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The Yellow Poppy
The Yellow Poppy

Chapter VII

Chapter 7 of The Yellow Poppy is here in full — 121 sentences across 25 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/24 · 5 lines
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LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.
Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.
And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.
Forty-two years had gone to the making of Mirabel.
Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Yellow Poppy

Chapter VII

Chapter 7 of The Yellow Poppy is here in full — 121 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.
Line 2
Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.
Line 3
And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.
Line 4
Forty-two years had gone to the making of Mirabel.
Line 5
Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

architects noun US /ˈɑːrkətekts/

plural of “architect” — someone who creates plans to be used in making something (such as buildings)

From this reading “Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.”

caretaker noun US /ˈkerteɪkər/

a custodian who is hired to take care of something (property or a person)

From this reading “LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.”

château noun US /ʃæˈtoʊ/

A large French country house or castle, often surrounded by expansive estates and private galleries.

From this reading “LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.”

courtyards noun US /ˈkɔːrtjɑːrdz/

plural of “courtyard” — an area wholly or partly surrounded by walls or buildings

From this reading “Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.”

Renaissance noun US /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading “Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.”

reproduced verb US /ˌriːprəˈduːst/

past form of “reproduce” — make a copy or equivalent of

From this reading “Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.”

skeletons noun US /ˈskelətənz/

plural of “skeleton” — something reduced to its minimal form

From this reading “Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.”

Vidal noun US /vaɪˈdæl/

United States writer (born in 1925)

From this reading “And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

solid mass adjective + noun

In this reading “Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.”

Forty-two years adjective + noun

In this reading “Forty-two years had gone to the making of Mirabel.”

formal gardens adjective + noun counted as “formal garden”

a garden laid out on regular lines with plants arranged in symmetrical locations or in geometrical designs

In this reading “Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.”

same time adjective + noun

In this reading “Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.”

north side noun + noun

the side that is on the north

In this reading “Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.”

first time adjective + noun

In this reading “LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.”

like a statue verb + article + noun counted as “like … statue”

In this reading “And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.”

speed towards verb + particle

In this reading “And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.”

All words in this reading · 148

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1528

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

agitationnounUS /ˌædʒəˈteɪʃən/

a mental state of extreme emotional disturbance

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

approachverbUS /əˈproʊtʃ/

move towards

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

architectsnounUS /ˈɑːrkətekts/

plural of “architect” — someone who creates plans to be used in making something (such as buildings)

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

atprepositionUS /æt/

in or near a particular place or position

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

avenuenounUS /ˈævənuː/

a line of approach

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

basketnounUS /ˈbæskət/

a container that is usually woven and has handles

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

becameverbUS /bɪˈkeɪm/

inflected form of “become” — enter or assume a certain state or condition

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

BegunverbUS /bɪˈɡʌn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

brainnounUS /breɪn/

that part of the central nervous system that includes all the higher nervous centers; enclosed within the skull; continuous with the spinal cord

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

brokeadjectiveUS /broʊk/

lacking funds

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

builtadjectiveUS /bɪlt/

(used of soaps or cleaning agents) having a substance (an abrasive or filler) added to increase effectiveness

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

bulknounUS /bʌlk/

the property resulting from being or relating to the greater in number of two parts; the main part

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

byprepositionUS /baɪ/

showing who or what does the action

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

caretakernounUS /ˈkerteɪkər/

a custodian who is hired to take care of something (property or a person)

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

châteaunounUS /ʃæˈtoʊ/

A large French country house or castle, often surrounded by expansive estates and private galleries.

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

confrontedverbUS /kənˈfrʌntəd/

past form of “confront” — oppose, as in hostility or a competition

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

constructedverbUS /kənˈstrʌktəd/

past form of “construct” — make by combining materials and parts

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

courtyardsnounUS /ˈkɔːrtjɑːrdz/

plural of “courtyard” — an area wholly or partly surrounded by walls or buildings

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

DEnounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

easilyadverbUS /ˈiːzəli/

with ease (“easy” is sometimes used informally for “easily”)

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

eastnounUS /iːst/

the cardinal compass point that is at 90 degrees

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

exactlyadverbUS /ɪɡˈzæktli/

indicating exactness or preciseness

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

excusedadjectiveUS /ɪksˈkjuːzd/

granted exemption

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

extentnounUS /ɪkˈstent/

the point or degree to which something extends

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

eyenounUS /aɪ/

the organ of sight

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

eyesnounUS /aɪz/

opinion or judgment

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

FAIENCEnoun

glazed earthenware decorated with opaque colors

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

façade

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

Fontainebleau

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

forlornadjectiveUS /fərˈlɔːrn/

marked by or showing hopelessness

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

formaladjectiveUS /ˈfɔːrməl/

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

Forty-twoadjective

being two more than forty

From this reading Forty-two years had gone to the making of Mirabel.

François

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

gardensnounUS /ˈɡɑːrdənz/

plural of “garden” — a plot of ground where plants are cultivated

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

gazingverbUS /ˈɡeɪzɪŋ/

-ing form of “gaze” — look at with fixed eyes

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading Forty-two years had gone to the making of Mirabel.

gravelnounUS /ˈɡrævəl/

rock fragments and pebbles

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

grippingadjectiveUS /ˈɡrɪpɪŋ/

capable of arousing and holding the attention

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

half-concealing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

handleverbUS /ˈhændəl/

be in charge of, act on, or dispose of

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

heightnounUS /haɪt/

the vertical dimension of extension; distance from the base of something to the top

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

homenounUS /hoʊm/

where you live at a particular time

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

l'Orme

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

LEnounUS /lə/

a chronic inflammatory collagen disease affecting connective tissue (skin or joints)

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

lengthnounUS /leŋkθ/

the linear extent in space from one end to the other; the longest dimension of something that is fixed in place

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

likeverbUS /laɪk/

prefer or wish to do something

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

makingnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading Forty-two years had gone to the making of Mirabel.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

massnounUS /mæs/

the property of a body that causes it to have weight in a gravitational field

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

Mirabel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

Mme

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

nodeterminerUS /noʊ/

not any; not one

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

northnounUS /nɔːrθ/

the region of the United States lying to the north of the Mason-Dixon line

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

noveltynounUS /ˈnɑːvəlti/

originality by virtue of being refreshingly novel

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

oppressiveadjectiveUS /əˈpresɪv/

weighing heavily on the senses or spirit

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

overpoweringadjectiveUS /ˈoʊvərˈpaʊrɪŋ/

so strong as to be irresistible

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

palacenounUS /ˈpæləs/

a large and stately mansion

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

PALAIS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

parallelogramnoun

a quadrilateral whose opposite sides are both parallel and equal in length

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

parterres

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

Primaticcio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

proneadjectiveUS /proʊn/

having a tendency (to); often used in combination

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

prospectiveadjectiveUS /prəˈspektɪv/

of or concerned with or related to the future

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

reckonedverbUS /ˈrekənd/

past form of “reckon” — expect, believe, or suppose

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

RenaissancenounUS /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

reproducedverbUS /ˌriːprəˈduːst/

past form of “reproduce” — make a copy or equivalent of

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

residencenounUS /ˈrezɪdəns/

any address at which you dwell more than temporarily

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

risenadjectiveUS /ˈrɪzən/

(of e.g. celestial bodies) above the horizon

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

RoyaladjectiveUS /ˈrɔɪəl/

of or relating to or indicative of or issued or performed by a king or queen or other monarch

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

SinceprepositionUS /sɪns/

from a time in the past until now

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

skeletonsnounUS /ˈskelətənz/

plural of “skeleton” — something reduced to its minimal form

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

solidadjectiveUS /ˈsɑːləd/

characterized by good substantial quality

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

southnounUS /saʊθ/

the region of the United States lying to the south of the Mason-Dixon line

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

speedverbUS /spiːd/

move hurridly

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

standstillnounUS /ˈstændstɪl/

a situation in which no progress can be made or no advancement is possible

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

statuenounUS /ˈstætʃuː/

a sculpture representing a human or animal

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

successiveadjectiveUS /səkˈsesɪv/

in regular succession without gaps

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

suddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

thereadverbUS /ðer/

in or at that place or location

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

tightlyadverbUS /ˈtaɪtli/

in a tight or constricted manner

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

tillprepositionUS /tɪl/

up to a particular time

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

toweringadjectiveUS /ˈtaʊərɪŋ/

of imposing height; especially standing out above others

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

treesnounUS /triːz/

plural of “tree” — a tall perennial woody plant having a main trunk and branches forming a distinct elevated crown; includes both gymnosperms and angiosperms

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

triflenounUS /ˈtraɪfəl/

a cold pudding made of layers of sponge cake spread with fruit or jelly; may be decorated with nuts, cream, or chocolate

From this reading LE PALAIS DE FAIENCE A trifle of agitation might easily have been excused in any prospective caretaker confronted for the first time by the château of Mirabel.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

VidalnounUS /vaɪˈdæl/

United States writer (born in 1925)

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

walkingadjectiveUS /ˈwɔːkɪŋ/

close enough to be walked to

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

westnounUS /west/

the countries of (originally) Europe and (now including) North America and South America

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

whereof

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading Since there was, on this side of it, no half-concealing avenue, nor, indeed, trees of any kind whatever, but only the prone skeletons of what had been a series of formal gardens, the whole towering extent of the façade broke in one oppressive moment upon eye and brain.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

wideadjectiveUS /waɪd/

having great (or a certain) extent from one side to the other

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

withprepositionUS /wɪð/

in the company of; together with

From this reading And that, no doubt, was why Mme Vidal, walking at first with fair speed towards it over the wide gravel approach, suddenly came to a standstill, and, gripping tightly the handle of her basket, stood like a statue, gazing, across its forlorn parterres, at the overpowering bulk of her new home.

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading Begun in 1528 for François I., at the same time as that other palace of Fontainebleau, it had risen under the eyes of successive Royal architects, de l’Orme and Primaticcio, till it became the great château reckoned, in that day of the French Renaissance, so wonderful a novelty—a residence not built round courtyards one or many, but constructed in a solid mass, a parallelogram of great length and height, whereof the north side exactly reproduced the south and the east the west.

yearsnounUS /jɪrz/

a late time of life

From this reading Forty-two years had gone to the making of Mirabel.

Chapter 7 of The Yellow Poppy by D. K. (Dorothy Kathleen) Broster holds 121 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of The Yellow Poppy contain?

Chapter 7 holds 121 sentences of The Yellow Poppy, unabridged, divided into 25 reading sections.

This page carries chapter 7 of The Yellow Poppy by D. K. (Dorothy Kathleen) Broster exactly as it stands in the source edition, without abridgement. It runs to 121 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of The Yellow Poppy?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Yellow Poppy

Common questions about reading The Yellow Poppy by D. K. (Dorothy Kathleen) Broster on this page, its source edition and its audio.

Is this the complete text of The Yellow Poppy?

Yes. All 9967 sentences of Project Gutenberg eBook #59937 are kept, with a record of which sentences cover which part.

Which edition of The Yellow Poppy is used?

Project Gutenberg eBook #59937, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Yellow Poppy take to read?

About 600 minutes of reading across 1994 sections of 5 sentences each, at an unhurried pace.

How to read The Yellow Poppy section by section

How to work through The Yellow Poppy section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Yellow Poppy to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Yellow Poppy

Words and structures a reader meets early in The Yellow Poppy, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Yellow Poppy; the reader can tap it to hear it and see its dictionary entry.
First
A word that appears in the opening chapter of The Yellow Poppy; the reader can tap it to hear it and see its dictionary entry.
Published
A word that appears in the opening chapter of The Yellow Poppy; the reader can tap it to hear it and see its dictionary entry.
Second
A word that appears in the opening chapter of The Yellow Poppy; the reader can tap it to hear it and see its dictionary entry.