adeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
affectverbUS /əˈfekt/
have an effect upon
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
affectsnounUS /əˈfekts/
plural of “affect” — the conscious subjective aspect of feeling or emotion
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
answeredverbUS /ˈænsərd/
past form of “answer” — react verbally
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
ArchitecturenounUS /ˈɑːrkətektʃər/
an architectural product or work
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
beauxiliary verbUS /biː/
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
betweenprepositionUS /bɪˈtwiːn/
in the space, time, or range separating two things
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
bodiesnounUS /ˈbɑːdiz/
plural of “body” — the entire physical structure of an organism (an animal, plant, or human being)
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
butconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
byprepositionUS /baɪ/
showing who or what does the action
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
censuredverbUS /ˈsenʃərd/
past form of “censure” — rebuke formally
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
certainadjectiveUS /ˈsɜːrtən/
definite but not specified or identified
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
configurationsnounUS /kənˌfɪɡjərˈeɪʃənz/
plural of “configuration” — an arrangement of parts or elements
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
connectionnounUS /kəˈnekʃən/
a relation between things or events (as in the case of one causing the other or sharing features with it)
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
consequentadjectiveUS /ˈkɑːnsəkwənt/
occurring with or following as a consequence
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
designedadjectiveUS /dɪˈzaɪnd/
done or made or performed with purpose and intent
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
endnounUS /end/
either extremity of something that has length
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
establishedadjectiveUS /ɪˈstæblɪʃt/
brought about or set up or accepted; especially long established
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
feelingsnounUS /ˈfiːlɪŋz/
emotional or moral sensitivity (especially in relation to personal principles or dignity)
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
forprepositionUS /fɔːr/
intended to be given to, or used by, somebody
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
IpronounUS /aɪ/
the person speaking or writing, as the subject of the verb
From this reading SECTION I.
imitationnounUS /ˌɪməˈteɪʃən/
the doctrine that representations of nature or human behavior should be accurate imitations
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
latteradjectiveUS /ˈlætər/
referring to the second of two things or persons mentioned (or the last one or ones of several)
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
lawnounUS /lɔː/
the collection of rules imposed by authority
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
lawsnounUS /lɔːz/
the first of three divisions of the Hebrew Scriptures comprising the first five books of the Hebrew Bible considered as a unit
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
makeverbUS /meɪk/
engage in
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
mannernounUS /ˈmænər/
how something is done or how it happens
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
mindnounUS /maɪnd/
The element of a person that enables awareness and thought.
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
motionsnounUS /ˈmoʊʃənz/
plural of “motion” — the use of movements (especially of the hands) to communicate familiar or prearranged signals
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
NaturaladjectiveUS /ˈnætʃərəl/
in accordance with nature; relating to or concerning nature
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
naturenounUS /ˈneɪtʃər/
the essential qualities or characteristics by which something is recognized
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
objectsnounUS /ˈɑːbdʒekts/
plural of “object” — a tangible and visible entity; an entity that can cast a shadow
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
OFprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading OF WORDS.
orconjunctionUS /ɔːr/
used to join alternatives or possibilities
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
ourdeterminerUS /ˈaʊər/
belonging to the speaker and others
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
PaintingnounUS /ˈpeɪntɪŋ/
graphic art consisting of an artistic composition made by applying paints to a surface
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
partnounUS /pɑːrt/
something determined in relation to something that includes it
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
pleasurenounUS /ˈpleʒər/
a fundamental feeling that is hard to define but that people desire to experience
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
praisedverbUS /preɪzd/
past form of “praise” — express approval of
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
properlyadverbUS /ˈprɑːpərli/
in the right manner; correctly; suitably
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
proportionnounUS /prəˈpɔːrʃən/
the quotient obtained when the magnitude of a part is divided by the magnitude of the whole
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
ProvidencenounUS /ˈprɑː.və.dəns/
The protective care of God or nature as a spiritual power. (Sự quan phòng, thiên ý phù hộ.)
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
reasonnounUS /ˈriːzən/
a rational motive for a belief or action
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
resultnounUS /rɪˈzʌlt/
a phenomenon that follows and is caused by some previous phenomenon
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
rulesnounUS /ruːlz/
plural of “rule” — a principle or condition that customarily governs behavior
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
sameadjectiveUS /seɪm/
Identical; not different.
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
SECTIONnounUS /ˈsekʃən/
a self-contained part of a larger composition (written or musical)
From this reading SECTION I.
someadjectiveUS /sʌm/
(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
superadded
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
uspronounUS /ʌs/
the speaker and others, as the object of a verb or preposition
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
wasauxiliary verbUS /wɑːz/
the past form of “be” used with I, he, she, it, or a singular noun
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
whenconjunctionUS /wen/
at the time that
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
whichpronounUS /wɪtʃ/
used to introduce a clause giving more about a thing just mentioned
From this reading Natural objects affect us by the laws of that connection which Providence has established between certain motions and configurations of bodies, and certain consequent feelings in our mind.
wholeadjectiveUS /hoʊl/
including all components without exception; being one unit or constituting the full amount or extent or duration; complete
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
withprepositionUS /wɪð/
in the company of; together with
From this reading Painting affects in the same manner, but with the superadded pleasure of imitation.
WORDSnounUS /wɜːrdz/
the words that are spoken
From this reading OF WORDS.
workverbUS /wɜːrk/
exert oneself by doing mental or physical work for a purpose or out of necessity
From this reading Architecture affects by the laws of nature and the law of reason; from which latter result the rules of proportion, which make a work to be praised or censured, in the whole or in some part, when the end for which it was designed is or is not properly answered.
