used before a singular noun to mean one of a group, when it is not a particular one
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
something done (usually as opposed to something said)
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
aimverbUS /eɪm/
point or cause to go (blows, weapons, or objects such as photographic equipment) towards
From this reading The first aim of art, no doubt, is the representation of things as they are.
(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
amongprepositionUS /əˈmʌŋ/
surrounded by; in the middle of a group
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
used to join words or parts of a sentence that go together
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
apprehendverbUS /ˌæprɪˈhend/
get the meaning of something
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading The first aim of art, no doubt, is the representation of things as they are.
artauxiliary verbUS /ɑːrt/
an old form of “are”, used with “thou”
From this reading The first aim of art, no doubt, is the representation of things as they are.
at the same time that; because; in the way that
From this reading The first aim of art, no doubt, is the representation of things as they are.
in or near a particular place or position
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
in the space, time, or range separating two things
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
BIGELOW
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading BIGELOW, SMITH & CO.
bodilyadverbUS /ˈbɑːdəli/
in bodily form
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
the entire physical structure of an organism (an animal, plant, or human being)
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
used to introduce something that contrasts with what came before
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
showing who or what does the action
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
to be able to, or to be allowed to
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
COnounUS /koʊ/
an odorless very poisonous gas that is a product of incomplete combustion of carbon
From this reading BIGELOW, SMITH & CO.
move toward, travel toward something or somebody or approach something or somebody
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
constitutesverbUS /ˈkɑːnstətuːts/
third-person singular of “constitute” — form or compose
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
criticnounUS /ˈkrɪtɪk/
a person who is professionally engaged in the analysis and interpretation of works of art
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
danounUS /dɑː/
an official prosecutor for a judicial district
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
dealingnounUS /ˈdiːlɪŋ/
method or manner of conduct in relation to others
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
definiteadjectiveUS /ˈdefənət/
precise; explicit and clearly defined
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
der
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
the quality of being unlike or dissimilar
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
distinguishverbUS /dɪˈstɪŋɡwɪʃ/
mark as different
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
the state of being unsure of something
From this reading The first aim of art, no doubt, is the representation of things as they are.
DutchadjectiveUS /dʌtʃ/
of or relating to the Netherlands or its people or culture
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
an adequate quantity; a quantity that is large enough to achieve a purpose
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
plural of “event” — something that happens at a given place and time
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
exteriornounUS /ɪkˈstɪriər/
the region that is outside of something
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
opinion or judgment
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
not in accordance with the fact or reality or actuality
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
fantasticadjectiveUS /fænˈtæstɪk/
ludicrously odd
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
firstadjectiveUS /fɜːrst/
preceding all others in time or space or degree
From this reading The first aim of art, no doubt, is the representation of things as they are.
intended to be given to, or used by, somebody
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
the phonological or orthographic sound or appearance of a word that can be used to describe or identify something
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
perceive (sound) via the auditory sense
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
the locus of feelings and intuitions
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
HoochnounUS /huːtʃ/
an illicitly distilled (and usually inferior) alcoholic liquor
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
an iconic mental representation
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/
(used of persons or artifacts) marked by independence and creativity in thought or action
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
the quality of being important and worthy of note
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
inside something, or within a place, period, or state
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
insignificantadjectiveUS /ˌɪnsɪɡˈnjɪfɪkənt/
signifying nothing
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
an occurrence of something
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
interioradjectiveUS /ˌɪnˈtɪriər/
situated within or suitable for inside a building
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
the form of “be” used with he, she, it, or a singular noun
From this reading The first aim of art, no doubt, is the representation of things as they are.
a thing, animal, or idea already mentioned
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
belonging to the thing or animal already mentioned
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
and nothing more
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
justlyadverbUS /ˈdʒʌstli/
with honesty
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
a male sovereign; ruler of a kingdom
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
LeonardonounUS /ˌliːəˈnɑːrdoʊ/
Italian painter and sculptor and engineer and scientist and architect; the most versatile genius of the Italian Renaissance (1452-1519)
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
used to form the comparative of some adjectives and adverbs
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
likenessnounUS /ˈlaɪknəs/
similarity in appearance or character or nature between persons or things
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
creative writing of recognized artistic value
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
engage in
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
used to say something is possible, or to give permission
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
any maneuver made as part of progress toward a goal
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
plural of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
a particular point in time
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
to a great degree or extent
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
not any; not one
From this reading The first aim of art, no doubt, is the representation of things as they are.
belonging to, or connected with, somebody or something
From this reading The first aim of art, no doubt, is the representation of things as they are.
many times at short intervals
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
and nothing more
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
belonging to the speaker and others
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
outwardadjectiveUS /ˈaʊtwərd/
relating to physical reality rather than with thoughts or the mind
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
coated with paint
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
disciple of Jesus and leader of the Apostles; regarded by Catholics as the vicar of Christ on earth and first Pope
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
a word picture of a person's appearance and character
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
preciseadjectiveUS /prɪˈsaɪs/
sharply exact or accurate or delimited
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
primaryadjectiveUS /ˈpraɪmeri/
of first rank or importance or value; direct and immediate rather than secondary
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
plural of “quality” — an essential and distinguishing attribute of something or someone
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
to a degree (not used with a negative)
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
being or occurring in fact or actuality; having verified existence; not illusory
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
realistsnounUS /ˈriːəlɪsts/
plural of “realist” — a philosopher who believes that universals are real and exist independently of anyone thinking of them
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
all of your experiences that determine how things appear to you
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
realizableadjectiveUS /ˌriːəˈlaɪzəbəl/
capable of being realized
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
representationnounUS /ˌreprəzenˈteɪʃən/
a presentation to the mind in the form of an idea or image
From this reading The first aim of art, no doubt, is the representation of things as they are.
perceive by sight or have the power to perceive by sight
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
give a certain impression or have a certain outward aspect
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
Rhodesian statesman who declared independence of Zimbabwe from Great Britain (born in 1919)
From this reading BIGELOW, SMITH & CO.
for that reason; with the result that
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
the immaterial part of a person; the actuating cause of an individual life
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
express in speech
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
the utterance of intelligible speech
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
used to introduce what somebody said, thought, or felt
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading The first aim of art, no doubt, is the representation of things as they are.
the people or things already mentioned, as the object
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
subsequently or soon afterward (often used as sentence connectors)
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
in or at that place or location
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
the people, animals, or things already mentioned, as the subject
From this reading The first aim of art, no doubt, is the representation of things as they are.
any movable possession (especially articles of clothing)
From this reading The first aim of art, no doubt, is the representation of things as they are.
the plural of “that”: the people or things further away, or already known
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
from one end or side of something to the other
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
(used to introduce a logical conclusion) from that fact or reason or as a result
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
used before the base form of a verb to make the infinitive
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
consistent with fact or reality; not false
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
the speaker and others, as the object of a verb or preposition
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
any creative group active in the innovation and application of new concepts and techniques in a given field (especially in the arts)
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
Velasquez
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
Vinci
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
vividlyadverbUS /ˈvɪvədli/
in a vivid manner
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
the speaker together with one or more other people
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
used to introduce a clause giving more about a thing just mentioned
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.
which person or people
From this reading The soul, for instance, is at heart as real as the body; but, as we can hear it only through the body speaking, and see it only through bodily eyes, and measure it, often enough, only in the insignificant moment of its action, it may come to seem to us, at all events less realizable; and thus it is that we speak of those who have vividly painted exterior things as realists.
in the company of; together with
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
an adult female person (as opposed to a man)
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
exert oneself by doing mental or physical work for a purpose or out of necessity
From this reading Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly with reality, there may be quite as much difference in all that constitutes outward form and likeness as there is between a Dutch interior by Peter van der Hooch, the portrait of a king by Velasquez, and the image of a woman smiling by Leonardo da Vinci.
everything that exists anywhere
From this reading But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature.