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Tom Ossington's Ghost
Tom Ossington's Ghost

Chapter IV

Chapter 4 of Tom Ossington's Ghost is here in full — 233 sentences across 47 reading sections, with audio for every sentence and word.

Cover illustration for Tom Ossington's Ghost
Context Illustration Reading 1/46 · 5 lines
English subtitles · tap any word to listen 1 / 5
IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.
Something had woke her; what, she could not tell.
She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.
The room was dark.
There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Tom Ossington's Ghost

Chapter IV

Chapter 4 of Tom Ossington's Ghost is here in full — 233 sentences across 47 reading sections, with audio for every sentence and word.

Reading 1/46 · 5 reading units · Lines 1–5

Line 1
IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.
Line 2
Something had woke her; what, she could not tell.
/ˈsʌmθɪŋ hæd woʊk hɜːr wʌt ʃiː kʊd nɑːt tel/
Line 3
She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.
/ʃiː leɪ ˈmoʊʃənləs ˈlɪsənɪŋ wɪð ðæt pəˈkjuːljər ɪnˈtensəti wɪð wɪtʃ wʌn ɪz æpt tuː ˈlɪsən wen woʊk ˈsʌdənli ɪn ðə ˈmɪdəl ʌv ðə naɪt/
Line 4
The room was dark.
/ðə ruːm wɑːz dɑːrk/
Line 5
There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.
/ðer wɑːz ðə saʊnd ʌv ˈdɪstənt ˈrʌmbəlɪŋ ðeɪ wɜːr æt wɜːrk əˈpɑːn ðə laɪn wer ðeɪ wʊd səmˈtaɪmz kənˈtɪnjuː ˈʃʌntɪŋ frʌm dʌsk tuː dɔːn/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

acutely adverb US /əˈkjuːtli/

in a keen or penetrating way

From this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

intensity noun US /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading “She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.”

realise verb US /ˈriːəlaɪz/

earn on some commercial or business transaction; earn as salary or wages

From this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

rumbling noun US /ˈrʌmbəlɪŋ/

a loud low dull continuous noise

From this reading “There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.”

sheets noun US /ʃiːts/

plural of “sheet” — any broad thin expanse or surface

From this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

shunting verb US /ˈʃʌntɪŋ/

-ing form of “shunt” — transfer to another track, of trains

From this reading “There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.”

slumber noun US /ˈslʌmbər/

a natural and periodic state of rest during which consciousness of the world is suspended

From this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

waking adjective US /ˈweɪ.kɪŋ/

Risen from sleep; conscious.

From this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sudden shock adjective + noun

In this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

lay motionless verb + adjective

In this reading “She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.”

most agreeable adverb + adjective

In this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

in the middle preposition + article + noun counted as “in … middle”

In this reading “She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.”

between the sheets preposition + article + noun counted as “between … sheet”

In this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

roused from verb + particle counted as “rouse from”

In this reading “IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.”

woke suddenly verb + particle counted as “wake suddenly”

In this reading “She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.”

work upon verb + particle

In this reading “There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.”

All words in this reading · 84

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

acutelyadverbUS /əˈkjuːtli/

in a keen or penetrating way

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

againadverbUS /əˈɡen/

anew

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

agreeableadjectiveUS /əˈɡriːəbəl/

conforming to your own liking or feelings or nature

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

aptadjectiveUS /æpt/

(usually followed by “to”) naturally disposed toward

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

asleepadjectiveUS /əˈsliːp/

in a state of sleep

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

atprepositionUS /æt/

in or near a particular place or position

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

awakeadjectiveUS /əˈweɪk/

not in a state of sleep; completely conscious

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

causesnounUS /ˈkɑːzəz/

plural of “cause” — events that provide the generative force that is the origin of something

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

consciousnessnounUS /ˈkɑːnʃəsnəs/

an alert cognitive state in which you are aware of yourself and your situation

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

continueverbUS /kənˈtɪnjuː/

continue a certain state, condition, or activity

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Something had woke her; what, she could not tell.

darknounUS /dɑːrk/

absence of light or illumination

From this reading The room was dark.

dawnnounUS /dɔːn/

the first light of day

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

DEADadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

distantadjectiveUS /ˈdɪstənt/

separated in space or coming from or going to a distance

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

dusknounUS /dʌsk/

the time of day immediately following sunset

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Something had woke her; what, she could not tell.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

intensitynounUS /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

listenverbUS /ˈlɪsən/

hear with intention

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

listeningnounUS /ˈlɪsənɪŋ/

the act of hearing attentively

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

Madge

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

middlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

mostadverbUS /moʊst/

used to form the superlative

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

motionlessadjectiveUS /ˈmoʊʃənləs/

not in physical motion

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

NIGHTnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

peculiaradjectiveUS /pəˈkjuːljər/

beyond or deviating from the usual or expected

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

realiseverbUS /ˈriːəlaɪz/

earn on some commercial or business transaction; earn as salary or wages

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The room was dark.

rousedverbUS /raʊzd/

past form of “rouse” — become active

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

rumblingnounUS /ˈrʌmbəlɪŋ/

a loud low dull continuous noise

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

sheetsnounUS /ʃiːts/

plural of “sheet” — any broad thin expanse or surface

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

shocknounUS /ʃɑːk/

the feeling of distress and disbelief that you have when something bad happens accidentally

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

shuntingverbUS /ˈʃʌntɪŋ/

-ing form of “shunt” — transfer to another track, of trains

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

sleepingnounUS /ˈsliːpɪŋ/

the state of being asleep

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

slumbernounUS /ˈslʌmbər/

a natural and periodic state of rest during which consciousness of the world is suspended

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

SomethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading Something had woke her; what, she could not tell.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

soonadverbUS /suːn/

in the near future

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

suddenadjectiveUS /ˈsʌdən/

happening without warning or in a short space of time

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

suddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

tellverbUS /tel/

express in words

From this reading Something had woke her; what, she could not tell.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

ThereadverbUS /ðer/

in or at that place or location

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

wakingadjectiveUS /ˈweɪ.kɪŋ/

Risen from sleep; conscious.

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

waynounUS /weɪ/

how something is done or how it happens

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Something had woke her; what, she could not tell.

whenconjunctionUS /wen/

at the time that

From this reading She lay motionless, listening with that peculiar intensity with which one is apt to listen when woke suddenly in the middle of the night.

whereconjunctionUS /wer/

in or at the place that

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

withprepositionUS /wɪð/

in the company of; together with

From this reading IN THE DEAD OF NIGHT Madge was asleep almost as soon as she was between the sheets, and it seemed to her that as soon as she was asleep she was awake again--waking with that sudden shock of consciousness which is not the most agreeable way of being roused from slumber, since it causes us to realise too acutely the fact that we have been sleeping.

wokeverbUS /woʊk/

inflected form of “wake” — be awake, be alert, be there

From this reading Something had woke her; what, she could not tell.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading There was the sound of distant rumbling: they were at work upon the line, where they would sometimes continue shunting from dusk to dawn.

Chapter 4 of Tom Ossington's Ghost by Richard Marsh holds 233 sentences, grouped into 47 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Tom Ossington's Ghost contain?

Chapter 4 holds 233 sentences of Tom Ossington's Ghost, unabridged, divided into 47 reading sections.

This page carries chapter 4 of Tom Ossington's Ghost by Richard Marsh exactly as it stands in the source edition, without abridgement. It runs to 233 sentences, grouped into 47 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Tom Ossington's Ghost?

Work through the 47 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 47 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Tom Ossington's Ghost

Common questions about reading Tom Ossington's Ghost by Richard Marsh on this page, its source edition and its audio.

Is this the complete text of Tom Ossington's Ghost?

Yes. All 3436 sentences of Project Gutenberg eBook #40453 are kept, with a record of which sentences cover which part.

Which edition of Tom Ossington's Ghost is used?

Project Gutenberg eBook #40453, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Tom Ossington's Ghost take to read?

About 286 minutes of reading across 688 sections of 5 sentences each, at an unhurried pace.

How to read Tom Ossington's Ghost section by section

How to work through Tom Ossington's Ghost section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 20 chapters of Tom Ossington's Ghost to begin.

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    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Tom Ossington's Ghost

Words and structures a reader meets early in Tom Ossington's Ghost, each tappable for pronunciation and meaning.

Source
A word that appears in the opening chapter of Tom Ossington's Ghost; the reader can tap it to hear it and see its dictionary entry.
First
A word that appears in the opening chapter of Tom Ossington's Ghost; the reader can tap it to hear it and see its dictionary entry.
Series
A word that appears in the opening chapter of Tom Ossington's Ghost; the reader can tap it to hear it and see its dictionary entry.
Curious
A word that appears in the opening chapter of Tom Ossington's Ghost; the reader can tap it to hear it and see its dictionary entry.