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The Works of Charles and Mary Lamb — Volume 2
The Works of Charles and Mary Lamb — Volume 2

Chapter VII · Chapter 7

Chapter 7 of The Works of Charles and Mary Lamb — Volume 2 is here in full — 400 sentences across 80 reading sections, with audio for every sentence and word.

Cover illustration for The Works of Charles and Mary Lamb — Volume 2
Context Illustration Reading 1/80 · 5 lines
English subtitles · tap any word to listen 1 / 5
A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.
He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.
He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.
What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.
He was playing to you all the while that he was playing upon Sir Peter and his lady.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Works of Charles and Mary Lamb — Volume 2

Chapter VII · Chapter 7

Chapter 7 of The Works of Charles and Mary Lamb — Volume 2 is here in full — 400 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/80 · 5 reading units · Lines 1–5

Line 1
A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.
/ə ˈpleɪər wɪð dʒæks ˈtælənts ɪf wiː hæd wʌn naʊ wʊd nɑːt der tuː duː ðə pɑːrt ɪn ðə seɪm ˈmænər/
Line 2
He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.
Line 3
He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.
Line 4
What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.
Line 5
He was playing to you all the while that he was playing upon Sir Peter and his lady.
/hiː wɑːz ˈpleɪɪŋ tuː juː ɔːl ðə waɪl ðæt hiː wɑːz ˈpleɪɪŋ əˈpɑːn sɜːr ˈpiːtər ənd hɪz ˈleɪdi/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Bowles verb US /boʊlz/

third-person singular of “bowl” — roll (a ball)

From this reading “He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.”

covet verb US /ˈkʌvət/

wish, long, or crave for (something, especially the property of another person)

From this reading “What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.”

geniuses noun US /ˈdʒiːnjəsɪz/

plural of “genius” — someone who has exceptional intellectual ability and originality

From this reading “He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.”

lancet noun US /ˈlænsət/

an acutely pointed Gothic arch, like a lance

From this reading “He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.”

mower noun US /ˈmoʊər/

garden tool for mowing grass on lawns

From this reading “What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.”

submits verb US /ˌsʌbˈmɪts/

third-person singular of “submit” — refer for judgment or consideration

From this reading “He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.”

toasting noun US /ˈtoʊstɪŋ/

cooking to a brown crispiness over a fire or on a grill

From this reading “He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.”

wields verb US /wiːldz/

third-person singular of “wield” — have and exercise

From this reading “He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.”

All words in this reading · 148

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

actornounUS /ˈæktər/

a theatrical performer

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

adjacentadjectiveUS /əˈdʒeɪsənt/

nearest in space or position; immediately adjoining without intervening space

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

apprehensionsnounUS /ˌæprɪˈhenʃənz/

plural of “apprehension” — fearful expectation or anticipation

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

apprehensiveadjectiveUS /ˌæprɪˈhensɪv/

quick to understand

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

atprepositionUS /æt/

in or near a particular place or position

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

avoidverbUS /əˈvɔɪd/

stay clear from; keep away from; keep out of the way of someone or something

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

bleedernoun

someone who has hemophilia and is subject to uncontrollable bleeding

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

BowlesverbUS /boʊlz/

third-person singular of “bowl” — roll (a ball)

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

butternounUS /ˈbʌtər/

an edible emulsion of fat globules made by churning milk or cream; for cooking and table use

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

Carrington

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

cathedralnounUS /kəˈθiːdrəl/

any large and important church

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

Church-yard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

coevalnoun

a person of nearly the same age as another

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

complacentadjectiveUS /kəmˈpleɪsənt/

contented to a fault with oneself or one's actions

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

contrastedverbUS /kənˈtræstəd/

past form of “contrast” — put in opposition to show or emphasize differences

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

covetverbUS /ˈkʌvət/

wish, long, or crave for (something, especially the property of another person)

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

cuenounUS /kjuː/

an actor's line that immediately precedes and serves as a reminder for some action or speech

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

dareverbUS /der/

take upon oneself; act presumptuously, without permission

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

deathnounUS /deθ/

the event of dying or departure from life

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

death-beds

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

delicateadjectiveUS /ˈdeləkət/

exquisitely fine and subtle and pleasing; susceptible to injury

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

despisedadjectiveUS /dɪˈspaɪzd/

treated with dislike or contempt

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

disappearedverbUS /ˌdɪsəˈpɪrd/

past form of “disappear” — get lost, as without warning or explanation

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

exhibitionnounUS /ˌeksəˈbɪʃən/

the act of exhibiting

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

expectverbUS /ɪkˈspekt/

regard something as probable or likely

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

exquisiteadjectiveUS /ˈekskwəzət/

intense or sharp

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

fascinatingadjectiveUS /ˈfæsəneɪtɪŋ/

capable of arousing and holding the attention

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

finelyadverbUS /ˈfaɪnli/

in tiny pieces

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

fingerverbUS /ˈfɪŋɡər/

feel or handle with the fingers

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

fleshnounUS /fleʃ/

the soft tissue of the body of a vertebrate: mainly muscle tissue and fat

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

forknounUS /fɔːrk/

cutlery used for serving and eating food

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

formeradjectiveUS /ˈfɔːrmər/

referring to the first of two things or persons mentioned (or the earlier one or ones of several)

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

geniusesnounUS /ˈdʒiːnjəsɪz/

plural of “genius” — someone who has exceptional intellectual ability and originality

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

gentleadjectiveUS /ˈdʒentəl/

soft and mild; not harsh or stern or severe

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

ghastlyadjectiveUS /ˈɡæstli/

shockingly repellent; inspiring horror

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

grassverbUS /ɡræs/

shoot down, of birds

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

grimadjectiveUS /ɡrɪm/

not to be placated or appeased or moved by entreaty

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

half-way

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

honeynounUS /ˈhʌni/

a sweet yellow liquid produced by bees

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

instinctivelyadverbUS /ˌɪnˈstɪŋktɪvliː/

as a matter of instinct

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

Jack'snounUS /dʒæks/

possessive form of “jack” — a small worthless amount

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

JohnnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

kissingnounUS /ˈkɪsɪŋ/

affectionate play (or foreplay without contact with the genital organs)

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

ladiesnounUS /ˈleɪdiz/

plural of “lady” — a polite name for any woman

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

ladynounUS /ˈleɪdi/

a polite name for any woman

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

lancetnounUS /ˈlænsət/

an acutely pointed Gothic arch, like a lance

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

likeverbUS /laɪk/

prefer or wish to do something

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

lovingadjectiveUS /ˈlʌvɪŋ/

feeling or showing love and affection

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

makeverbUS /meɪk/

engage in

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

meekadjectiveUS /miːk/

humble in spirit or manner; suggesting retiring mildness or even cowed submissiveness

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

meetverbUS /miːt/

come together

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

memorynounUS /ˈmem.ər.i/

The faculty by which the mind stores and remembers information and knowledge.

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

mowernounUS /ˈmoʊər/

garden tool for mowing grass on lawns

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

opposedadjectiveUS /əˈpoʊzd/

being in opposition or having an opponent

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

PalmernounUS /ˈpɑːmər/

United States golfer (born in 1929)

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

Paul'snounUS /pɔːlz/

possessive form of “paul” — United States feminist (1885-1977)

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

PeternounUS /ˈpiːtər/

disciple of Jesus and leader of the Apostles; regarded by Catholics as the vicar of Christ on earth and first Pope

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

phantomnounUS /ˈfæn.təm/

A ghost or apparition; a figment of the imagination or a hidden dweller.

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

playernounUS /ˈpleɪər/

a person who participates in or is skilled at some game

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

playingnounUS /ˈpleɪɪŋ/

the act of playing a musical instrument

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

printsnounUS /prɪnts/

plural of “print” — the text appearing in a book, newspaper, or other printed publication

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

rigidlyadverbUS /ˈrɪdʒɪdli/

in a rigid manner

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

rodnounUS /rɑːd/

a long thin implement made of metal or wood

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

sayverbUS /seɪ/

express in words

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

scythenounUS /sɪθ/

an edge tool for cutting grass; has a long handle that must be held with both hands and a curved blade that moves parallel to the ground

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

SirnounUS /sɜːr/

term of address for a man

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

sorryadjectiveUS /ˈsɑːri/

feeling or expressing regret or sorrow or a sense of loss over something done or undone

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

spectatorsnounUS /ˈspekteɪtərz/

plural of “spectator” — a close observer; someone who looks at something (such as an exhibition of some kind)

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

strokenounUS /stroʊk/

(sports) the act of swinging or striking at a ball with a club or racket or bat or cue or hand

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

submitsverbUS /ˌsʌbˈmɪts/

third-person singular of “submit” — refer for judgment or consideration

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

surgeonnounUS /ˈsɜːrdʒən/

a physician who specializes in surgery

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

takeverbUS /teɪk/

carry out

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

talentsnounUS /ˈtælənts/

plural of “talent” — natural abilities or qualities

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

tendverbUS /tend/

have a tendency or disposition to do or be something; be inclined

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

TimenounUS /taɪm/

an instance or single occasion for some event

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

toastingnounUS /ˈtoʊstɪŋ/

cooking to a brown crispiness over a fire or on a grill

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

trulyadverbUS /ˈtruːli/

in accordance with truth or fact or reality

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

twiceadverbUS /twaɪs/

two times

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

unrealise

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

venerableadjectiveUS /ˈvenərəbəl/

impressive by reason of age

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What flesh, like loving grass, would not covet to meet half-way the stroke of such a delicate mower?--John Palmer was twice an actor in this exquisite part.

whereconjunctionUS /wer/

in or at the place that

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He would instinctively avoid every turn which might tend to unrealise, and so to make the character fascinating.

whileconjunctionUS /waɪl/

during the time that

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

whopronounUS /huː/

which person or people

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

wieldsverbUS /wiːldz/

third-person singular of “wield” — have and exercise

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

withprepositionUS /wɪð/

in the company of; together with

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading A player with Jack's talents, if we had one now, would not dare to do the part in the same manner.

youpronounUS /juː/

the person or people being spoken to

From this reading He was playing to you all the while that he was playing upon Sir Peter and his lady.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading He must take his cue from his spectators, who would expect a bad man and a good man as rigidly opposed to each other as the death-beds of those geniuses are contrasted in the prints, which I am sorry to say have disappeared from the windows of my old friend Carrington Bowles, of St. Paul's Church-yard memory--(an exhibition as venerable as the adjacent cathedral, and almost coeval) of the bad and good man at the hour of death; where the ghastly apprehensions of the former,--and truly the grim phantom with his reality of a toasting fork is not to be despised,--so finely contrast with the meek complacent kissing of the rod,--taking it in like honey and butter,--with which the latter submits to the scythe of the gentle bleeder, Time, who wields his lancet with the apprehensive finger of a popular young ladies' surgeon.

Chapter 7 of The Works of Charles and Mary Lamb — Volume 2 by Charles Lamb holds 400 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of The Works of Charles and Mary Lamb — Volume 2 contain?

Chapter 7 holds 400 sentences of The Works of Charles and Mary Lamb — Volume 2, unabridged, divided into 80 reading sections.

This page carries chapter 7 of The Works of Charles and Mary Lamb — Volume 2 by Charles Lamb exactly as it stands in the source edition, without abridgement. It runs to 400 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of The Works of Charles and Mary Lamb — Volume 2?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

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Project Gutenberg eBook #10343, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Works of Charles and Mary Lamb — Volume 2 take to read?

About 600 minutes of reading across 1676 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Works of Charles and Mary Lamb — Volume 2

Words and structures a reader meets early in The Works of Charles and Mary Lamb — Volume 2, each tappable for pronunciation and meaning.

Volume
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Contains
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Charles
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Known
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 2; the reader can tap it to hear it and see its dictionary entry.