Learn English through classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Works of Max Beerbohm
The Works of Max Beerbohm

Chapter II · Chapter 2

Chapter 2 of The Works of Max Beerbohm is here in full — 169 sentences across 34 reading sections, with audio for every sentence and word.

Cover illustration for The Works of Max Beerbohm
Context Illustration Reading 1/33 · 5 lines
English subtitles · tap any word to listen 1 / 5
It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.
There are three apparent reasons, and one of them is aesthetic.
So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.
The ancient Romans went too far.
Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Works of Max Beerbohm

Chapter II · Chapter 2

Chapter 2 of The Works of Max Beerbohm is here in full — 169 sentences across 34 reading sections, with audio for every sentence and word.

Reading 1/33 · 5 reading units · Lines 1–5

Line 1
It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.
/ɪt ɪz ˈveri naɪs ðɪs ˌjuːnəˈvɜːrsəl ˌækwiˈesəns ɪn ðə dres wiː hæv dɪˈzaɪnd bʌt ɪf wiː rɪˈflekt nɑːt ˈwʌndərfəl/
Line 2
There are three apparent reasons, and one of them is aesthetic.
/ðer ɑːr θriː əˈperənt ˈriːzənz ənd wʌn ʌv ðem ɪz esˈθetɪk/
Line 3
So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.
Line 4
The ancient Romans went too far.
/ðə ˈeɪn.ʃənt ˈroʊmənz went tuː fɑːr/
Line 5
Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

acquiescence noun US /ˌækwiˈesəns/

acceptance without protest

From this reading “It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.”

Adonis noun US /əˈdɑːnəs/

any handsome young man

From this reading “Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.”

aesthetic adjective US /esˈθetɪk/

relating to or dealing with the subject of aesthetics

From this reading “There are three apparent reasons, and one of them is aesthetic.”

clothe verb US /kloʊð/

provide with clothes or put clothes on

From this reading “So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.”

meanness noun US /ˈmiːnnəs/

the quality of being deliberately mean

From this reading “So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.”

ponderous adjective US /ˈpɑːndərəs/

slow and laborious because of weight

From this reading “Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.”

Romans noun US /ˈroʊmənz/

a New Testament book containing an exposition of the doctrines of Saint Paul; written in AD 58

From this reading “The ancient Romans went too far.”

toga noun US /ˈtoʊɡə/

a one-piece cloak worn by men in ancient Rome

From this reading “Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

acquiescencenounUS /ˌækwiˈesəns/

acceptance without protest

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

AdonisnounUS /əˈdɑːnəs/

any handsome young man

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

aestheticadjectiveUS /esˈθetɪk/

relating to or dealing with the subject of aesthetics

From this reading There are three apparent reasons, and one of them is aesthetic.

aimverbUS /eɪm/

point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading The ancient Romans went too far.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There are three apparent reasons, and one of them is aesthetic.

apparentadjectiveUS /əˈperənt/

clearly revealed to the mind or the senses or judgment

From this reading There are three apparent reasons, and one of them is aesthetic.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading There are three apparent reasons, and one of them is aesthetic.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

clotheverbUS /kloʊð/

provide with clothes or put clothes on

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

costumenounUS /kɑːˈstuːm/

the attire worn in a play or at a fancy dress ball

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

designedadjectiveUS /dɪˈzaɪnd/

done or made or performed with purpose and intent

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

dressverbUS /dres/

put on clothes

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading The ancient Romans went too far.

finenessnoun

the quality of being very good indeed

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

foldsnounUS /foʊldz/

plural of “fold” — an angular or rounded shape made by folding

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

meanverbUS /miːn/

mean or intend to express or convey

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

meannessnounUS /ˈmiːnnəs/

the quality of being deliberately mean

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

MuffledadjectiveUS /ˈmʌfəld/

being or made softer or less loud or clear

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

niceadjectiveUS /naɪs/

pleasant or pleasing or agreeable in nature or appearance

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There are three apparent reasons, and one of them is aesthetic.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading There are three apparent reasons, and one of them is aesthetic.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

passverbUS /pæs/

go across or through

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

ponderousadjectiveUS /ˈpɑːndərəs/

slow and laborious because of weight

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

Punchinello

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

reasonsnounUS /ˈriːzənz/

plural of “reason” — a rational motive for a belief or action

From this reading There are three apparent reasons, and one of them is aesthetic.

reflectverbUS /rɪˈflekt/

manifest or bring back

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

revealedverbUS /rɪˈviːld/

past form of “reveal” — make visible

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

RomansnounUS /ˈroʊmənz/

a New Testament book containing an exposition of the doctrines of Saint Paul; written in AD 58

From this reading The ancient Romans went too far.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading There are three apparent reasons, and one of them is aesthetic.

ThereadverbUS /ðer/

in or at that place or location

From this reading There are three apparent reasons, and one of them is aesthetic.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading There are three apparent reasons, and one of them is aesthetic.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

toganounUS /ˈtoʊɡə/

a one-piece cloak worn by men in ancient Rome

From this reading Muffled in the ponderous folds of a toga, Adonis might pass for Punchinello, Punchinello for Adonis.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading The ancient Romans went too far.

universaladjectiveUS /ˌjuːnəˈvɜːrsəl/

of worldwide scope or applicability

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

veiledadjectiveUS /veɪld/

having or as if having a veil or concealing cover

From this reading So to clothe the body that its fineness be revealed and its meanness veiled has been the aesthetic aim of all costume, but before our time the mean had never been struck.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading The ancient Romans went too far.

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading It is very nice, this universal acquiescence in the dress we have designed, but, if we reflect, not wonderful.

Chapter 2 of The Works of Max Beerbohm by Max, Sir Beerbohm holds 169 sentences, grouped into 34 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Works of Max Beerbohm contain?

Chapter 2 holds 169 sentences of The Works of Max Beerbohm, unabridged, divided into 34 reading sections.

This page carries chapter 2 of The Works of Max Beerbohm by Max, Sir Beerbohm exactly as it stands in the source edition, without abridgement. It runs to 169 sentences, grouped into 34 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Works of Max Beerbohm?

Work through the 34 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 34 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Works of Max Beerbohm

Common questions about reading The Works of Max Beerbohm by Max, Sir Beerbohm on this page, its source edition and its audio.

Is this the complete text of The Works of Max Beerbohm?

Yes. All 1681 sentences of Project Gutenberg eBook #1859 are kept, with a record of which sentences cover which part.

Which edition of The Works of Max Beerbohm is used?

Project Gutenberg eBook #1859, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Works of Max Beerbohm take to read?

About 140 minutes of reading across 337 sections of 5 sentences each, at an unhurried pace.

How to read The Works of Max Beerbohm section by section

How to work through The Works of Max Beerbohm section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 9 chapters of The Works of Max Beerbohm to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Works of Max Beerbohm

Words and structures a reader meets early in The Works of Max Beerbohm, each tappable for pronunciation and meaning.

Bibliography
A word that appears in the opening chapter of The Works of Max Beerbohm; the reader can tap it to hear it and see its dictionary entry.
Transliterated
A word that appears in the opening chapter of The Works of Max Beerbohm; the reader can tap it to hear it and see its dictionary entry.
Greek
A word that appears in the opening chapter of The Works of Max Beerbohm; the reader can tap it to hear it and see its dictionary entry.
Passages
A word that appears in the opening chapter of The Works of Max Beerbohm; the reader can tap it to hear it and see its dictionary entry.