Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Thirteen Years of a Busy Woman's Life
Thirteen Years of a Busy Woman's Life

Chapter XV

Chapter 15 of Thirteen Years of a Busy Woman's Life is here in full — 143 sentences across 29 reading sections, with audio for every sentence and word.

Cover illustration for Thirteen Years of a Busy Woman's Life
Context Illustration Reading 1/28 · 5 lines
English subtitles · tap any word to listen 1 / 5
ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.
There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.
I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.
Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.
“Oh no,” came in answer, “never again.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Thirteen Years of a Busy Woman's Life

Chapter XV

Chapter 15 of Thirteen Years of a Busy Woman's Life is here in full — 143 sentences across 29 reading sections, with audio for every sentence and word.

Reading 1/28 · 5 reading units · Lines 1–5

Line 1
ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.
/ɑːn ˈskʌlptərz ənd ˈmɑːdəlɪŋ fjuː ɪkˈspɪriənsɪz ɑːr mɔːr ˈɪntrəstɪŋ ðæn ˈsɪtɪŋ fɔːr ə bʌst/
Line 2
There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.
Line 3
I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.
Line 4
Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.
/ˈstreɪndʒli ɪˈnʌf ðə fɜːrst taɪm wiː met ˈhæmptən wɪˈθaʊt ˈnoʊɪŋ ˈeniθɪŋ əˈbaʊt ˈpriːviəs pərˈfɔːrmənsəz sed hiː wʊd laɪk tuː ˈmɑːdəl maɪ hed/
Line 5
“Oh no,” came in answer, “never again.
/oʊ noʊ keɪm ɪn ˈænsər ˈnevər əˈɡen/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bust verb US /bʌst/

ruin completely

From this reading “ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.”

Hampton noun US /ˈhæmptən/

United States musician who was the first to use the vibraphone as a jazz instrument (1913-2002)

From this reading “I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.”

lumps noun US /lʌmps/

plural of “lump” — a compact mass

From this reading “There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.”

modelling noun US /ˈmɑːdəlɪŋ/

a preliminary sculpture in wax or clay from which a finished work can be copied

From this reading “ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.”

performances noun US /pərˈfɔːrmənsəz/

plural of “performance” — a dramatic or musical entertainment

From this reading “Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.”

promiscuous adjective US /ˈproʊmɪskwəs/

not selective of a single class or person

From this reading “There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.”

sculptor noun US /ˈskʌlptər/

an artist who creates sculptures

From this reading “I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.”

sculptors noun US /ˈskʌlptərz/

plural of “sculptor” — an artist who creates sculptures

From this reading “ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

first time adjective + noun

In this reading “Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.”

great lumps adjective + noun counted as “great lump”

In this reading “There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1910

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

againadverbUS /əˈɡen/

anew

From this reading “Oh no,” came in answer, “never again.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

answerverbUS /ˈænsər/

react verbally

From this reading “Oh no,” came in answer, “never again.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

bustverbUS /bʌst/

ruin completely

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading “Oh no,” came in answer, “never again.

charmingadjectiveUS /ˈtʃɑːrmɪŋ/

pleasing or delighting

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

claynounUS /kleɪ/

a very fine-grained soil that is plastic when moist but hard when fired

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

earsnounUS /ɪrz/

plural of “ear” — the sense organ for hearing and equilibrium

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

enthrallingadjective

capturing interest as if by a spell

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

experiencesnounUS /ɪkˈspɪriənsɪz/

plural of “experience” — the accumulation of knowledge or skill that results from direct participation in events or activities

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

eyesnounUS /aɪz/

opinion or judgment

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

FewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

fingerverbUS /ˈfɪŋɡər/

feel or handle with the fingers

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

flungverbUS /flʌŋ/

inflected form of “fling” — throw with force or recklessness

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

gentlyadverbUS /ˈdʒentli/

in a gradual manner

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

HamptonnounUS /ˈhæmptən/

United States musician who was the first to use the vibraphone as a jazz instrument (1913-2002)

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

HerbertnounUS /ˈhɜːrbərt/

United States musician and composer and conductor noted for his comic operas (1859-1924)

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

knowingadjectiveUS /ˈnoʊɪŋ/

evidencing the possession of inside information

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

lumpsnounUS /lʌmps/

plural of “lump” — a compact mass

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

metverbUS /met/

inflected form of “meet” — come together

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

modelnounUS /ˈmɑːdəl/

a hypothetical description of a complex entity or process

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

modelled

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

MODELLINGnounUS /ˈmɑːdəlɪŋ/

a preliminary sculpture in wax or clay from which a finished work can be copied

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading “Oh no,” came in answer, “never again.

nodeterminerUS /noʊ/

not any; not one

From this reading “Oh no,” came in answer, “never again.

nosenounUS /noʊz/

the organ of smell and entrance to the respiratory tract; the prominent part of the face of man or other mammals

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

notenounUS /noʊt/

a brief written record

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading “Oh no,” came in answer, “never again.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

performancesnounUS /pərˈfɔːrmənsəz/

plural of “performance” — a dramatic or musical entertainment

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

personalitynounUS /ˌpɜːrsəˈnælɪti/

the complex of all the attributes--behavioral, temperamental, emotional and mental--that characterize a unique individual

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

previousadjectiveUS /ˈpriːviəs/

just preceding something else in time or order

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

privilegenounUS /ˈprɪvlədʒ/

a special advantage or immunity or benefit not enjoyed by all

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

promiscuousadjectiveUS /ˈproʊmɪskwəs/

not selective of a single class or person

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

sculptornounUS /ˈskʌlptər/

an artist who creates sculptures

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

SCULPTORSnounUS /ˈskʌlptərz/

plural of “sculptor” — an artist who creates sculptures

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

seeingnounUS /ˈsiːɪŋ/

perception by means of the eyes

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

StrangelyadverbUS /ˈstreɪndʒli/

in a strange manner

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading ON SCULPTORS AND MODELLING Few experiences are more interesting than sitting for a bust.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

thumbnounUS /θʌm/

the thick short innermost digit of the forelimb

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

verilyadverb

in truth; certainly

From this reading I had the privilege of sitting, in 1910, to Herbert Hampton, verily a privilege, for not only is he a sculptor of note, but also a charming personality.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

withprepositionUS /wɪð/

in the company of; together with

From this reading There is something enthralling in seeing great lumps of clay flung about in a promiscuous manner, and then gently modelled with finger and thumb into nose, eyes, and ears.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Strangely enough, the first time we met, Hampton, without knowing anything about previous performances, said he would like to model my head.

Chapter 15 of Thirteen Years of a Busy Woman's Life by Mrs. (Ethel) Alec-Tweedie holds 143 sentences, grouped into 29 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 15 of Thirteen Years of a Busy Woman's Life contain?

Chapter 15 holds 143 sentences of Thirteen Years of a Busy Woman's Life, unabridged, divided into 29 reading sections.

This page carries chapter 15 of Thirteen Years of a Busy Woman's Life by Mrs. (Ethel) Alec-Tweedie exactly as it stands in the source edition, without abridgement. It runs to 143 sentences, grouped into 29 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 15 of Thirteen Years of a Busy Woman's Life?

Work through the 29 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 29 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 15 be read aloud to me?

Yes — every sentence and every individual word in chapter 15 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Thirteen Years of a Busy Woman's Life

Common questions about reading Thirteen Years of a Busy Woman's Life by Mrs. (Ethel) Alec-Tweedie on this page, its source edition and its audio.

Is this the complete text of Thirteen Years of a Busy Woman's Life?

Yes. All 6278 sentences of Project Gutenberg eBook #55263 are kept, with a record of which sentences cover which part.

Which edition of Thirteen Years of a Busy Woman's Life is used?

Project Gutenberg eBook #55263, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Thirteen Years of a Busy Woman's Life take to read?

About 523 minutes of reading across 1256 sections of 5 sentences each, at an unhurried pace.

How to read Thirteen Years of a Busy Woman's Life section by section

How to work through Thirteen Years of a Busy Woman's Life section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of Thirteen Years of a Busy Woman's Life to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Thirteen Years of a Busy Woman's Life

Words and structures a reader meets early in Thirteen Years of a Busy Woman's Life, each tappable for pronunciation and meaning.

Spelling
A word that appears in the opening chapter of Thirteen Years of a Busy Woman's Life; the reader can tap it to hear it and see its dictionary entry.
Hyphenation
A word that appears in the opening chapter of Thirteen Years of a Busy Woman's Life; the reader can tap it to hear it and see its dictionary entry.
Punctuation
A word that appears in the opening chapter of Thirteen Years of a Busy Woman's Life; the reader can tap it to hear it and see its dictionary entry.
Accentuation
A word that appears in the opening chapter of Thirteen Years of a Busy Woman's Life; the reader can tap it to hear it and see its dictionary entry.