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Theodore Watts-Dunton: Poet, Novelist, Critic
Theodore Watts-Dunton: Poet, Novelist, Critic

Chapter XXVIII · “Christmas at the ‘Mermaid’”

Chapter XXVIII of Theodore Watts-Dunton: Poet, Novelist, Critic, ““Christmas at the ‘Mermaid’”,” is here in full — 146 sentences across 30 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/29 · 5 lines
English subtitles · tap any word to listen 1 / 5
SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’
No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.
Here we get ‘The Renascence of Wonder’ indeed.
Some Aylwinians put it at the head of all his writings.
The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Theodore Watts-Dunton: Poet, Novelist, Critic

Chapter XXVIII · “Christmas at the ‘Mermaid’”

Chapter XXVIII of Theodore Watts-Dunton: Poet, Novelist, Critic, ““Christmas at the ‘Mermaid’”,” is here in full — 146 sentences across 30 reading sections, with audio for every sentence and word.

Reading 1/29 · 5 reading units · Lines 1–5

Line 1
SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’
Line 2
No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.
Line 3
Here we get ‘The Renascence of Wonder’ indeed.
Line 4
Some Aylwinians put it at the head of all his writings.
Line 5
The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Armada noun US /ɑːrˈmɑːdə/

a large fleet

From this reading “No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.”

depicting noun US /dɪˈpɪktɪŋ/

a representation by picture or portraiture

From this reading “No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.”

exploit verb US /ˈeksplɔɪt/

use or manipulate to one's advantage

From this reading “The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.”

Gwynn noun US /ɡwɪn/

English comedienne and mistress of Charles II (1650-1687)

From this reading “The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.”

Incas noun US /ˈɪŋkəz/

plural of “inca” — a ruler of the Incas (or a member of his family)

From this reading “No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.”

lyrical adjective US /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading “SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’”

Mermaid noun US /ˈmɜːrmeɪd/

half woman and half fish; lives in the sea

From this reading “SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’”

squatting noun US /ˈskwɑːtɪŋ/

exercising by repeatedly assuming a crouching position with the knees bent; strengthens the leg muscles

From this reading “No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

other writer adjective + noun

In this reading “No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.”

All words in this reading · 94

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

acceptedadjectiveUS /ækˈseptɪd/

generally approved or compelling recognition

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Some Aylwinians put it at the head of all his writings.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

ArmadanounUS /ɑːrˈmɑːdə/

a large fleet

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

atprepositionUS /æt/

in or near a particular place or position

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

Aylwinians

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Some Aylwinians put it at the head of all his writings.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

burntadjectiveUS /bɜːrnt/

ruined by overcooking

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

byprepositionUS /baɪ/

showing who or what does the action

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

ChristmasnounUS /ˈkrɪsməs/

period extending from Dec. 24 to Jan. 6

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

co-operation

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

ComingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

DavidnounUS /ˈdeɪvɪd/

patron saint of Wales (circa 520-600)

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

depictingnounUS /dɪˈpɪktɪŋ/

a representation by picture or portraiture

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

describedadjectiveUS /dɪˈskraɪbd/

represented in words especially with sharpness and detail

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

destructionnounUS /dɪˈstrʌkʃən/

the termination of something by causing so much damage to it that it cannot be repaired or no longer exists

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

doomedadjectiveUS /duːmd/

marked for certain death

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

dreamedadjectiveUS /driːmd/

conceived of or imagined or hoped for

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

epicadjectiveUS /ˈepɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

exploitverbUS /ˈeksplɔɪt/

use or manipulate to one's advantage

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

flag-ship

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading Here we get ‘The Renascence of Wonder’ indeed.

goldenadjectiveUS /ˈɡoʊldən/

having the deep slightly brownish color of gold

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

grimlyadverbUS /ˈɡrɪmli/

in a grim implacable manner

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

GwynnnounUS /ɡwɪn/

English comedienne and mistress of Charles II (1650-1687)

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading Some Aylwinians put it at the head of all his writings.

heavennounUS /ˈhevən/

any place of complete bliss and delight and peace

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here we get ‘The Renascence of Wonder’ indeed.

highestadjectiveUS /ˈhaɪəst/

superlative of “high” — greater than normal in degree or intensity or amount

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Some Aylwinians put it at the head of all his writings.

historicadjectiveUS /hɪˈstɔːrɪk/

belonging to the past; of what is important or famous in the past

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

IncasnounUS /ˈɪŋkəz/

plural of “inca” — a ruler of the Incas (or a member of his family)

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Here we get ‘The Renascence of Wonder’ indeed.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Some Aylwinians put it at the head of all his writings.

lednounUS /led/

diode such that light emitted at a p-n junction is proportional to the bias current; color depends on the material used

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

liftverbUS /lɪft/

raise from a lower to a higher position

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

LovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

lyricaladjectiveUS /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

Medina's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

mentionedverbUS /ˈmenʃənd/

past form of “mention” — make reference to

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

MermaidnounUS /ˈmɜːrmeɪd/

half woman and half fish; lives in the sea

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

MotleynounUS /ˈmɑːtli/

a collection containing a variety of sorts of things

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

neededadjectiveUS /ˈniːdəd/

necessary for relief or supply

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

NodeterminerUS /noʊ/

not any; not one

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

originalitynounUS /ərˌɪdʒəˈnælɪti/

the ability to think and act independently

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading The exploit of David Gwynn is accepted by Motley and others as historic, but it needed the co-operation of the Golden Skeleton to lift his narrative into the highest heaven of poetry.

prownounUS /praʊ/

front part of a vessel or aircraft

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading Some Aylwinians put it at the head of all his writings.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

Renascencenoun

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading Here we get ‘The Renascence of Wonder’ indeed.

righteousadjectiveUS /ˈraɪtʃəs/

characterized by or proceeding from accepted standards of morality or justice

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

seanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

SECONDnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

skeletonnounUS /ˈskelətən/

something reduced to its minimal form

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Some Aylwinians put it at the head of all his writings.

squattingnounUS /ˈskwɑːtɪŋ/

exercising by repeatedly assuming a crouching position with the knees bent; strengthens the leg muscles

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

strikingadjectiveUS /ˈstraɪkɪŋ/

sensational in appearance or thrilling in effect

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

Swinburnenoun

English poet (1837-1909)

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

Watts-Dunton's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Here we get ‘The Renascence of Wonder’ indeed.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

WondernounUS /ˈwʌndər/

the feeling aroused by something strange and surprising

From this reading Here we get ‘The Renascence of Wonder’ indeed.

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading SECOND in importance to ‘The Coming of Love’ among Mr. Watts-Dunton’s poems is the poem I have already mentioned—the poem which Mr. Swinburne has described as ‘a great lyrical epic’—“Christmas at the ‘Mermaid.’” The originality of this wonderful poem is quite as striking as that of ‘The Coming of Love.’

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading No other writer would have dreamed of depicting the doomed Armada as being led to destruction by a golden skeleton in the form of one of the burnt Incas, called up by ‘the righteous sea,’ and squatting grimly at the prow of Medina’s flag-ship.

writingsnounUS /ˈraɪtɪŋz/

the third of three divisions of the Hebrew Scriptures

From this reading Some Aylwinians put it at the head of all his writings.

Chapter 28 of Theodore Watts-Dunton: Poet, Novelist, Critic by James Douglas holds 146 sentences, grouped into 30 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of Theodore Watts-Dunton: Poet, Novelist, Critic contain?

Chapter 28 holds 146 sentences of Theodore Watts-Dunton: Poet, Novelist, Critic, unabridged, divided into 30 reading sections.

This page carries chapter 28 of Theodore Watts-Dunton: Poet, Novelist, Critic by James Douglas exactly as it stands in the source edition, without abridgement. It runs to 146 sentences, grouped into 30 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Chapter 1
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Chapter 2
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Chapter 3
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