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The Wild Geese
The Wild Geese

Chapter XXII · Chapter 22

Chapter 22 of The Wild Geese is here in full — 254 sentences across 51 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/50 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.
Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.
In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.
If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?
Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Wild Geese

Chapter XXII · Chapter 22

Chapter 22 of The Wild Geese is here in full — 254 sentences across 51 reading sections, with audio for every sentence and word.

Reading 1/50 · 5 reading units · Lines 1–5

Line 1
THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.
Line 2
Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.
Line 3
In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.
Line 4
If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?
Line 5
Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

conjunctions noun US /kənˈdʒʌŋkʃənz/

plural of “conjunction” — the temporal property of two things happening at the same time

From this reading “Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.”

critical adjective US /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading “In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.”

cursed adjective US /kɜːrst/

deserving a curse; sometimes used as an intensifier

From this reading “Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.”

menace verb US /ˈmenəs/

pose a threat to; present a danger to

From this reading “Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.”

nails noun US /neɪlz/

plural of “nail” — horny plate covering and protecting part of the dorsal surface of the digits

From this reading “Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.”

outflanked verb US /aʊtˈflæŋkt/

past form of “outflank” — go around the flank of (an opposing army)

From this reading “THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.”

perplexity noun US /pərˈpleksəti/

trouble or confusion resulting from complexity

From this reading “In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.”

Sullivan noun US /ˈsʌləvən/

United States architect known for his steel framed skyscrapers and for coining the phrase “form follows function” (1856-1924)

From this reading “Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.”

All words in this reading · 110

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

absencenounUS /ˈæbsəns/

the state of being absent

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

additionnounUS /əˈdɪʃən/

a component that is added to something to improve it

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

Asgill

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

atprepositionUS /æt/

in or near a particular place or position

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

backadverbUS /bæk/

in or to or toward a former location

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

behoved

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

bestnounUS /best/

the supreme effort one can make

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

bitnounUS /bɪt/

a small piece or quantity of something

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

callingnounUS /ˈkɔːlɪŋ/

the particular occupation for which you are trained

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

ColonelnounUS /ˈkɜːrnəl/

a commissioned military officer in the United States Army or Air Force or Marines who ranks above a lieutenant colonel and below a brigadier general

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

commandernounUS /kəˈmændər/

an officer in command of a military unit

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

conjunctionsnounUS /kənˈdʒʌŋkʃənz/

plural of “conjunction” — the temporal property of two things happening at the same time

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

criticaladjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

cursedadjectiveUS /kɜːrst/

deserving a curse; sometimes used as an intensifier

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

decideverbUS /ˌdɪˈsaɪd/

reach, make, or come to a decision about something

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

facedadjectiveUS /feɪst/

having a face or facing especially of a specified kind or number; often used in combination

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

Flavia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

frontnounUS /frʌnt/

the side that is forward or prominent

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

instantnounUS /ˈɪnstənt/

a very short time (as the time it takes the eye to blink or the heart to beat)

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

JamesnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

makeverbUS /meɪk/

engage in

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

McMurrough

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

menaceverbUS /ˈmenəs/

pose a threat to; present a danger to

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

mostadverbUS /moʊst/

used to form the superlative

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

nailsnounUS /neɪlz/

plural of “nail” — horny plate covering and protecting part of the dorsal surface of the digits

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

namesnounUS /neɪmz/

verbal abuse; a crude substitute for argument

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

outflankedverbUS /aʊtˈflæŋkt/

past form of “outflank” — go around the flank of (an opposing army)

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

painfuladjectiveUS /ˈpeɪnfəl/

causing physical or psychological pain

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

PASSAGEnounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

Payton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

peat-stack

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

perplexitynounUS /pərˈpleksəti/

trouble or confusion resulting from complexity

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

quicklyadverbUS /ˈkwɪkli/

with speed

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

re-form

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

retiredadjectiveUS /rɪˈtaɪrd/

no longer active in your work or profession

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

sawverbUS /sɔː/

cut with a saw

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

SCENEnounUS /siːn/

the place where some action occurs

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

scorenounUS /skɔːr/

a number or letter indicating quality (especially of a student's performance)

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

separateverbUS /ˈsepəreɪt/

act as a barrier between; stand between

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

standingadjectiveUS /ˈstændɪŋ/

having a supporting base

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

suitverbUS /suːt/

be agreeable or acceptable to

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

SullivannounUS /ˈsʌləvən/

United States architect known for his steel framed skyscrapers and for coining the phrase “form follows function” (1856-1924)

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

takeverbUS /teɪk/

carry out

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In addition, the absence of James McMurrough at this critical moment left Asgill in the most painful perplexity.

threatenedadjectiveUS /ˈθretənd/

(of flora or fauna) likely in the near future to become endangered

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

UnderprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

wantingadjectiveUS /ˈwɑːntɪŋ/

nonexistent

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

whatpronounUS /wʌt/

used to ask for information about something

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

whenconjunctionUS /wen/

at the time that

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

whitheradverbUS /ˈwɪðər/

an old word meaning “to where”

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

whopronounUS /huː/

which person or people

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

whosedeterminerUS /huːz/

belonging to which person

From this reading THE SCENE IN THE PASSAGE Asgill saw himself in the position of a commander whose force has been outflanked, and who has to decide on the instant how he may best re-form it on a new front.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

winverbUS /wɪn/

be the winner in a contest or competition; be victorious

From this reading Flavia and Colonel Sullivan, Flavia and Payton, Payton and Colonel Sullivan--each of these conjunctions had for him a separate menace; each threatened either his suit for Flavia, or his standing in the house through which, and through which alone, he could hope to win her.

withprepositionUS /wɪð/

in the company of; together with

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading Under the shadow of the great peat-stack at the back of the house, whither he had retired that he might make up his mind before he faced the three, Asgill bit his nails and cursed The McMurrough with all his heart, calling him a score of names, each worse than the other.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading If James knew what had happened, why was he wanting at this moment, when it behoved them to decide, and to decide quickly, what line they would take?

Chapter 22 of The Wild Geese by Stanley John Weyman holds 254 sentences, grouped into 51 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 22 of The Wild Geese contain?

Chapter 22 holds 254 sentences of The Wild Geese, unabridged, divided into 51 reading sections.

This page carries chapter 22 of The Wild Geese by Stanley John Weyman exactly as it stands in the source edition, without abridgement. It runs to 254 sentences, grouped into 51 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 22 of The Wild Geese?

Work through the 51 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 51 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 22 be read aloud to me?

Yes — every sentence and every individual word in chapter 22 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Wild Geese

Common questions about reading The Wild Geese by Stanley John Weyman on this page, its source edition and its audio.

Is this the complete text of The Wild Geese?

Yes. All 6529 sentences of Project Gutenberg eBook #29100 are kept, with a record of which sentences cover which part.

Which edition of The Wild Geese is used?

Project Gutenberg eBook #29100, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Wild Geese take to read?

About 544 minutes of reading across 1306 sections of 5 sentences each, at an unhurried pace.

How to read The Wild Geese section by section

How to work through The Wild Geese section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of The Wild Geese to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Wild Geese

Words and structures a reader meets early in The Wild Geese, each tappable for pronunciation and meaning.

Volumes
A word that appears in the opening chapter of The Wild Geese; the reader can tap it to hear it and see its dictionary entry.
Arranged
A word that appears in the opening chapter of The Wild Geese; the reader can tap it to hear it and see its dictionary entry.
Chronologically
A word that appears in the opening chapter of The Wild Geese; the reader can tap it to hear it and see its dictionary entry.
Introduction
A word that appears in the opening chapter of The Wild Geese; the reader can tap it to hear it and see its dictionary entry.