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The Worshipper of the Image
The Worshipper of the Image

Chapter II · Chapter 2

Chapter 2 of The Worshipper of the Image is here in full — 82 sentences across 17 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/16 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.
One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.
Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.
Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.
Soon in an alcove of faces he grew conscious of a presence.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Worshipper of the Image

Chapter II · Chapter 2

Chapter 2 of The Worshipper of the Image is here in full — 82 sentences across 17 reading sections, with audio for every sentence and word.

Reading 1/16 · 5 reading units · Lines 1–5

Line 1
THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.
Line 2
One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.
Line 3
Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.
Line 4
Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.
/θruː waɪt ˈkɔːrɪdərz ʌv ˈfeɪsəz hiː pæst wɪð ðə koʊld breθ ʌv ˈklæsɪk ɑːrt əˈpɑːn hɪz tʃiːk ənd ɪn ðə ˈkʌmpəniː ʌv ðə ded huː laɪv fɔːr ˈevər hiː wɑːz ˈkɑːnʃəs ʌv ə kənˈteɪdʒən ʌv ˌɪmɔːrˈtælɪti/
Line 5
Soon in an alcove of faces he grew conscious of a presence.
/suːn ɪn æn ˈælkoʊv ʌv ˈfeɪsəz hiː ɡruː ˈkɑːnʃəs ʌv ə ˈprezəns/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

alcove noun US /ˈælkoʊv/

a small recess opening off a larger room

From this reading “Soon in an alcove of faces he grew conscious of a presence.”

carters noun US /ˈkɑːrtərz/

plural of “carter” — Englishman and Egyptologist who in 1922 discovered and excavated the tomb of Tutankhamen (1873-1939)

From this reading “One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.”

Cockney noun US /ˈkɑːkni/

a native of the east end of London

From this reading “One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.”

contagion noun US /kənˈteɪdʒən/

any disease easily transmitted by contact

From this reading “Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.”

corridors noun US /ˈkɔːrɪdərz/

plural of “corridor” — an enclosed passageway; rooms usually open onto it

From this reading “Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.”

decaying verb US /dɪˈkeɪɪŋ/

-ing form of “decay” — lose a stored charge, magnetic flux, or current

From this reading “One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.”

forsook verb US /fɔːrˈsʊk/

inflected form of “forsake” — leave someone who needs or counts on you; leave in the lurch

From this reading “Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.”

immortality noun US /ˌɪmɔːrˈtælɪti/

the quality or state of being immortal

From this reading “Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.”

All words in this reading · 98

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

alcovenounUS /ˈælkoʊv/

a small recess opening off a larger room

From this reading Soon in an alcove of faces he grew conscious of a presence.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Soon in an alcove of faces he grew conscious of a presence.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

antiquitynounUS /ænˈtɪkwəti/

the historic period preceding the Middle Ages in Europe

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

AntonynounUS /ˈæntəni/

Roman general under Julius Caesar in the Gallic wars; repudiated his wife for the Egyptian queen Cleopatra; they were defeated by Octavian at Actium (83-30 BC)

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

atprepositionUS /æt/

in or near a particular place or position

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

boxesnounUS /ˈbɑːksəz/

plural of “box” — a (usually rectangular) container; may have a lid

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

breathnounUS /breθ/

the process of taking in and expelling air during breathing

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

broadadjectiveUS /brɔːd/

having great (or a certain) extent from one side to the other

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

byprepositionUS /baɪ/

showing who or what does the action

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

cartersnounUS /ˈkɑːrtərz/

plural of “carter” — Englishman and Egyptologist who in 1922 discovered and excavated the tomb of Tutankhamen (1873-1939)

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

chancenounUS /tʃæns/

a possibility due to a favorable combination of circumstances

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

cheeknounUS /tʃiːk/

either side of the face below the eyes

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

classicnounUS /ˈklæsɪk/

a creation of the highest excellence

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

CockneynounUS /ˈkɑːkni/

a native of the east end of London

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

COMINGnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

contagionnounUS /kənˈteɪdʒən/

any disease easily transmitted by contact

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

corridorsnounUS /ˈkɔːrɪdərz/

plural of “corridor” — an enclosed passageway; rooms usually open onto it

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

Covent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

crowdedadjectiveUS /ˈkraʊdəd/

overfilled or compacted or concentrated

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

decayingverbUS /dɪˈkeɪɪŋ/

-ing form of “decay” — lose a stored charge, magnetic flux, or current

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

everadverbUS /ˈevər/

at any time

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

FacesnounUS /ˈfeɪsəz/

plural of “face” — the front of the human head from the forehead to the chin and ear to ear

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

farmsnounUS /fɑːrmz/

plural of “farm” — workplace consisting of farm buildings and cultivated land as a unit

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

forsookverbUS /fɔːrˈsʊk/

inflected form of “forsake” — leave someone who needs or counts on you; leave in the lurch

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

foundverbUS /faʊnd/

set up or found

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

GardennounUS /ˈɡɑːrdən/

a plot of ground where plants are cultivated

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

gazedverbUS /ɡeɪzd/

past form of “gaze” — look at with fixed eyes

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

GreecenounUS /ɡriːs/

a republic in southeastern Europe on the southern part of the Balkan peninsula; known for grapes and olives and olive oil

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

grewverbUS /ɡruː/

inflected form of “grow” — pass into a condition gradually, take on a specific property or attribute; become

From this reading Soon in an alcove of faces he grew conscious of a presence.

growsverbUS /ɡroʊz/

third-person singular of “grow” — pass into a condition gradually, take on a specific property or attribute; become

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

illustrationnounUS /ˌɪləˈstreɪʃən/

artwork that helps make something clear or attractive

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

immortalitynounUS /ˌɪmɔːrˈtælɪti/

the quality or state of being immortal

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

lawnounUS /lɔː/

the collection of rules imposed by authority

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

liveverbUS /laɪv/

be an inhabitant of or reside in

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

lovelinessnoun

the quality of being good looking and attractive

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

mennounUS /men/

the force of workers available

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

momentsnounUS /ˈmoʊmənts/

plural of “moment” — a particular point in time

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

motleynounUS /ˈmɑːtli/

a collection containing a variety of sorts of things

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

movingadjectiveUS /ˈmuːvɪŋ/

in motion

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

oddlyadverbUS /ˈɑːdli/

in a manner differing from the usual or expected

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

orangenounUS /ˈɔːrəndʒ/

round yellow to orange fruit of any of several citrus trees

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

orderedadjectiveUS /ˈɔːrdərd/

having a systematic arrangement; especially having elements succeeding in order according to rule

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

passedverbUS /pæst/

past form of “pass” — go across or through

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

pickingnounUS /ˈpɪkɪŋ/

the quantity of a crop that is harvested

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

presencenounUS /ˈprezəns/

the state of being present; current existence

From this reading Soon in an alcove of faces he grew conscious of a presence.

RomenounUS /roʊm/

capital and largest city of Italy; on the Tiber; seat of the Roman Catholic Church; formerly the capital of the Roman Republic and the Roman Empire

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

sculptor's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

shopverbUS /ʃɑːp/

do one's shopping

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

SILENCIEUX

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

SoonadverbUS /suːn/

in the near future

From this reading Soon in an alcove of faces he grew conscious of a presence.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

suddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

ThroughprepositionUS /θruː/

from one end or side of something to the other

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

vegetablesnounUS /ˈvedʒtəbəlz/

plural of “vegetable” — edible seeds or roots or stems or leaves or bulbs or tubers or nonsweet fruits of any of numerous herbaceous plant

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

waynounUS /weɪ/

how something is done or how it happens

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

whitenounUS /waɪt/

a Caucasian

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

whopronounUS /huː/

which person or people

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

wig-makers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading One day as chance had sent him, picking his way among the orange boxes, the moving farms, and the wig-makers of Covent Garden, he had come upon a sculptor's shop, oddly crowded in among Cockney carters and decaying vegetables.

windownounUS /ˈwɪndoʊ/

a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air

From this reading Faces of Greece and Rome gazed at him suddenly from a broad window, and for a few moments he forsook the motley beauty of modern London for the ordered loveliness of antiquity.

withprepositionUS /wɪð/

in the company of; together with

From this reading Through white corridors of faces he passed, with the cold breath of classic art upon his cheek, and in the company of the dead who live for ever he was conscious of a contagion of immortality.

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading THE COMING OF SILENCIEUX The manner in which Antony had found and come to love Silencieux was a strange illustration of that law by which one love grows out of another--that law by which men love living women because of the dead, and dead women because of the living.

Chapter 2 of The Worshipper of the Image by Richard Le Gallienne holds 82 sentences, grouped into 17 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Worshipper of the Image contain?

Chapter 2 holds 82 sentences of The Worshipper of the Image, unabridged, divided into 17 reading sections.

This page carries chapter 2 of The Worshipper of the Image by Richard Le Gallienne exactly as it stands in the source edition, without abridgement. It runs to 82 sentences, grouped into 17 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Worshipper of the Image?

Work through the 17 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 17 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading The Worshipper of the Image by Richard Le Gallienne on this page, its source edition and its audio.

Is this the complete text of The Worshipper of the Image?

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Which edition of The Worshipper of the Image is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Worshipper of the Image take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Worshipper of the Image

Words and structures a reader meets early in The Worshipper of the Image, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Worshipper of the Image, divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
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