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The Works of Samuel Johnson, LL.D. in Nine — Volume I
The Works of Samuel Johnson, LL.D. in Nine — Volume I

Chapter X

Chapter 10 of The Works of Samuel Johnson, LL.D. in Nine — Volume I is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/82 · 5 lines
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Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.
Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.
--------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.
Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.
[Footnote 54: _Variation_.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

The Works of Samuel Johnson, LL.D. in Nine — Volume I

Chapter X

Chapter 10 of The Works of Samuel Johnson, LL.D. in Nine — Volume I is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.
Line 2
Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.
Line 3
--------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.
Line 4
Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.
Line 5
[Footnote 54: _Variation_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

contractions noun US /kənˈtrækʃənz/

plural of “contraction” — (physiology) a shortening or tensing of a part or organ (especially of a muscle or muscle fiber)

From this reading “Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.”

dissonant adjective US /ˈdɪsənənt/

characterized by musical dissonance; harmonically unresolved

From this reading “Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.”

faulty adjective US /ˈfɔːlti/

having a defect

From this reading “Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.”

metrical adjective US /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading “Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.”

redundant adjective US /rɪˈdʌndənt/

more than is needed, desired, or required

From this reading “Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.”

roughness noun US /ˈrʌfnəs/

a texture of a surface or edge that is not smooth but is irregular and uneven

From this reading “Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.”

terminations noun US /ˌtɜːrməˈneɪʃənz/

plural of “termination” — a coming to an end of a contract period

From this reading “Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.”

Variation noun US /ˌveriˈeɪʃən/

an instance of change; the rate or magnitude of change

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

narrow limits verb + noun counted as “narrow limit”

In this reading “Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.”

admitted into verb + particle counted as “admit into”

In this reading “Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.”

All words in this reading · 108

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

54

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [Footnote 54: _Variation_.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

admir

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

admittedverbUS /ədˈmɪtɪd/

inflected form of “admit” — declare to be true or admit the existence or reality or truth of

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

affordedverbUS /əˈfɔːrdəd/

past form of “afford” — be able to spare or give up

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

allowverbUS /əˈlaʊ/

make it possible through a specific action or lack of action for something to happen

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

atprepositionUS /æt/

in or near a particular place or position

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

befallverbUS /bɪˈfɔːl/

become of; happen to

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

bringingnounUS /ˈbrɪŋɪŋ/

the act of delivering or distributing something (as goods or mail)

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

changingadjectiveUS /ˈtʃeɪndʒɪŋ/

marked by continuous change or effective action

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

contractionsnounUS /kənˈtrækʃənz/

plural of “contraction” — (physiology) a shortening or tensing of a part or organ (especially of a muscle or muscle fiber)

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

dissonantadjectiveUS /ˈdɪsənənt/

characterized by musical dissonance; harmonically unresolved

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

distinctionnounUS /dɪˈstɪŋkʃən/

a discrimination between things as different and distinct on the basis of their characteristics or attributes

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

dramatick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

elevenadjectiveUS /ɪˈlevən/

being one more than ten

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

epick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

err'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

faultyadjectiveUS /ˈfɔːlti/

having a defect

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

FootnotenounUS /ˈfʊtnoʊt/

a printed note placed below the text on a printed page

From this reading [Footnote 54: _Variation_.

forbearverb

refrain from doing

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

frequentlyadverbUS /ˈfriːkwəntli/

many times at short intervals

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

heroick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

HimpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

hypermetrical

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

increasenounUS /ˌɪnˈkriːs/

a quantity that is added

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

ing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

LetsnounUS /lets/

plural of “let” — a brutal terrorist group active in Kashmir; fights against India with the goal of restoring Islamic rule of India

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

libertynounUS /ˈlɪb.ər.ti/

The state of being free within society from oppressive restrictions on one's way of life.

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

limitsnounUS /ˈlɪməts/

plural of “limit” — the greatest possible degree of something

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

measuresnounUS /ˈmeʒərz/

plural of “measure” — any maneuver made as part of progress toward a goal

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

metricaladjectiveUS /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

MiltonnounUS /ˈmɪltən/

English poet; remembered primarily as the author of an epic poem describing humanity's fall from grace (1608-1674)

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

narrowverbUS /ˈneroʊ/

make or become more narrow or restricted

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

neareradverbUS /ˈnɪrər/

(comparative of “near” or “close”) within a shorter distance

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

nodeterminerUS /noʊ/

not any; not one

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

occurverbUS /əˈkɜːr/

come to pass

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

over-trust

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

pagenounUS /peɪdʒ/

one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

redundantadjectiveUS /rɪˈdʌndənt/

more than is needed, desired, or required

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

relaxationnounUS /ˌriːlækˈseɪʃən/

(physiology) the gradual lengthening of inactive muscle or muscle fibers

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

rigournoun

the quality of being valid and rigorous

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

roughadjectiveUS /rʌf/

having or caused by an irregular surface

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

roughnessnounUS /ˈrʌfnəs/

a texture of a surface or edge that is not smooth but is irregular and uneven

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

rulenounUS /ruːl/

a principle or condition that customarily governs behavior

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

sufferedverbUS /ˈsʌfərd/

past form of “suffer” — undergo or be subjected to

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

syllablesnounUS /ˈsɪləbəlz/

plural of “syllable” — a unit of spoken language larger than a phoneme

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

terminationsnounUS /ˌtɜːrməˈneɪʃənz/

plural of “termination” — a coming to an end of a contract period

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

ThusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

tragick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

unpleasingadjective

unpleasant or disagreeable to the senses

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

usesnounUS /ˈjuːsəz/

plural of “use” — the act of using

From this reading Milton frequently uses in his poems the hypermetrical or redundant line of eleven syllables.

VariationnounUS /ˌveriˈeɪʃən/

an instance of change; the rate or magnitude of change

From this reading [Footnote 54: _Variation_.

VersesnounUS /ˈvɜːrsəz/

plural of “verse” — literature in metrical form

From this reading Verses of this kind occur almost in every page; but though they are not unpleasing or dissonant, they ought not to be admitted into heroick poetry, since the narrow limits of our language allow us no other distinction of epick and tragick measures, than is afforded by the liberty of changing at will the terminations of the dramatick lines, and bringing them by that relaxation of metrical rigour nearer to prose.

whopronounUS /huː/

which person or people

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

worthnounUS /wɜːrθ/

an indefinite quantity of something having a specified value

From this reading --------Thus it shall befall Him who to worth in woman over-trust_ing_ Lets her will rule.---- I also err'd in over much admir_ing_.

YetconjunctionUS /jet/

but in spite of that

From this reading Yet even these contractions increase the roughness of a language too rough already; and though in long poems they may be sometimes suffered, it never can be faulty to forbear them.

Chapter 10 of The Works of Samuel Johnson, LL.D. in Nine — Volume I by Samuel Johnson holds 412 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of The Works of Samuel Johnson, LL.D. in Nine — Volume I contain?

Chapter 10 holds 412 sentences of The Works of Samuel Johnson, LL.D. in Nine — Volume I, unabridged, divided into 83 reading sections.

This page carries chapter 10 of The Works of Samuel Johnson, LL.D. in Nine — Volume I by Samuel Johnson exactly as it stands in the source edition, without abridgement. It runs to 412 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of The Works of Samuel Johnson, LL.D. in Nine — Volume I?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Which edition of The Works of Samuel Johnson, LL.D. in Nine — Volume I is used?

Project Gutenberg eBook #43656, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Works of Samuel Johnson, LL.D. in Nine — Volume I take to read?

About 384 minutes of reading across 922 sections of 5 sentences each, at an unhurried pace.

How to read The Works of Samuel Johnson, LL.D. in Nine — Volume I section by section

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Vocabulary met early in The Works of Samuel Johnson, LL.D. in Nine — Volume I

Words and structures a reader meets early in The Works of Samuel Johnson, LL.D. in Nine — Volume I, each tappable for pronunciation and meaning.

State
A word that appears in the opening chapter of The Works of Samuel Johnson, LL.D. in Nine — Volume I; the reader can tap it to hear it and see its dictionary entry.
Fills
A word that appears in the opening chapter of The Works of Samuel Johnson, LL.D. in Nine — Volume I; the reader can tap it to hear it and see its dictionary entry.
Heart
A word that appears in the opening chapter of The Works of Samuel Johnson, LL.D. in Nine — Volume I; the reader can tap it to hear it and see its dictionary entry.
Degree
A word that appears in the opening chapter of The Works of Samuel Johnson, LL.D. in Nine — Volume I; the reader can tap it to hear it and see its dictionary entry.