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The Women Who Make Our Novels
The Women Who Make Our Novels

Chapter XVI

Chapter 16 of The Women Who Make Our Novels is here in full — 86 sentences across 18 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/17 · 5 lines
English subtitles · tap any word to listen 1 / 5
MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:
Mrs. Freeman is primarily a short story writer and not a novelist.
Her successes have been with short stories, and they have been many.
Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.
Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Women Who Make Our Novels

Chapter XVI

Chapter 16 of The Women Who Make Our Novels is here in full — 86 sentences across 18 reading sections, with audio for every sentence and word.

Reading 1/17 · 5 reading units · Lines 1–5

Line 1
MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:
/ˈmeri iː ˈwɪlkɪnz ˈfriːmən ɪf ðɪs ˈtʃæptər ɑːn ˈmeri ˈwɪlkɪnz ˈfriːmən wʌn ʌv ðə best noʊn ʌv əˈmerəkən ˈraɪtərz siːmz dɪsəˈpɔɪntɪŋli ʃɔːrt ðə ˌekspləˈneɪʃən ɪz tuː biː faʊnd ɪn θriː kənˌsɪdərˈeɪʃənz/
Line 2
Mrs. Freeman is primarily a short story writer and not a novelist.
/ˈmɪsɪz ˈfriːmən ɪz praɪˈmerəli ə ʃɔːrt ˈstɔːri ˈraɪtər ənd nɑːt ə ˈnɑːvələst/
Line 3
Her successes have been with short stories, and they have been many.
/hɜːr səkˈsesəz hæv bɪn wɪð ʃɔːrt ˈstɔːriz ənd ðeɪ hæv bɪn ˈmeni/
Line 4
Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.
/boʊθ æz ə ʃɔːrt ˈstɔːri ˈraɪtər ənd æz ə ˈnɑːvələst hɜːr wɜːrk ɪz ənɪmˈpɔːrtənt ˈlɑːrdʒli ɪˈfemərəl ənd ekˈstriːmli ˌoʊvərˈreɪtɪd/
Line 5
Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

disappointingly adverb US /dɪsəˈpɔɪntɪŋli/

in a disappointing manner

From this reading “MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:”

ephemeral adjective US /ɪˈfemərəl/

lasting a very short time

From this reading “Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.”

freeman noun US /ˈfriːmən/

a person who is not a serf or a slave

From this reading “MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:”

overrated verb US /ˌoʊvərˈreɪtɪd/

past form of “overrate” — make too high an estimate of

From this reading “Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.”

primarily adverb US /praɪˈmerəli/

for the most part

From this reading “Mrs. Freeman is primarily a short story writer and not a novelist.”

successes noun US /səkˈsesəz/

plural of “success” — an event that accomplishes its intended purpose

From this reading “Her successes have been with short stories, and they have been many.”

unimportant adjective US /ənɪmˈpɔːrtənt/

not important

From this reading “Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.”

wilkins noun US /ˈwɪlkɪnz/

United States civil rights leader (1901-1981)

From this reading “MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

short story adjective + noun

a prose narrative shorter than a novel

In this reading “Mrs. Freeman is primarily a short story writer and not a novelist.”

All words in this reading · 62

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

absoluteadjectiveUS /ˈæbsəluːt/

perfect or complete or pure

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Her successes have been with short stories, and they have been many.

bestnounUS /best/

the supreme effort one can make

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

BothdeterminerUS /boʊθ/

the two together, not just one

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

considerationsnounUS /kənˌsɪdərˈeɪʃənz/

plural of “consideration” — the process of giving careful thought to something

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

disappointinglyadverbUS /dɪsəˈpɔɪntɪŋli/

in a disappointing manner

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

EnounUS /iː/

a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

ephemeraladjectiveUS /ɪˈfemərəl/

lasting a very short time

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

Ephemeralitynoun

the property of lasting for a very short time

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

explanationnounUS /ˌekspləˈneɪʃən/

a statement that makes something comprehensible by describing the relevant structure or operation or circumstances etc.

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

extremelyadverbUS /ekˈstriːmli/

to a high degree or extent; favorably or with much respect

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

foundverbUS /faʊnd/

set up or found

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

FREEMANnounUS /ˈfriːmən/

a person who is not a serf or a slave

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Her successes have been with short stories, and they have been many.

HerdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Her successes have been with short stories, and they have been many.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

largelyadverbUS /ˈlɑːrdʒli/

in large part; mainly or chiefly

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Her successes have been with short stories, and they have been many.

MARYnounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

matternounUS /ˈmætər/

a vaguely specified concern

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

measuredadjectiveUS /ˈmeʒərd/

having notes of fixed rhythmic value

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

mostadverbUS /moʊst/

used to form the superlative

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

novelistnounUS /ˈnɑːvələst/

one who writes novels

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

overratedverbUS /ˌoʊvərˈreɪtɪd/

past form of “overrate” — make too high an estimate of

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

primarilyadverbUS /praɪˈmerəli/

for the most part

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

standardsnounUS /ˈstændərdz/

plural of “standard” — a basis for comparison; a reference point against which other things can be evaluated

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Her successes have been with short stories, and they have been many.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

successesnounUS /səkˈsesəz/

plural of “success” — an event that accomplishes its intended purpose

From this reading Her successes have been with short stories, and they have been many.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Her successes have been with short stories, and they have been many.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Ephemerality in itself does not matter; most things are ephemeral measured by any absolute standards.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

unimportantadjectiveUS /ənɪmˈpɔːrtənt/

not important

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

WILKINSnounUS /ˈwɪlkɪnz/

United States civil rights leader (1901-1981)

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

withprepositionUS /wɪð/

in the company of; together with

From this reading Her successes have been with short stories, and they have been many.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Both as a short story writer and as a novelist her work is unimportant, largely ephemeral and extremely overrated.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading Mrs. Freeman is primarily a short story writer and not a novelist.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading MARY E. WILKINS FREEMAN If this chapter on Mary Wilkins Freeman, one of the best known of American writers, seems disappointingly short, the explanation is to be found in three considerations:

Chapter 16 of The Women Who Make Our Novels by Grant M. (Grant Martin) Overton holds 86 sentences, grouped into 18 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of The Women Who Make Our Novels contain?

Chapter 16 holds 86 sentences of The Women Who Make Our Novels, unabridged, divided into 18 reading sections.

This page carries chapter 16 of The Women Who Make Our Novels by Grant M. (Grant Martin) Overton exactly as it stands in the source edition, without abridgement. It runs to 86 sentences, grouped into 18 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of The Women Who Make Our Novels?

Work through the 18 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 18 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Women Who Make Our Novels

Common questions about reading The Women Who Make Our Novels by Grant M. (Grant Martin) Overton on this page, its source edition and its audio.

Is this the complete text of The Women Who Make Our Novels?

Yes. All 5519 sentences of Project Gutenberg eBook #65134 are kept, with a record of which sentences cover which part.

Which edition of The Women Who Make Our Novels is used?

Project Gutenberg eBook #65134, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Women Who Make Our Novels take to read?

About 459 minutes of reading across 1104 sections of 5 sentences each, at an unhurried pace.

How to read The Women Who Make Our Novels section by section

How to work through The Women Who Make Our Novels section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 36 chapters of The Women Who Make Our Novels to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Women Who Make Our Novels

Words and structures a reader meets early in The Women Who Make Our Novels, each tappable for pronunciation and meaning.

Women
A word that appears in the opening chapter of The Women Who Make Our Novels; the reader can tap it to hear it and see its dictionary entry.
Novels
A word that appears in the opening chapter of The Women Who Make Our Novels; the reader can tap it to hear it and see its dictionary entry.
First
A word that appears in the opening chapter of The Women Who Make Our Novels; the reader can tap it to hear it and see its dictionary entry.
Printing
A word that appears in the opening chapter of The Women Who Make Our Novels; the reader can tap it to hear it and see its dictionary entry.