Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Works of Lord Byron. Vol. 3
The Works of Lord Byron. Vol. 3

Chapter XVII · Chapter 17

Chapter 17 of The Works of Lord Byron. Vol. 3 is here in full — 289 sentences across 58 reading sections, with audio for every sentence and word.

Cover illustration for The Works of Lord Byron. Vol. 3
Context Illustration Reading 1/57 · 5 lines
English subtitles · tap any word to listen 1 / 5
[ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.
G. erased.]
[365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."
It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.
The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Works of Lord Byron. Vol. 3

Chapter XVII · Chapter 17

Chapter 17 of The Works of Lord Byron. Vol. 3 is here in full — 289 sentences across 58 reading sections, with audio for every sentence and word.

Reading 1/57 · 5 reading units · Lines 1–5

Line 1
[ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.
Line 2
G. erased.]
/dʒiː ɪˈreɪst/
Line 3
[365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."
Line 4
It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.
Line 5
The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.
/ðə ərˈɪdʒənəl aɪˈdiːə ənˈdaʊtɪdli pərˈteɪnz tuː ˈmɪstər ˈkoʊlrɪdʒ huːz ˈpoʊəm hæz bɪn kəmˈpoʊzd əˈbʌv ˈfɔːrˈtiːn jɪrz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Coleridge noun US /ˈkoʊlrɪdʒ/

English romantic poet (1772-1834)

From this reading “[365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."”

erased verb US /ɪˈreɪst/

past form of “erase” — remove from memory or existence

From this reading “G. erased.]”

pertains verb US /pərˈteɪnz/

third-person singular of “pertain” — be relevant to

From this reading “The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.”

production noun US /prəˈdʌkʃən/

the act or process of producing something

From this reading “It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.”

recited verb US /rəˈsaɪtɪd/

past form of “recite” — recite in elocution

From this reading “It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.”

singularly adverb US /ˈsɪŋɡjələrli/

in a singular manner or to a singular degree

From this reading “It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.”

unintentional adjective US /ˌʌnɪnˈtenʃənəl/

done or made or performed with purpose and intent

From this reading “[365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."”

unpublished adjective US /ənˈpʌblɪʃt/

not published

From this reading “[365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."”

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

365

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

471

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

acknowledgeverbUS /ækˈnɑːlɪdʒ/

declare to be true or admit the existence or reality or truth of

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

afterprepositionUS /ˈæftər/

later than; following

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

Christabel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

ColeridgenounUS /ˈkoʊlrɪdʒ/

English romantic poet (1772-1834)

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

convincedadjectiveUS /kənˈvɪnst/

persuaded of; very sure

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

erasedverbUS /ɪˈreɪst/

past form of “erase” — remove from memory or existence

From this reading G. erased.]

fourteennounUS /ˈfɔːrˈtiːn/

the cardinal number that is the sum of thirteen and one

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

GnounUS /dʒiː/

a metric unit of weight equal to one thousandth of a kilogram

From this reading G. erased.]

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

heavyadjectiveUS /ˈhevi/

of comparatively great physical weight or density

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

Isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

kindnessnounUS /ˈkaɪndnəs/

the quality of being warmhearted and considerate and humane and sympathetic

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

MSnounUS /mɪz/

a chronic progressive nervous disorder involving loss of myelin sheath around certain nerve fibers

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

o'eradverb

throughout a period of time

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

passagenounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

pertainsverbUS /pərˈteɪnz/

third-person singular of “pertain” — be relevant to

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

plagiaristnoun

someone who uses another person's words or ideas as if they were his own

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

psnoun

a note appended to a letter after the signature

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

recentlyadverbUS /ˈriːsəntli/

in the recent past

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

recitedverbUS /rəˈsaɪtɪd/

past form of “recite” — recite in elocution

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

resemblancenounUS /rɪˈzembləns/

similarity in appearance or external or superficial details

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

sawverbUS /sɔː/

cut with a saw

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

singularlyadverbUS /ˈsɪŋɡjələrli/

in a singular manner or to a singular degree

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

stonenounUS /stoʊn/

a lump or mass of hard consolidated mineral matter

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

tillprepositionUS /tɪl/

up to a particular time

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

twelvenounUS /twelv/

the cardinal number that is the sum of eleven and one

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

undoubtedlyadverbUS /ənˈdaʊtɪdli/

without doubt; certainly

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

unintentionaladjectiveUS /ˌʌnɪnˈtenʃənəl/

done or made or performed with purpose and intent

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

unpublishedadjectiveUS /ənˈpʌblɪʃt/

not published

From this reading [365] I must here acknowledge a close, though unintentional, resemblance in these twelve lines to a passage in an unpublished poem of Mr. Coleridge, called "Christabel."

veryadjectiveUS /ˈveri/

precisely as stated

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

whopronounUS /huː/

which person or people

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

whosedeterminerUS /huːz/

belonging to which person

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

wildadjectiveUS /waɪld/

marked by extreme lack of restraint or control

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

wilfuladjective

done by design

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

windnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading [ps] {471} _Is it the wind that through the stone._ or,----_o'er the heavy stone_.--[MS.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading It was not till after these lines were written that I heard that wild and singularly original and beautiful poem recited; and the MS. of that production I never saw till very recently, by the kindness of Mr. Coleridge himself, who, I hope, is convinced that I have not been a wilful plagiarist.

yearsnounUS /jɪrz/

a late time of life

From this reading The original idea undoubtedly pertains to Mr. Coleridge, whose poem has been composed above fourteen years.

Chapter 17 of The Works of Lord Byron. Vol. 3 by George Gordon Byron, Baron Byron holds 289 sentences, grouped into 58 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of The Works of Lord Byron. Vol. 3 contain?

Chapter 17 holds 289 sentences of The Works of Lord Byron. Vol. 3, unabridged, divided into 58 reading sections.

This page carries chapter 17 of The Works of Lord Byron. Vol. 3 by George Gordon Byron, Baron Byron exactly as it stands in the source edition, without abridgement. It runs to 289 sentences, grouped into 58 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of The Works of Lord Byron. Vol. 3?

Work through the 58 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 58 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Works of Lord Byron. Vol. 3

Common questions about reading The Works of Lord Byron. Vol. 3 by George Gordon Byron, Baron Byron on this page, its source edition and its audio.

Is this the complete text of The Works of Lord Byron. Vol. 3?

Yes. All 5585 sentences of Project Gutenberg eBook #21811 are kept, with a record of which sentences cover which part.

Which edition of The Works of Lord Byron. Vol. 3 is used?

Project Gutenberg eBook #21811, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Works of Lord Byron. Vol. 3 take to read?

About 465 minutes of reading across 1117 sections of 5 sentences each, at an unhurried pace.

How to read The Works of Lord Byron. Vol. 3 section by section

How to work through The Works of Lord Byron. Vol. 3 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of The Works of Lord Byron. Vol. 3 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Works of Lord Byron. Vol. 3

Words and structures a reader meets early in The Works of Lord Byron. Vol. 3, each tappable for pronunciation and meaning.

Etext
A word that appears in the opening chapter of The Works of Lord Byron. Vol. 3; the reader can tap it to hear it and see its dictionary entry.
Contains
A word that appears in the opening chapter of The Works of Lord Byron. Vol. 3; the reader can tap it to hear it and see its dictionary entry.
Characters
A word that appears in the opening chapter of The Works of Lord Byron. Vol. 3; the reader can tap it to hear it and see its dictionary entry.
Latin-
A word that appears in the opening chapter of The Works of Lord Byron. Vol. 3; the reader can tap it to hear it and see its dictionary entry.