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The works of John Dryden, now first collected — Volume 17
The works of John Dryden, now first collected — Volume 17

Chapter VIII

Chapter 8 of The works of John Dryden, now first collected — Volume 17 is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.

Cover illustration for The works of John Dryden, now first collected — Volume 17
Context Illustration Reading 1/81 · 5 lines
English subtitles · tap any word to listen 1 / 5
[*†37.]
“The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.
Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.
And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.
[*†39.]
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The works of John Dryden, now first collected — Volume 17

Chapter VIII

Chapter 8 of The works of John Dryden, now first collected — Volume 17 is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
[*†37.]
Line 2
“The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.
/ðə ˈprɪnsəpəl ənd moʊst ˌɪmˈpɔːrtənt pɑːrt ʌv ˈpeɪntɪŋ ɪz tuː faɪnd aʊt ənd ˈθɜːroʊli tuː ˌʌndərˈstænd wʌt ˈneɪtʃər hæθ meɪd moʊst ˈbjuːtəfəl ənd moʊst ˈprɑːpər tuː ðɪs ɑːrt siː/
Line 3
Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.
Line 4
And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.
/ənd tuː kənˈfes ðə truːθ ðæt wɪtʃ ɪz ˈnætʃərəli ˈbjuːtəfəl ɪz soʊ ˈveri rer ðæt ɪt ɪz dɪˈskʌvərd baɪ fjuː ˈpɜːrsənz ɪt ɪz ˈdɪfəkəlt tuː meɪk ə tʃɔɪs ʌv ɪt ənd tuː fɔːrm tuː aʊərˈselvz sʌtʃ æn aɪˈdiːə ʌv ɪt æz meɪ sɜːrv ʌs fɔːr ə ˈmɑːdəl/
Line 5
[*†39.]

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

beauties noun US /ˈbjuːtiz/

plural of “beauty” — the qualities that give pleasure to the senses

From this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

Flemish noun US /ˈflemɪʃ/

an ethnic group speaking Flemish and living in northern and western Belgium

From this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

growth noun US /ɡroʊθ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

imitate verb US /ˈɪməteɪt/

reproduce someone's behavior or looks

From this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

model noun US /ˈmɑːdəl/

a hypothetical description of a complex entity or process

From this reading “And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.”

painters noun US /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

painting noun US /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading ““The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.”

split verb US /splɪt/

separate into parts or portions

From this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

most important adverb + adjective

In this reading ““The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.”

most beautiful adverb + adjective

In this reading ““The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.”

confess the truth verb + article + noun counted as “confess … truth”

In this reading “And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.”

important part adjective + noun

In this reading ““The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.”

greatest part adjective + noun

In this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

find out verb + adjective

establish after a calculation, investigation, experiment, survey, or study

In this reading ““The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.”

other countries adjective + noun counted as “other country”

In this reading “Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.”

All words in this reading · 90

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

37

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [*†37.]

39

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [*†39.]

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

atprepositionUS /æt/

in or near a particular place or position

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

beautiesnounUS /ˈbjuːtiz/

plural of “beauty” — the qualities that give pleasure to the senses

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

byprepositionUS /baɪ/

showing who or what does the action

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

cnounUS /siː/

a degree on the centigrade scale of temperature

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

confessverbUS /kənˈfes/

confess to a punishable or reprehensible deed, usually under pressure

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

countriesnounUS /ˈkʌntriz/

plural of “country” — a politically organized body of people under a single government

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

discoveredadjectiveUS /dɪˈskʌvərd/

discovered or determined by scientific observation

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

FlemishnounUS /ˈflemɪʃ/

an ethnic group speaking Flemish and living in northern and western Belgium

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

growthnounUS /ɡroʊθ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

hathauxiliary verbUS /hæθ/

an old form of “has”

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

imitateverbUS /ˈɪməteɪt/

reproduce someone's behavior or looks

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

makeverbUS /meɪk/

engage in

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

modelnounUS /ˈmɑːdəl/

a hypothetical description of a complex entity or process

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

mostadverbUS /moʊst/

used to form the superlative

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

nationnounUS /ˈneɪʃən/

a politically organized body of people under a single government

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

ObserveverbUS /əbˈzɜːrv/

discover or determine the existence, presence, or fact of

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

ourselvespronounUS /aʊərˈselvz/

used when we are both doing the action and receiving it

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

paintersnounUS /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

principalnounUS /ˈprɪnsəpəl/

the original amount of a debt on which interest is calculated

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

properadjectiveUS /ˈprɑːpər/

marked by suitability or rightness or appropriateness

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

rareadjectiveUS /rer/

not widely known; especially valued for its uncommonness

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

rocknounUS /rɑːk/

a lump or mass of hard consolidated mineral matter

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

serveverbUS /sɜːrv/

serve a purpose, role, or function

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

splitverbUS /splɪt/

separate into parts or portions

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

thoroughlyadverbUS /ˈθɜːroʊli/

in an exhaustive manner

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

truthnounUS /truːθ/

a fact that has been verified

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading And to confess the truth, that which is naturally beautiful is so very rare, that it is discovered by few persons; it is difficult to make a choice of it, and to form to ourselves such an idea of it, as may serve us for a model.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

whatpronounUS /wʌt/

used to ask for information about something

From this reading “The principal and most important part of painting, is to find out, and thoroughly to understand, what nature hath made most beautiful, and most proper to this art,” &c.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Observe here the rock on which the greatest part of the Flemish painters have split: most of that nation know how to imitate nature, at least as well as the painters of other countries; but they make a bad choice in nature itself; whether it be, that they have not seen the ancient pieces, to find those beauties; or that a happy genius, and the beautiful nature, is not of the growth of their country.

Chapter 8 of The works of John Dryden, now first collected — Volume 17 by John Dryden holds 409 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of The works of John Dryden, now first collected — Volume 17 contain?

Chapter 8 holds 409 sentences of The works of John Dryden, now first collected — Volume 17, unabridged, divided into 82 reading sections.

This page carries chapter 8 of The works of John Dryden, now first collected — Volume 17 by John Dryden exactly as it stands in the source edition, without abridgement. It runs to 409 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of The works of John Dryden, now first collected — Volume 17?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading The works of John Dryden, now first collected — Volume 17 by John Dryden on this page, its source edition and its audio.

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Project Gutenberg eBook #76952, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 336 minutes of reading across 807 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The works of John Dryden, now first collected — Volume 17

Words and structures a reader meets early in The works of John Dryden, now first collected — Volume 17, each tappable for pronunciation and meaning.

Works
A word that appears in the opening chapter of The works of John Dryden, now first collected — Volume 17; the reader can tap it to hear it and see its dictionary entry.
Dryden
A word that appears in the opening chapter of The works of John Dryden, now first collected — Volume 17; the reader can tap it to hear it and see its dictionary entry.
First
A word that appears in the opening chapter of The works of John Dryden, now first collected — Volume 17; the reader can tap it to hear it and see its dictionary entry.
Collected
A word that appears in the opening chapter of The works of John Dryden, now first collected — Volume 17; the reader can tap it to hear it and see its dictionary entry.