it is possible, begin your second rehearsal on the stage where the play is to be given.
/ɪf ɪt ɪz ˈpɑːsəbəl bɪˈɡɪn jɔːr ˈsekənd rɪˈhɜːrsəl ɑːn ðə steɪdʒ wer ðə pleɪ ɪz tuː biː ˈɡɪvən/
Line 3
Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.
Line 4
At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.
Line 5
DELAYS.
/dɪˈleɪz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cue noun US /kjuː/

an actor's line that immediately precedes and serves as a reminder for some action or speech

From this reading “At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.”

delays noun US /dɪˈleɪz/

plural of “delay” — time during which some action is awaited

From this reading “DELAYS.”

entirety noun US /ɪnˈtaɪərti/

the state of being total and complete

From this reading “At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.”

entrances noun US /ˈentrənsəz/

plural of “entrance” — something that provides access (to get in or get out)

From this reading “Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.”

exits noun US /ˈeɡzɪts/

plural of “exit” — an opening that permits escape or release

From this reading “At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.”

groupings noun US /ˈɡruːpɪŋz/

plural of “grouping” — any number of entities (members) considered as a unit

From this reading “At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.”

properties noun US /ˈprɑːpərtiz/

plural of “property” — something owned; any tangible or intangible possession that is owned by someone

From this reading “Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.”

rehearsal noun US /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading “If it is possible, begin your second rehearsal on the stage where the play is to be given.”

All words in this reading · 84

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

ArrangeverbUS /ərˈeɪndʒ/

put into a proper or systematic order

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

atprepositionUS /æt/

in or near a particular place or position

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

castverbUS /kæst/

put or send forth

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

chairsnounUS /tʃerz/

plural of “chair” — a seat for one person, with a support for the back

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

childnounUS /tʃaɪld/

a young person of either sex

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

child'snounUS /tʃaɪldz/

possessive form of “child” — a young person of either sex

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

children's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

completedadjectiveUS /kəmˈpliːtəd/

successfully completed or brought to an end

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

copiesnounUS /ˈkɑːpiz/

plural of “copy” — a reproduction of a written record (e.g. of a legal or school record)

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

crossingnounUS /ˈkrɔːsɪŋ/

traveling across

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

cuenounUS /kjuː/

an actor's line that immediately precedes and serves as a reminder for some action or speech

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

DELAYSnounUS /dɪˈleɪz/

plural of “delay” — time during which some action is awaited

From this reading DELAYS.

doorsnounUS /dɔːrz/

plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

entiretynounUS /ɪnˈtaɪərti/

the state of being total and complete

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

entrancesnounUS /ˈentrənsəz/

plural of “entrance” — something that provides access (to get in or get out)

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

etc

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

everythingpronounUS /ˈevriθɪŋ/

all things; all of a situation

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

exitsnounUS /ˈeɡzɪts/

plural of “exit” — an opening that permits escape or release

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

finaladjectiveUS /ˈfaɪnəl/

occurring at or forming an end or termination

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

gesturesnounUS /ˈdʒestʃərz/

plural of “gesture” — motion of hands or body to emphasize or help to express a thought or feeling

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

groupingsnounUS /ˈɡruːpɪŋz/

plural of “grouping” — any number of entities (members) considered as a unit

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

impressverbUS /ˌɪmˈpres/

have an emotional or cognitive impact upon

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

learningnounUS /ˈlɜːrnɪŋ/

the cognitive process of acquiring skill or knowledge

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

makeverbUS /meɪk/

engage in

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

mindsnounUS /maɪndz/

plural of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

necessitynounUS /nəˈsesəti/

the condition of being essential or indispensable

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

playverbUS /pleɪ/

participate in games or sport

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

propertiesnounUS /ˈprɑːpərtiz/

plural of “property” — something owned; any tangible or intangible possession that is owned by someone

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

rehearsalnounUS /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

representverbUS /ˌreprɪˈzent/

take the place of or be parallel or equivalent to

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

selectionnounUS /səˈlekʃən/

the act of choosing or selecting

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

TryverbUS /traɪ/

make an effort or attempt

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

usenounUS /juːs/

the act of using

From this reading At the third rehearsal the play should be given in its entirety, music, gestures, entrances, exits, groupings and crossing from one side of the stage to another at a given cue, etc. In fact, everything as in the completed production, except that the actors may use their copies of the play for reading the lines.

whereconjunctionUS /wer/

in or at the place that

From this reading If it is possible, begin your second rehearsal on the stage where the play is to be given.

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading Arrange chairs to represent entrances, doors, windows, etc., and have all properties on hand, in order to impress on the children's minds the necessity of learning the words and the action at the same time.

youpronounUS /juː/

the person or people being spoken to

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading Try every child in every child's part before you make your final selection of the cast of characters.

Chapter 1 of The White Christmas and other Merry by Walter Ben Hare holds 355 sentences, grouped into 71 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The White Christmas and other Merry contain?

Chapter 1 holds 355 sentences of The White Christmas and other Merry, unabridged, divided into 71 reading sections.

This page carries chapter 1 of The White Christmas and other Merry by Walter Ben Hare exactly as it stands in the source edition, without abridgement. It runs to 355 sentences, grouped into 71 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The White Christmas and other Merry?

Work through the 71 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 71 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The White Christmas and other Merry

Common questions about reading The White Christmas and other Merry by Walter Ben Hare on this page, its source edition and its audio.

Is this the complete text of The White Christmas and other Merry?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The White Christmas and other Merry is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The White Christmas and other Merry take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The White Christmas and other Merry section by section

How to work through The White Christmas and other Merry section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The White Christmas and other Merry to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The White Christmas and other Merry

Words and structures a reader meets early in The White Christmas and other Merry, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The White Christmas and other Merry, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The White Christmas and other Merry, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The White Christmas and other Merry, divided into 5-sentence reading sections.