Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Works of Charles and Mary Lamb — Volume 4
The Works of Charles and Mary Lamb — Volume 4

Chapter XVI · Chapter 16

Chapter 16 of The Works of Charles and Mary Lamb — Volume 4 is here in full — 386 sentences across 78 reading sections, with audio for every sentence and word.

Cover illustration for The Works of Charles and Mary Lamb — Volume 4
Context Illustration Reading 1/77 · 5 lines
English subtitles · tap any word to listen 1 / 5
Lines 13-16.
_Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).
Line 20.
_Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.
Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Works of Charles and Mary Lamb — Volume 4

Chapter XVI · Chapter 16

Chapter 16 of The Works of Charles and Mary Lamb — Volume 4 is here in full — 386 sentences across 78 reading sections, with audio for every sentence and word.

Reading 1/77 · 5 reading units · Lines 1–5

Line 1
Lines 13-16.
Line 2
_Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).
Line 3
Line 20.
Line 4
_Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.
Line 5
Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Butts noun US /bʌts/

plural of “butt” — thick end of the handle

From this reading “Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.”

caste noun US /kæst/

social status or position conferred by a system based on class

From this reading “Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.”

collaborator noun US /kəˈlæbəreɪtər/

someone who assists in a plot

From this reading “_Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.”

Fletcher noun US /ˈfletʃər/

prolific English dramatist who collaborated with Francis Beaumont and many other dramatists (1579-1625)

From this reading “_Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.”

Garrick noun US /ˈɡerɪk/

English actor and theater manager who was the foremost Shakespearean actor of his day (1717-1779)

Globe noun US /ɡloʊb/

the 3rd planet from the sun; the planet we live on

From this reading “Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.”

Jonson noun US /ˈdʒɑːnsən/

English dramatist and poet who was the first real poet laureate of England (1572-1637)

From this reading “_Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.”

Swan verb US /swɑːn/

to declare or affirm solemnly and formally as true

From this reading “Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.”

All words in this reading · 72

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

13

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Lines 13-16.

1573

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

1579

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

1598

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

16

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Lines 13-16.

1600

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

1625

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

1637

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

20

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Line 20.

Alleyn

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

atprepositionUS /æt/

in or near a particular place or position

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

Bankside

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

Beaumont's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

BennounUS /ben/

a mountain or tall hill

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

builtadjectiveUS /bɪlt/

(used of soaps or cleaning agents) having a substance (an abrasive or filler) added to increase effectiveness

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

ButtsnounUS /bʌts/

plural of “butt” — thick end of the handle

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

castenounUS /kæst/

social status or position conferred by a system based on class

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

collaboratornounUS /kəˈlæbəreɪtər/

someone who assists in a plot

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

connectedadjectiveUS /kəˈnektɪd/

being joined in close association

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

connectionnounUS /kəˈnekʃən/

a relation between things or events (as in the case of one causing the other or sharing features with it)

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

Cripplegate

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

Elliston

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

EverydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

FletchernounUS /ˈfletʃər/

prolific English dramatist who collaborated with Francis Beaumont and many other dramatists (1579-1625)

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

FortunenounUS /ˈfɔːrtʃən/

an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

GarricknounUS /ˈɡerɪk/

English actor and theater manager who was the foremost Shakespearean actor of his day (1717-1779)

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

GlobenounUS /ɡloʊb/

the 3rd planet from the sun; the planet we live on

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

GoldenadjectiveUS /ˈɡoʊldən/

having the deep slightly brownish color of gold

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

Henslowe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

HumournounUS /ˈhjuːmər/

a characteristic (habitual or relatively temporary) state of feeling

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

IInoun

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

JohnnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

JonsonnounUS /ˈdʒɑːnsən/

English dramatist and poet who was the first real poet laureate of England (1572-1637)

From this reading _Ben and Fletcher._ Ben Jonson (1573?-1637) and John Fletcher (1579-1625), Beaumont's collaborator.

Jonson's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

LambnounUS /læm/

young sheep

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

LanenounUS /leɪn/

a narrow way or road

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

LinenounUS /laɪn/

a formation of people or things one beside another

From this reading Line 20.

LinesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Lines 13-16.

mainadjectiveUS /meɪn/

most important element

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

MannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

ManyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

Newington

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

RosenounUS /roʊz/

any of many shrubs of the genus Rosa that bear roses

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

ShadenounUS /ʃeɪd/

relative darkness caused by light rays being intercepted by an opaque body

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

shadesnounUS /ʃeɪdz/

(plural) something that reminds you of someone or something

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

Shakspeare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

SwanverbUS /swɑːn/

to declare or affirm solemnly and formally as true

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

Vol

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

whopronounUS /huː/

which person or people

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

withprepositionUS /wɪð/

in the company of; together with

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

WithoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading Ben Jonson's "Every Man in His Humour" was produced at the Globe in 1598, Shakspeare being in the caste; but in the main he wrote for Henslowe, who was connected with the Rose and the Swan, on Bankside, and with the theatre in Newington Butts, and who built, with Alleyn, in 1600, the Fortune in Golden Lane, Cripplegate Without.

yearsnounUS /jɪrz/

a late time of life

From this reading _Garrick in the shades._ Many years later Lamb used the same idea in connection with Elliston (see "To the Shade of Elliston," Vol. II.).

Chapter 16 of The Works of Charles and Mary Lamb — Volume 4 by Charles Lamb holds 386 sentences, grouped into 78 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of The Works of Charles and Mary Lamb — Volume 4 contain?

Chapter 16 holds 386 sentences of The Works of Charles and Mary Lamb — Volume 4, unabridged, divided into 78 reading sections.

This page carries chapter 16 of The Works of Charles and Mary Lamb — Volume 4 by Charles Lamb exactly as it stands in the source edition, without abridgement. It runs to 386 sentences, grouped into 78 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of The Works of Charles and Mary Lamb — Volume 4?

Work through the 78 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 78 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Works of Charles and Mary Lamb — Volume 4

Common questions about reading The Works of Charles and Mary Lamb — Volume 4 by Charles Lamb on this page, its source edition and its audio.

Is this the complete text of The Works of Charles and Mary Lamb — Volume 4?

Yes. All 6052 sentences of Project Gutenberg eBook #11576 are kept, with a record of which sentences cover which part.

Which edition of The Works of Charles and Mary Lamb — Volume 4 is used?

Project Gutenberg eBook #11576, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Works of Charles and Mary Lamb — Volume 4 take to read?

About 504 minutes of reading across 1211 sections of 5 sentences each, at an unhurried pace.

How to read The Works of Charles and Mary Lamb — Volume 4 section by section

How to work through The Works of Charles and Mary Lamb — Volume 4 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of The Works of Charles and Mary Lamb — Volume 4 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Works of Charles and Mary Lamb — Volume 4

Words and structures a reader meets early in The Works of Charles and Mary Lamb — Volume 4, each tappable for pronunciation and meaning.

Earliest
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 4; the reader can tap it to hear it and see its dictionary entry.
Volume
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 4; the reader can tap it to hear it and see its dictionary entry.
Bears
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 4; the reader can tap it to hear it and see its dictionary entry.
Nineteen
A word that appears in the opening chapter of The Works of Charles and Mary Lamb — Volume 4; the reader can tap it to hear it and see its dictionary entry.