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Theatrical and Circus Life
Theatrical and Circus Life

Chapter I

Chapter 1 of Theatrical and Circus Life is here in full — 69 sentences across 14 reading sections, with audio for every sentence and word.

Cover illustration for Theatrical and Circus Life
Context Illustration Reading 1/13 · 5 lines
English subtitles · tap any word to listen 1 / 5
SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.
A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.
Illustrated with Numerous Engravings and Fine Colored Plates.
BY JOHN J. JENNINGS.
CHICAGO: Globe Publishing Co. 1886.
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Theatrical and Circus Life

Chapter I

Chapter 1 of Theatrical and Circus Life is here in full — 69 sentences across 14 reading sections, with audio for every sentence and word.

Reading 1/13 · 5 reading units · Lines 1–5

Line 1
SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.
Line 2
A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.
Line 3
Illustrated with Numerous Engravings and Fine Colored Plates.
/ˈɪləstreɪtəd wɪð ˈnuːmərəs ɪnˈɡreɪvɪŋz ənd faɪn ˈkʌlərd pleɪts/
Line 4
BY JOHN J. JENNINGS.
Line 5
CHICAGO: Globe Publishing Co. 1886.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abounding adjective US /əˈbaʊndɪŋ/

existing in abundance

From this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

actresses noun US /ˈæktrəsɪz/

plural of “actress” — a female actor

From this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

Engravings noun US /ɪnˈɡreɪvɪŋz/

plural of “engraving” — a print made from an engraving

From this reading “Illustrated with Numerous Engravings and Fine Colored Plates.”

exposition noun US /ˌekspəˈzɪʃən/

a systematic interpretation or explanation (usually written) of a specific topic

From this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

hippodrome noun US /ˈhɪpədroʊm/

a stadium for horse shows or horse races

From this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

magicians noun US /məˈdʒɪʃənz/

plural of “magician” — someone who performs magic tricks to amuse an audience

From this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

sawdust noun US /ˈsɔːdʌst/

fine particles of wood made by sawing wood

From this reading “SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.”

scenic adjective US /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

MOST PROMINENT adverb + adjective

In this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

MOST ASTONISHING adverb + adjective

In this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

PRESENT DAY verb + noun

In this reading “A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1886

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CHICAGO: Globe Publishing Co. 1886.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

ABOUNDINGadjectiveUS /əˈbaʊndɪŋ/

existing in abundance

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

ACTORSnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

ACTRESSESnounUS /ˈæktrəsɪz/

plural of “actress” — a female actor

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

ALSOadverbUS /ˈɔːlsoʊ/

in addition

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

ANECDOTESnounUS /ˈænəkdoʊts/

plural of “anecdote” — short account of an incident (especially a biographical one)

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

AREauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

ARENAnounUS /ərˈiːnə/

a particular environment or walk of life

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

ASTONISHINGadjectiveUS /əˈstɑːnɪʃɪŋ/

surprising greatly

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

BEFOREprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading BY JOHN J. JENNINGS.

CHICAGOnounUS /ʃəˈkɑːɡoʊ/

largest city in Illinois; a bustling Great Lakes port that extends 26 miles along the southwestern shoreline of Lake Michigan

From this reading CHICAGO: Globe Publishing Co. 1886.

ConounUS /koʊ/

an odorless very poisonous gas that is a product of incomplete combustion of carbon

From this reading CHICAGO: Globe Publishing Co. 1886.

ColoredadjectiveUS /ˈkʌlərd/

having color or a certain color; sometimes used in combination

From this reading Illustrated with Numerous Engravings and Fine Colored Plates.

COMPLETEverbUS /kəmˈpliːt/

come or bring to a finish or an end

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

CONCERNINGverbUS /kənˈsɜːrnɪŋ/

-ing form of “concern” — be relevant to

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

DAYnounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

EFFECTSnounUS /ɪˈfekts/

property of a personal character that is portable but not used in business

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

EngravingsnounUS /ɪnˈɡreɪvɪŋz/

plural of “engraving” — a print made from an engraving

From this reading Illustrated with Numerous Engravings and Fine Colored Plates.

ETC

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

EXPOSITIONnounUS /ˌekspəˈzɪʃən/

a systematic interpretation or explanation (usually written) of a specific topic

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

FineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading Illustrated with Numerous Engravings and Fine Colored Plates.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

GlobenounUS /ɡloʊb/

the 3rd planet from the sun; the planet we live on

From this reading CHICAGO: Globe Publishing Co. 1886.

GREEN-ROOM

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

GROWTHnounUS /ɡroʊθ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

HIPPODROMEnounUS /ˈhɪpədroʊm/

a stadium for horse shows or horse races

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

HISTORYnounUS /ˈhɪstəri/

the aggregate of past events

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

IllustratedverbUS /ˈɪləstreɪtəd/

past form of “illustrate” — clarify by giving an example of

From this reading Illustrated with Numerous Engravings and Fine Colored Plates.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

JnounUS /dʒeɪ/

a unit of electrical energy equal to the work done when a current of one ampere passes through a resistance of one ohm for one second

From this reading BY JOHN J. JENNINGS.

JENNINGS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BY JOHN J. JENNINGS.

JOHNnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading BY JOHN J. JENNINGS.

MAGICIANSnounUS /məˈdʒɪʃənz/

plural of “magician” — someone who performs magic tricks to amuse an audience

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

MANNERnounUS /ˈmænər/

how something is done or how it happens

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

MINSTRELSYnoun

a troupe of minstrels

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

MODERNadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

MOSTadverbUS /moʊst/

used to form the superlative

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

MYSTERIESnounUS /ˈmɪstəriz/

plural of “mystery” — something that baffles understanding and cannot be explained

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

NEGROnounUS /ˈniːɡroʊ/

a person with African ancestry, "Negro" and "Negroid" are archaic and pejorative today

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

NumerousadjectiveUS /ˈnuːmərəs/

amounting to a large indefinite number

From this reading Illustrated with Numerous Engravings and Fine Colored Plates.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

ORIGINnounUS /ˈɔːrədʒən/

the place where something begins, where it springs into being

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

OTHERadjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

PlatesnounUS /pleɪts/

plural of “plate” — (baseball) base consisting of a rubber slab where the batter stands; it must be touched by a base runner in order to score

From this reading Illustrated with Numerous Engravings and Fine Colored Plates.

PRESENTverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

PRODUCEDverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

PROMINENTadjectiveUS /ˈprɑːmənənt/

having a quality that thrusts itself into attention

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

PUBLICnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

PublishingnounUS /ˈpʌblɪʃɪŋ/

the business of issuing printed matter for sale or distribution

From this reading CHICAGO: Globe Publishing Co. 1886.

SAWDUSTnounUS /ˈsɔːdʌst/

fine particles of wood made by sawing wood

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

SCENICadjectiveUS /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

SECRETSnounUS /ˈsiːkrəts/

plural of “secret” — something that should remain hidden from others (especially information that is not to be passed on)

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

SHAKESPEARE'SnounUS /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

SHOWINGnounUS /ˈʃoʊɪŋ/

the display of a motion picture

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

STAGEnounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SECRETS OF THE STAGE, GREEN-ROOM AND SAWDUST ARENA.

THEATREnounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

TIMEnounUS /taɪm/

an instance or single occasion for some event

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

TRICKSnounUS /trɪks/

plural of “trick” — a cunning or deceitful action or device

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

withprepositionUS /wɪð/

in the company of; together with

From this reading Illustrated with Numerous Engravings and Fine Colored Plates.

WONDERFULadjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading A HISTORY OF THE THEATRE FROM SHAKESPEARE'S TIME TO THE PRESENT DAY, AND ABOUNDING IN ANECDOTES CONCERNING THE MOST PROMINENT ACTORS AND ACTRESSES BEFORE THE PUBLIC; ALSO, A COMPLETE EXPOSITION OF THE MYSTERIES OF THE STAGE, SHOWING THE MANNER IN WHICH WONDERFUL SCENIC AND OTHER EFFECTS ARE PRODUCED; THE ORIGIN AND GROWTH OF NEGRO MINSTRELSY; THE MOST ASTONISHING TRICKS OF MODERN MAGICIANS, AND A HISTORY OF THE HIPPODROME, ETC., ETC.

Chapter 1 of Theatrical and Circus Life by John J. (John Joseph) Jennings holds 69 sentences, grouped into 14 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Theatrical and Circus Life contain?

Chapter 1 holds 69 sentences of Theatrical and Circus Life, unabridged, divided into 14 reading sections.

This page carries chapter 1 of Theatrical and Circus Life by John J. (John Joseph) Jennings exactly as it stands in the source edition, without abridgement. It runs to 69 sentences, grouped into 14 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Theatrical and Circus Life?

Work through the 14 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 14 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Theatrical and Circus Life

Common questions about reading Theatrical and Circus Life by John J. (John Joseph) Jennings on this page, its source edition and its audio.

Is this the complete text of Theatrical and Circus Life?

Yes. All 5488 sentences of Project Gutenberg eBook #49517 are kept, with a record of which sentences cover which part.

Which edition of Theatrical and Circus Life is used?

Project Gutenberg eBook #49517, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Theatrical and Circus Life take to read?

About 457 minutes of reading across 1098 sections of 5 sentences each, at an unhurried pace.

How to read Theatrical and Circus Life section by section

How to work through Theatrical and Circus Life section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Theatrical and Circus Life to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Theatrical and Circus Life

Words and structures a reader meets early in Theatrical and Circus Life, each tappable for pronunciation and meaning.

Secrets
A word that appears in the opening chapter of Theatrical and Circus Life; the reader can tap it to hear it and see its dictionary entry.
Stage
A word that appears in the opening chapter of Theatrical and Circus Life; the reader can tap it to hear it and see its dictionary entry.
Green-room
A word that appears in the opening chapter of Theatrical and Circus Life; the reader can tap it to hear it and see its dictionary entry.
Sawdust
A word that appears in the opening chapter of Theatrical and Circus Life; the reader can tap it to hear it and see its dictionary entry.