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The Works of Charles and Mary Lamb — Volume 6
The Works of Charles and Mary Lamb — Volume 6

Chapter CCCXXXVII · Chapter 337

Chapter 337 of The Works of Charles and Mary Lamb — Volume 6 is here in full — 9 sentences across 2 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/1 · 9 lines
English subtitles · tap any word to listen 1 / 9
(_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.
End of June, 1834.]
We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.
Novello's chromatics were distinctly audible.
Clara was faulty in B flat.
Otherwise she sang like an angel.
The trombone, and Beethoven's walzes, were the best.
Who played the oboe?
[The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Works of Charles and Mary Lamb — Volume 6

Chapter CCCXXXVII · Chapter 337

Chapter 337 of The Works of Charles and Mary Lamb — Volume 6 is here in full — 9 sentences across 2 reading sections, with audio for every sentence and word.

Reading 1/1 · 9 reading units · Lines 1–9

Line 1
(_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.
Line 2
End of June, 1834.]
Line 3
We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.
Line 4
Novello's chromatics were distinctly audible.
Line 5
Clara was faulty in B flat.
Line 6
Otherwise she sang like an angel.
/ˈʌðərwaɪz ʃiː sæŋ laɪk æn ˈeɪndʒəl/
Line 7
The trombone, and Beethoven's walzes, were the best.
Line 8
Who played the oboe?
/huː pleɪd ðə ˈoʊboʊ/
Line 9
[The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Beethoven's noun US /ˈbeɪtoʊvənz/

possessive form of “beethoven” — German composer of instrumental music (especially symphonic and chamber music); continued to compose after he lost his hearing (1770-1827)

From this reading “The trombone, and Beethoven's walzes, were the best.”

faulty adjective US /ˈfɔːlti/

having a defect

From this reading “Clara was faulty in B flat.”

Handel's noun US /ˈhændəlz/

possessive form of “handel” — a prolific British baroque composer (born in Germany) remembered best for his oratorio Messiah (1685-1759)

From this reading “[The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]”

incomparably adverb US /ˌɪnˈkɑːmpərəbli/

in an incomparable manner or to an incomparable degree

From this reading “We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.”

oboe noun US /ˈoʊboʊ/

a slender double-reed instrument; a woodwind with a conical bore and a double-reed mouthpiece

From this reading “Who played the oboe?”

refers verb US /rəˈfɜːrz/

third-person singular of “refer” — make reference to

From this reading “[The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]”

singers noun US /ˈsɪŋərz/

plural of “singer” — a person who sings

From this reading “[The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]”

trombone noun US /trɑːmˈboʊn/

a brass instrument consisting of a long tube whose length can be varied by a U-shaped slide

From this reading “The trombone, and Beethoven's walzes, were the best.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1834

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading End of June, 1834.]

24

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

AbbeynounUS /ˈæbi/

a church associated with a monastery or convent

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Otherwise she sang like an angel.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

angelnounUS /ˈeɪndʒəl/

spiritual being attendant upon God

From this reading Otherwise she sang like an angel.

atprepositionUS /æt/

in or near a particular place or position

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

Atwood

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

audibleadjectiveUS /ˈɑːdəbəl/

heard or perceptible by the ear

From this reading Novello's chromatics were distinctly audible.

BnounUS /biː/

aerobic rod-shaped spore-producing bacterium; often occurring in chainlike formations; found primarily in soil

From this reading Clara was faulty in B flat.

Beethoven'snounUS /ˈbeɪtoʊvənz/

possessive form of “beethoven” — German composer of instrumental music (especially symphonic and chamber music); continued to compose after he lost his hearing (1770-1827)

From this reading The trombone, and Beethoven's walzes, were the best.

bestnounUS /best/

the supreme effort one can make

From this reading The trombone, and Beethoven's walzes, were the best.

byprepositionUS /baɪ/

showing who or what does the action

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

CHARLESnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

chromatics

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Novello's chromatics were distinctly audible.

Clara

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Clara was faulty in B flat.

CLARKE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

COWDEN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

CreationnounUS /kriˈeɪʃən/

the human act of creating

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

datenounUS /deɪt/

the specified day of the month

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

distancenounUS /ˈdɪstəns/

the property created by the space between two objects or points

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

distinctlyadverbUS /dɪˈstɪŋktli/

clear to the mind; with distinct mental discernment

From this reading Novello's chromatics were distinctly audible.

EndnounUS /end/

either extremity of something that has length

From this reading End of June, 1834.]

faultyadjectiveUS /ˈfɔːlti/

having a defect

From this reading Clara was faulty in B flat.

FestivalnounUS /ˈfestəvəl/

a day or period of time set aside for feasting and celebration

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

flatadjectiveUS /flæt/

having a surface without slope, tilt in which no part is higher or lower than another

From this reading Clara was faulty in B flat.

FragmentnounUS /ˈfræɡ.mənt/

A small part broken or separated off something larger.

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

Handel'snounUS /ˈhændəlz/

possessive form of “handel” — a prolific British baroque composer (born in Germany) remembered best for his oratorio Messiah (1685-1759)

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

HillnounUS /hɪl/

a local and well-defined elevation of the land

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

incomparablyadverbUS /ˌɪnˈkɑːmpərəbli/

in an incomparable manner or to an incomparable degree

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

JunenounUS /dʒuːn/

the month following May and preceding July

From this reading End of June, 1834.]

LAMBnounUS /læm/

young sheep

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

likeverbUS /laɪk/

prefer or wish to do something

From this reading Otherwise she sang like an angel.

MusicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

MusicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

NodeterminerUS /noʊ/

not any; not one

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

notesnounUS /noʊts/

plural of “note” — a brief written record

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

Novello

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

Novello's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Novello's chromatics were distinctly audible.

oboenounUS /ˈoʊboʊ/

a slender double-reed instrument; a woodwind with a conical bore and a double-reed mouthpiece

From this reading Who played the oboe?

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading End of June, 1834.]

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

organists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

OtherwiseadverbUS /ˈʌðərwaɪz/

in other respects or ways

From this reading Otherwise she sang like an angel.

performancenounUS /pərˈfɔːrməns/

a dramatic or musical entertainment

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading Who played the oboe?

refersverbUS /rəˈfɜːrz/

third-person singular of “refer” — make reference to

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

sangnounUS /sæŋ/

North American woodland herb similar to and used as substitute for the Chinese ginseng

From this reading Otherwise she sang like an angel.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Otherwise she sang like an angel.

singersnounUS /ˈsɪŋərz/

plural of “singer” — a person who sings

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

soften'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading (_Fragment_) CHARLES LAMB TO CHARLES COWDEN CLARKE [No date.

trombonenounUS /trɑːmˈboʊn/

a brass instrument consisting of a long tube whose length can be varied by a U-shaped slide

From this reading The trombone, and Beethoven's walzes, were the best.

walzes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The trombone, and Beethoven's walzes, were the best.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Clara was faulty in B flat.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

WestminsternounUS /ˌwestˈmɪnstər/

a borough of Greater London on the Thames; contains Buckingham Palace and the Houses of Parliament and Westminster Abbey

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

whenconjunctionUS /wen/

at the time that

From this reading [The letter refers to the performance of Handel's "Creation" at the Musical Festival in Westminster Abbey on June 24, 1834, when Novello and Atwood were the organists, and Clara Novello one of the singers.]

WhopronounUS /huː/

which person or people

From this reading Who played the oboe?

Winchmore

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading We heard the Music in the Abbey at Winchmore Hill! and the notes were incomparably soften'd by the distance.

Chapter 337 of The Works of Charles and Mary Lamb — Volume 6 by Charles Lamb holds 9 sentences, grouped into 2 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 337 of The Works of Charles and Mary Lamb — Volume 6 contain?

Chapter 337 holds 9 sentences of The Works of Charles and Mary Lamb — Volume 6, unabridged, divided into 2 reading sections.

This page carries chapter 337 of The Works of Charles and Mary Lamb — Volume 6 by Charles Lamb exactly as it stands in the source edition, without abridgement. It runs to 9 sentences, grouped into 2 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 337 of The Works of Charles and Mary Lamb — Volume 6?

Work through the 2 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 2 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 337 be read aloud to me?

Yes — every sentence and every individual word in chapter 337 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Works of Charles and Mary Lamb — Volume 6

Common questions about reading The Works of Charles and Mary Lamb — Volume 6 by Charles Lamb on this page, its source edition and its audio.

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Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Works of Charles and Mary Lamb — Volume 6 is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Works of Charles and Mary Lamb — Volume 6 take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

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How to work through The Works of Charles and Mary Lamb — Volume 6 section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in The Works of Charles and Mary Lamb — Volume 6

Words and structures a reader meets early in The Works of Charles and Mary Lamb — Volume 6, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Works of Charles and Mary Lamb — Volume 6, divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
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