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Tragedy
Tragedy

Chapter V

Chapter 5 of Tragedy is here in full — 419 sentences across 84 reading sections, with audio for every sentence and word.

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SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.
With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.
With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.
In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.
Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Tragedy

Chapter V

Chapter 5 of Tragedy is here in full — 419 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.
Line 2
With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.
Line 3
With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.
Line 4
In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.
Line 5
Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

comedies noun US /ˈkɑːmədiz/

plural of “comedy” — light and humorous drama with a happy ending

From this reading “With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.”

contemporaries noun US /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading “SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.”

devoting verb US /dɪˈvoʊtɪŋ/

-ing form of “devote” — give entirely to a specific person, activity, or cause

From this reading “Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.”

half-dozen adjective US /ˈhæfdʌzən/

denoting a quantity consisting of six items or units

From this reading “SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.”

masterpieces noun US /ˈmæstərpiːsəz/

plural of “masterpiece” — the most outstanding work of a creative artist or craftsman

From this reading “SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.”

Romeo noun US /ˈroʊmioʊ/

an ardent male lover

From this reading “With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.”

Titus noun US /ˈtaɪtəs/

a Greek disciple and helper of Saint Paul

From this reading “With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.”

tragedies noun US /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading “With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

With the exception preposition + article + noun counted as “with … exception”

In this reading “With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.”

dozen years noun + noun

In this reading “Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.”

All words in this reading · 87

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1600

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

1608

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

activitynounUS /ækˈtɪvəti/

any specific behavior

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

AfterprepositionUS /ˈæftər/

later than; following

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

againadverbUS /əˈɡen/

anew

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

Andronicus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

approachverbUS /əˈproʊtʃ/

move towards

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

asideadverbUS /əˈsaɪd/

on or to one side

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

bitteradjectiveUS /ˈbɪtər/

marked by strong resentment or cynicism

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

BothdeterminerUS /boʊθ/

the two together, not just one

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

CaesarnounUS /ˈsiːzər/

conqueror of Gaul and master of Italy (100-44 BC)

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

chroniclenounUS /ˈkrɑː.nɪ.kəl/

A detailed written record of historical events in order. (Sử ký, biên niên sử lịch sử.)

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

comediesnounUS /ˈkɑːmədiz/

plural of “comedy” — light and humorous drama with a happy ending

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

comedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

CONTEMPORARIESnounUS /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

contemporaryadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

correspondencenounUS /ˌkɔːrəˈspɑːndəns/

communication by the exchange of letters

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

definitenessnoun

the quality of being predictable with great confidence

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

developmentnounUS /dɪˈveləpmənt/

act of improving by expanding or enlarging or refining

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

devotedadjectiveUS /dɪˈvoʊtɪd/

zealous in devotion or affection

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

devotingverbUS /dɪˈvoʊtɪŋ/

-ing form of “devote” — give entirely to a specific person, activity, or cause

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

divisionsnounUS /dɪˈvɪʒənz/

plural of “division” — an army unit large enough to sustain combat

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

dozennounUS /ˈdʌzən/

the cardinal number that is the sum of eleven and one

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

exceptionnounUS /ɪkˈsepʃən/

a deliberate act of omission

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

half-dozenadjectiveUS /ˈhæfdʌzən/

denoting a quantity consisting of six items or units

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

hey-day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

IInoun

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

JohnnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

Juliet

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

Julius

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

lastedverbUS /ˈlæstəd/

past form of “last” — persist for a specified period of time

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

mainadjectiveUS /meɪn/

most important element

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

markverbUS /mɑːrk/

attach a tag or label to

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

masterpiecesnounUS /ˈmæstərpiːsəz/

plural of “masterpiece” — the most outstanding work of a creative artist or craftsman

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

non-tragical

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

RomeonounUS /ˈroʊmioʊ/

an ardent male lover

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

SHAKESPEAREnounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

speciesnounUS /ˈspiːʃiz/

(biology) taxonomic group whose members can interbreed

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

thereadverbUS /ðer/

in or at that place or location

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Both romantic comedy and chronicle history had their hey-day during the dozen years that he was devoting to those species.

TitusnounUS /ˈtaɪtəs/

a Greek disciple and helper of Saint Paul

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

tragediesnounUS /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

tragicomedynoun

a dramatic composition involving elements of both tragedy and comedy usually with the tragic predominating

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

turning-points

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading In these main divisions and turning-points of his dramatic activity there is a correspondence with the development of the contemporary drama which we are able to mark with an approach to definiteness.

whenconjunctionUS /wen/

at the time that

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading With "Julius Caesar," about 1600, began the period of tragedies and bitter comedies, which lasted until about 1608, when he turned again to romantic comedy and tragicomedy.

WithprepositionUS /wɪð/

in the company of; together with

From this reading With the exception of "Titus Andronicus" and "Romeo and Juliet," the first half of his dramatic career was devoted entirely to comedy and history.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

yearsnounUS /jɪrz/

a late time of life

From this reading SHAKESPEARE AND HIS CONTEMPORARIES After "Richard II" and "King John," Shakespeare turned aside from tragedy, and within the next half-dozen years produced his masterpieces of romantic comedy and non-tragical history.

Chapter 5 of Tragedy by Ashley Horace Thorndike holds 419 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Tragedy contain?

Chapter 5 holds 419 sentences of Tragedy, unabridged, divided into 84 reading sections.

This page carries chapter 5 of Tragedy by Ashley Horace Thorndike exactly as it stands in the source edition, without abridgement. It runs to 419 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Tragedy?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Tragedy

Common questions about reading Tragedy by Ashley Horace Thorndike on this page, its source edition and its audio.

Is this the complete text of Tragedy?

Yes. All 3395 sentences of Project Gutenberg eBook #38711 are kept, with a record of which sentences cover which part.

Which edition of Tragedy is used?

Project Gutenberg eBook #38711, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Tragedy take to read?

About 282 minutes of reading across 679 sections of 5 sentences each, at an unhurried pace.

How to read Tragedy section by section

How to work through Tragedy section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 10 chapters of Tragedy to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Tragedy

Words and structures a reader meets early in Tragedy, each tappable for pronunciation and meaning.

Attempts
A word that appears in the opening chapter of Tragedy; the reader can tap it to hear it and see its dictionary entry.
Trace
A word that appears in the opening chapter of Tragedy; the reader can tap it to hear it and see its dictionary entry.
Course
A word that appears in the opening chapter of Tragedy; the reader can tap it to hear it and see its dictionary entry.
English
A word that appears in the opening chapter of Tragedy; the reader can tap it to hear it and see its dictionary entry.