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Twilight
Twilight

Chapter VIII

Chapter 8 of Twilight is here in full — 183 sentences across 37 reading sections, with audio for every sentence and word.

Cover illustration for Twilight
Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.
I have not tried to polish, only to remember.
There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.
The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.
I saw every gesture and heard every word spoken.
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Twilight

Chapter VIII

Chapter 8 of Twilight is here in full — 183 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.
Line 2
I have not tried to polish, only to remember.
/aɪ hæv nɑːt traɪd tuː ˈpɑːlɪʃ ˈoʊnli tuː rɪˈmɛm.bər/
Line 3
There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.
Line 4
The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.
/ðə siːnz wɜːr ɔːl set ɪn ðə haʊs wer aɪ leɪ ənd ðer wɑːz noʊ pɔːz ɪn ðə ˌkɑːntəˈnuːəti ʌv ðə ˈdrɑːmə/
Line 5
I saw every gesture and heard every word spoken.
/aɪ sɔː ˈevəri ˈdʒestʃər ənd hɜːrd ˈevəri wɜːrd ˈspoʊkən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

alteration noun US /ˌɔːltərˈeɪʃən/

an event that occurs when something passes from one state or phase to another

From this reading “There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.”

composition noun US /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading “There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.”

continuity noun US /ˌkɑːntəˈnuːəti/

uninterrupted connection or union

From this reading “The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.”

correction noun US /kərˈekʃən/

the act of offering an improvement to replace a mistake; setting right

From this reading “There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.”

drama noun US /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading “The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.”

polish noun US /ˈpɑːlɪʃ/

the property of being smooth and shiny

From this reading “I have not tried to polish, only to remember.”

psychology noun US /saɪˈkɑːlədʒi/

the science of mental life

From this reading “There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.”

stress noun US /stres/

the relative prominence of a syllable or musical note (especially with regard to stress or pitch)

From this reading “Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

set down verb + adjective

put down in writing; of texts, musical compositions, etc.

In this reading “Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

afterprepositionUS /ˈæftər/

later than; following

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

alterationnounUS /ˌɔːltərˈeɪʃən/

an event that occurs when something passes from one state or phase to another

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

continuitynounUS /ˌkɑːntəˈnuːəti/

uninterrupted connection or union

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

correctionnounUS /kərˈekʃən/

the act of offering an improvement to replace a mistake; setting right

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

distinctadjectiveUS /dɪˈstɪŋkt/

(often followed by “from”) not alike; different in nature or quality

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

drivingadjectiveUS /ˈdraɪvɪŋ/

having the power of driving or impelling

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

effortnounUS /ˈefərt/

earnest and conscientious activity intended to do or accomplish something

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading I saw every gesture and heard every word spoken.

gesturenounUS /ˈdʒestʃər/

motion of hands or body to emphasize or help to express a thought or feeling

From this reading I saw every gesture and heard every word spoken.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I have not tried to polish, only to remember.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading I saw every gesture and heard every word spoken.

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

morphianoun

an alkaloid narcotic drug extracted from opium; a powerful, habit-forming narcotic used to relieve pain

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

nodeterminerUS /noʊ/

not any; not one

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I have not tried to polish, only to remember.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading I have not tried to polish, only to remember.

pausenounUS /pɔːz/

a time interval during which there is a temporary cessation of something

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

polishnounUS /ˈpɑːlɪʃ/

the property of being smooth and shiny

From this reading I have not tried to polish, only to remember.

psychologynounUS /saɪˈkɑːlədʒi/

the science of mental life

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

recallverbUS /ˈriːkɔːl/

recall knowledge from memory; have a recollection

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading I have not tried to polish, only to remember.

sawverbUS /sɔː/

cut with a saw

From this reading I saw every gesture and heard every word spoken.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

seemingadjectiveUS /ˈsiːmɪŋ/

appearing as such but not necessarily so

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

sentimentnounUS /ˈsentəmənt/

tender, romantic, or nostalgic feeling or emotion

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

setverbUS /set/

put into a certain place or abstract location

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

spokenadjectiveUS /ˈspoʊkən/

uttered through the medium of speech or characterized by speech; sometimes used in combination

From this reading I saw every gesture and heard every word spoken.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

stressnounUS /stres/

the relative prominence of a syllable or musical note (especially with regard to stress or pitch)

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

ThereadverbUS /ðer/

in or at that place or location

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I have not tried to polish, only to remember.

transpositionnoun

any abnormal position of the organs of the body

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

triedadjectiveUS /traɪd/

tested and proved useful or correct

From this reading I have not tried to polish, only to remember.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

whereconjunctionUS /wer/

in or at the place that

From this reading The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading I saw every gesture and heard every word spoken.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct.

Chapter 8 of Twilight by Julia Frankau holds 183 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of Twilight contain?

Chapter 8 holds 183 sentences of Twilight, unabridged, divided into 37 reading sections.

This page carries chapter 8 of Twilight by Julia Frankau exactly as it stands in the source edition, without abridgement. It runs to 183 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of Twilight?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Twilight

Common questions about reading Twilight by Julia Frankau on this page, its source edition and its audio.

Is this the complete text of Twilight?

Yes. All 7157 sentences of Project Gutenberg eBook #55276 are kept, with a record of which sentences cover which part.

Which edition of Twilight is used?

Project Gutenberg eBook #55276, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Twilight take to read?

About 596 minutes of reading across 1432 sections of 5 sentences each, at an unhurried pace.

How to read Twilight section by section

How to work through Twilight section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 16 chapters of Twilight to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Twilight

Words and structures a reader meets early in Twilight, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Twilight; the reader can tap it to hear it and see its dictionary entry.
Clover
A word that appears in the opening chapter of Twilight; the reader can tap it to hear it and see its dictionary entry.
Heart
A word that appears in the opening chapter of Twilight; the reader can tap it to hear it and see its dictionary entry.
Child
A word that appears in the opening chapter of Twilight; the reader can tap it to hear it and see its dictionary entry.