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The Works of Aphra Behn, Volume II
The Works of Aphra Behn, Volume II

Chapter XXVI · Chapter 26

Chapter 26 of The Works of Aphra Behn, Volume II is here in full — 393 sentences across 79 reading sections, with audio for every sentence and word.

Cover illustration for The Works of Aphra Behn, Volume II
Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
_Mar_.
My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and tis better to die than fall into the hands of _Octavio_.
I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?
_Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.
_Tick_.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Works of Aphra Behn, Volume II

Chapter XXVI · Chapter 26

Chapter 26 of The Works of Aphra Behn, Volume II is here in full — 393 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
_Mar_.
/mɑːr/
Line 2
My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; andtis better to die than fall into the hands of _Octavio_.
Line 3
I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?
Line 4
_Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.
Line 5
_Tick_.
/tɪk/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

design noun US /dɪˈzaɪn/

the act of working out the form of something (as by making a sketch or outline or plan)

From this reading “My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.”

desperate adjective US /ˈdesprɪt/

arising from or marked by despair or loss of hope

From this reading “I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?”

hazard noun US /ˈhæzərd/

a source of danger; a possibility of incurring loss or misfortune

From this reading “My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.”

Mar verb US /mɑːr/

make imperfect

opens noun US /ˈoʊpənz/

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading “_Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.”

preserve verb US /prəˈzɜːrv/

keep or maintain in unaltered condition; cause to remain or last

From this reading “My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.”

Signal's noun US /ˈsɪɡnəlz/

possessive form of “signal” — any nonverbal action or gesture that encodes a message

Tick noun US /tɪk/

a metallic tapping sound

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

admitverbUS /ədˈmɪt/

declare to be true or admit the existence or reality or truth of

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

approachverbUS /əˈproʊtʃ/

move towards

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

atprepositionUS /æt/

in or near a particular place or position

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

byprepositionUS /baɪ/

showing who or what does the action

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

Crevat

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

dangernounUS /ˈdeɪndʒər/

the condition of being susceptible to harm or injury

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

darknounUS /dɑːrk/

absence of light or illumination

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

designnounUS /dɪˈzaɪn/

the act of working out the form of something (as by making a sketch or outline or plan)

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

desperateadjectiveUS /ˈdesprɪt/

arising from or marked by despair or loss of hope

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

dieverbUS /daɪ/

pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

EnterverbUS /ˈentər/

to come or go into

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

fallverbUS /fɔːl/

descend in free fall under the influence of gravity

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

Fillamour's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

goesnounUS /ɡoʊz/

plural of “go” — a time period for working (after which you will be relieved by someone else)

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

hanounUS /hɑː/

(astronomy) the angular distance of a celestial point measured westward along the celestial equator from the zenith crossing; the right ascension for an observer at a particular location and time of day

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

hazardnounUS /ˈhæzərd/

a source of danger; a possibility of incurring loss or misfortune

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

herspronounUS /hərz/

the one or ones belonging to her

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

hindring

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

HousenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

I'm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

Ingratenoun

a person who shows no gratitude

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

Lanthorn

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

looksnounUS /lʊks/

plural of “look” — the feelings expressed on a person's face

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

MarverbUS /mɑːr/

make imperfect

From this reading _Mar_.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

MydeterminerUS /maɪ/

belonging to the person speaking

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

nodeterminerUS /noʊ/

not any; not one

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

Octavio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

opensnounUS /ˈoʊpənz/

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

ownverbUS /oʊn/

have ownership or possession of

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

Periwignoun

a wig for men that was fashionable in the 17th and 18th centuries

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

preserveverbUS /prəˈzɜːrv/

keep or maintain in unaltered condition; cause to remain or last

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

preventverbUS /prɪˈvent/

keep from happening or arising; make impossible

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

readyadjectiveUS /ˈredi/

completely prepared or in condition for immediate action or use or progress

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

ringverbUS /rɪŋ/

sound loudly and sonorously

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

Signal'snounUS /ˈsɪɡnəlz/

possessive form of “signal” — any nonverbal action or gesture that encodes a message

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

SirnounUS /sɜːr/

term of address for a man

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

SwordnounUS /sɔːrd/

a cutting or thrusting weapon that has a long metal blade and a hilt with a hand guard

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

TicknounUS /tɪk/

a metallic tapping sound

From this reading _Tick_.

Tickletext

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Enter_ Tickletext _with a Periwig and Crevat of Sir_ Signal’s: _A Sword by his side, and a dark Lanthorn; she opens hers, looks on him, and goes out_.

tisnounUS /tɪz/

plural of “ti” — a light strong grey lustrous corrosion-resistant metallic element used in strong lightweight alloys (as for airplane parts); the main sources are rutile and ilmenite

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

whenconjunctionUS /wen/

at the time that

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

whopronounUS /huː/

which person or people

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

withprepositionUS /wɪð/

in the company of; together with

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

wou'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading My design now is, to prevent _Fillamour’s_ coming into danger, by hindring his approach to this House: I wou’d preserve the kind Ingrate with any hazard of my own; and ‘tis better to die than fall into the hands of _Octavio_.

youpronounUS /juː/

the person or people being spoken to

From this reading I’m desperate with that thought, and fear no danger: however, be you ready at the door, and when I ring admit me--ha--who comes here?

Chapter 26 of The Works of Aphra Behn, Volume II by Aphra Behn holds 393 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 26 of The Works of Aphra Behn, Volume II contain?

Chapter 26 holds 393 sentences of The Works of Aphra Behn, Volume II, unabridged, divided into 79 reading sections.

This page carries chapter 26 of The Works of Aphra Behn, Volume II by Aphra Behn exactly as it stands in the source edition, without abridgement. It runs to 393 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 26 of The Works of Aphra Behn, Volume II?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 26 be read aloud to me?

Yes — every sentence and every individual word in chapter 26 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Works of Aphra Behn, Volume II

Common questions about reading The Works of Aphra Behn, Volume II by Aphra Behn on this page, its source edition and its audio.

Is this the complete text of The Works of Aphra Behn, Volume II?

Yes. All 13266 sentences of Project Gutenberg eBook #8885 are kept, with a record of which sentences cover which part.

Which edition of The Works of Aphra Behn, Volume II is used?

Project Gutenberg eBook #8885, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Works of Aphra Behn, Volume II take to read?

About 600 minutes of reading across 2654 sections of 5 sentences each, at an unhurried pace.

How to read The Works of Aphra Behn, Volume II section by section

How to work through The Works of Aphra Behn, Volume II section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 35 chapters of The Works of Aphra Behn, Volume II to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Works of Aphra Behn, Volume II

Words and structures a reader meets early in The Works of Aphra Behn, Volume II, each tappable for pronunciation and meaning.

Spain
A word that appears in the opening chapter of The Works of Aphra Behn, Volume II; the reader can tap it to hear it and see its dictionary entry.
Having
A word that appears in the opening chapter of The Works of Aphra Behn, Volume II; the reader can tap it to hear it and see its dictionary entry.
Conquered
A word that appears in the opening chapter of The Works of Aphra Behn, Volume II; the reader can tap it to hear it and see its dictionary entry.
Killed
A word that appears in the opening chapter of The Works of Aphra Behn, Volume II; the reader can tap it to hear it and see its dictionary entry.