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The Woman in White
The Woman in White

Chapter VIII · Chapter 8

Chapter 8 of The Woman in White is here in full — 321 sentences across 65 reading sections, with audio for every sentence and word.

Cover illustration for The Woman in White
Context Illustration Reading 1/64 · 5 lines
English subtitles · tap any word to listen 1 / 5
Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.
Before I could thank her she hastened to the piano.
The chair near it, which I had always been accustomed to occupy, stood empty.
She struck a few chordsthen glanced round at methen looked back again at her music.
Won’t you take your old place?” she said, speaking very abruptly and in very low tones.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Woman in White

Chapter VIII · Chapter 8

Chapter 8 of The Woman in White is here in full — 321 sentences across 65 reading sections, with audio for every sentence and word.

Reading 1/64 · 5 reading units · Lines 1–5

Line 1
Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.
/ʃæl aɪ pleɪ sʌm ʌv ðoʊz ˈlɪtəl ˈmelədiz ʌv ˈmoʊzɑːrts wɪtʃ juː juːzd tuː laɪk soʊ mʌtʃ ʃiː æskt ˈoʊpənɪŋ ðə ˈmjuːzɪk ˈnɜːrvəsli ənd ˈlʊkɪŋ daʊn æt ɪt waɪl ʃiː spoʊk/
Line 2
Before I could thank her she hastened to the piano.
/bɪˈfɔːr aɪ kʊd θæŋk hɜːr ʃiː ˈheɪsənd tuː ðə piˈænoʊ/
Line 3
The chair near it, which I had always been accustomed to occupy, stood empty.
/ðə tʃer nɪr ɪt wɪtʃ aɪ hæd ˈɔːlweɪz bɪn əˈkʌstəmd tuː ˈɑːkjəpaɪ stʊd ˈempti/
Line 4
She struck a few chordsthen glanced round at methen looked back again at her music.
Line 5
Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abruptly adverb US /əˈbrʌptli/

quickly and without warning

From this reading ““Won’t you take your old place?” she said, speaking very abruptly and in very low tones.”

chords noun US /kɔːrdz/

plural of “chord” — a straight line connecting two points on a curve

From this reading “She struck a few chords—then glanced round at me—then looked back again at her music.”

hastened verb US /ˈheɪsənd/

past form of “hasten” — act or move at high speed

From this reading “Before I could thank her she hastened to the piano.”

melodies noun US /ˈmelədiz/

plural of “melody” — a succession of notes forming a distinctive sequence

From this reading ““Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.”

Mozart's noun US /ˈmoʊzɑːrts/

possessive form of “mozart” — prolific Austrian composer and child prodigy; master of the classical style in all its forms of his time (1756-1791)

nervously adverb US /ˈnɜːrvəsli/

in an anxiously nervous manner

From this reading ““Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.”

occupy verb US /ˈɑːkjəpaɪ/

keep busy with

From this reading “The chair near it, which I had always been accustomed to occupy, stood empty.”

piano noun US /piˈænoʊ/

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading “Before I could thank her she hastened to the piano.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

abruptlyadverbUS /əˈbrʌptli/

quickly and without warning

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

accustomedadjectiveUS /əˈkʌstəmd/

commonly used or practiced; usual

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

againadverbUS /əˈɡen/

anew

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

atprepositionUS /æt/

in or near a particular place or position

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

backadverbUS /bæk/

in or to or toward a former location

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Before I could thank her she hastened to the piano.

chairnounUS /tʃer/

a seat for one person, with a support for the back

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

chordsnounUS /kɔːrdz/

plural of “chord” — a straight line connecting two points on a curve

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Before I could thank her she hastened to the piano.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

emptyverbUS /ˈempti/

make void or empty of contents

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

glancedverbUS /ɡlænst/

past form of “glance” — throw a glance at; take a brief look at

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

hastenedverbUS /ˈheɪsənd/

past form of “hasten” — act or move at high speed

From this reading Before I could thank her she hastened to the piano.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Before I could thank her she hastened to the piano.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

likeverbUS /laɪk/

prefer or wish to do something

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

melodiesnounUS /ˈmelədiz/

plural of “melody” — a succession of notes forming a distinctive sequence

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

Mozart'snounUS /ˈmoʊzɑːrts/

possessive form of “mozart” — prolific Austrian composer and child prodigy; master of the classical style in all its forms of his time (1756-1791)

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

nervouslyadverbUS /ˈnɜːrvəsli/

in an anxiously nervous manner

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

occupyverbUS /ˈɑːkjəpaɪ/

keep busy with

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

openingnounUS /ˈoʊpənɪŋ/

an open or empty space in or between things

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

pianonounUS /piˈænoʊ/

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading Before I could thank her she hastened to the piano.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

playverbUS /pleɪ/

participate in games or sport

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

Shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

speakingnounUS /ˈspiːkɪŋ/

the utterance of intelligible speech

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading The chair near it, which I had always been accustomed to occupy, stood empty.

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

takeverbUS /teɪk/

carry out

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

thankverbUS /θæŋk/

express gratitude or show appreciation to

From this reading Before I could thank her she hastened to the piano.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading She struck a few chords—then glanced round at me—then looked back again at her music.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

tonesnounUS /toʊnz/

plural of “tone” — the quality of a person's voice

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

whileconjunctionUS /waɪl/

during the time that

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

Won't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

youpronounUS /juː/

the person or people being spoken to

From this reading “Shall I play some of those little melodies of Mozart’s which you used to like so much?” she asked, opening the music nervously, and looking down at it while she spoke.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading “Won’t you take your old place?” she said, speaking very abruptly and in very low tones.

Chapter 8 of The Woman in White by Wilkie Collins holds 321 sentences, grouped into 65 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of The Woman in White contain?

Chapter 8 holds 321 sentences of The Woman in White, unabridged, divided into 65 reading sections.

This page carries chapter 8 of The Woman in White by Wilkie Collins exactly as it stands in the public-domain source edition, without abridgement. It runs to 321 sentences, grouped into 65 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of The Woman in White?

Work through the 65 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 65 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Woman in White

Common questions about reading The Woman in White by Wilkie Collins on this page, its source edition and its audio.

Is this the complete text of The Woman in White?

Yes. All 13004 sentences of Project Gutenberg eBook #583 are kept, with a record of which sentences cover which part.

Which edition of The Woman in White is used?

Project Gutenberg eBook #583, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Woman in White take to read?

About 600 minutes of reading across 2601 sections of 5 sentences each, at an unhurried pace.

How to read The Woman in White section by section

How to work through The Woman in White section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Woman in White to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Woman in White

Words and structures a reader meets early in The Woman in White, each tappable for pronunciation and meaning.

Third
A word that appears in the opening chapter of The Woman in White; the reader can tap it to hear it and see its dictionary entry.
Epoch
A word that appears in the opening chapter of The Woman in White; the reader can tap it to hear it and see its dictionary entry.
Clement
A word that appears in the opening chapter of The Woman in White; the reader can tap it to hear it and see its dictionary entry.
Teacher
A word that appears in the opening chapter of The Woman in White; the reader can tap it to hear it and see its dictionary entry.