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Two Boys in Wyoming — No. 3
Two Boys in Wyoming — No. 3

Chapter XIII · Chapter 13

Chapter 13 of Two Boys in Wyoming — No. 3 is here in full — 157 sentences across 32 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
A STRANGE OCCURRENCE.
Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.
The Sioux must have despised himself for his forgetfulness.
But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.
The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.
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Archivist
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A keeper or guardian of historical records and memories.

Two Boys in Wyoming — No. 3

Chapter XIII · Chapter 13

Chapter 13 of Two Boys in Wyoming — No. 3 is here in full — 157 sentences across 32 reading sections, with audio for every sentence and word.

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
A STRANGE OCCURRENCE.
/ə streɪndʒ əˈkɜːrəns/
Line 2
Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.
Line 3
The Sioux must have despised himself for his forgetfulness.
Line 4
But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.
Line 5
The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

deft adjective US /deft/

skillful in physical movements; especially of the hands

From this reading “The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.”

Greenwood noun US /ˈɡriːnwʊd/

woodlands in full leaf

From this reading “Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.”

occurrence noun US /əˈkɜːrəns/

an event that happens

From this reading “A STRANGE OCCURRENCE.”

pose verb US /poʊz/

introduce

From this reading “Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.”

proven adjective US /ˈpruːvən/

established beyond doubt

From this reading “But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.”

quicker adverb US /ˈkwɪkər/

more quickly

From this reading “The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.”

Sioux noun US /suː/

a member of a group of North American Indian peoples who spoke a Siouan language and who ranged from Lake Michigan to the Rocky Mountains

From this reading “The Sioux must have despised himself for his forgetfulness.”

unwelcome adjective US /ənˈwelkəm/

not welcome; not giving pleasure or received with pleasure

From this reading “But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.”

All words in this reading · 72

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A STRANGE OCCURRENCE.

acceptedadjectiveUS /ækˈseptɪd/

generally approved or compelling recognition

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

allowedverbUS /əˈlaʊd/

past form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

atprepositionUS /æt/

in or near a particular place or position

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

commandnounUS /kəˈmænd/

an authoritative direction or instruction to do something

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

countenancenounUS /ˈkaʊntənəns/

the appearance conveyed by a person's face

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

deeperadverbUS /ˈdiːpər/

comparative of “deeply” — to a great depth psychologically or emotionally

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

deftadjectiveUS /deft/

skillful in physical movements; especially of the hands

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

despisedadjectiveUS /dɪˈspaɪzd/

treated with dislike or contempt

From this reading The Sioux must have despised himself for his forgetfulness.

dropverbUS /drɑːp/

let fall to the ground

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

Dudley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

eloquencenounUS /ˈel.ə.kwəns/

Fluent, persuasive, and graceful speaking or writing. (Sự hùng biện, tài ăn nói lưu loát.)

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

forgetfulnessnoun

tendency to forget

From this reading The Sioux must have despised himself for his forgetfulness.

Fred

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

frontnounUS /frʌnt/

the side that is forward or prominent

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

GreenwoodnounUS /ˈɡriːnwʊd/

woodlands in full leaf

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

grinnounUS /ɡrɪn/

a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The Sioux must have despised himself for his forgetfulness.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading The Sioux must have despised himself for his forgetfulness.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

JacknounUS /dʒæk/

a small worthless amount

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

levelnounUS /ˈlevəl/

a position on a scale of intensity or amount or quality

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

meaningnounUS /ˈmiːnɪŋ/

the message that is intended or expressed or signified

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

mistakenounUS /mɪˈsteɪk/

a wrong action attributable to bad judgment or ignorance or inattention

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

Motoza

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading The Sioux must have despised himself for his forgetfulness.

nodeterminerUS /noʊ/

not any; not one

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

OCCURRENCEnounUS /əˈkɜːrəns/

an event that happens

From this reading A STRANGE OCCURRENCE.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

OnceadverbUS /wʌns/

on one occasion

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

poseverbUS /poʊz/

introduce

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

provenadjectiveUS /ˈpruːvən/

established beyond doubt

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

quickeradverbUS /ˈkwɪkər/

more quickly

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

readinessnounUS /ˈredinəs/

the state of having been made ready or prepared for use or action (especially military action)

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

rifleverbUS /ˈraɪfəl/

steal goods; take as spoils

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

SiouxnounUS /suː/

a member of a group of North American Indian peoples who spoke a Siouan language and who ranged from Lake Michigan to the Rocky Mountains

From this reading The Sioux must have despised himself for his forgetfulness.

situationnounUS /ˌsɪtʃuːˈeɪʃən/

the general state of things; the combination of circumstances at a given time

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

STRANGEadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading A STRANGE OCCURRENCE.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

unwelcomeadjectiveUS /ənˈwelkəm/

not welcome; not giving pleasure or received with pleasure

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

weaponnounUS /ˈwepən/

any instrument or instrumentality used in fighting or hunting

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading But he had already proven the readiness with which he accepted a situation, no matter how unwelcome.

whippedverbUS /wɪpt/

inflected form of “whip” — beat severely with a whip or rod

From this reading The hand that held the weapon of Jack Dudley whipped round to the front with a deft movement, which, however, was not quicker than the return of the grin to his countenance.

withprepositionUS /wɪð/

in the company of; together with

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

youthnounUS /juːθ/

a young person (especially a young man or boy)

From this reading Once more Motoza had allowed an American youth to get the drop on him, for he could not mistake the meaning of that command, nor the deeper eloquence of the pose of Fred Greenwood with his rifle at a dead level.

Chapter 13 of Two Boys in Wyoming — No. 3 by Edward Sylvester Ellis holds 157 sentences, grouped into 32 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of Two Boys in Wyoming — No. 3 contain?

Chapter 13 holds 157 sentences of Two Boys in Wyoming — No. 3, unabridged, divided into 32 reading sections.

This page carries chapter 13 of Two Boys in Wyoming — No. 3 by Edward Sylvester Ellis exactly as it stands in the source edition, without abridgement. It runs to 157 sentences, grouped into 32 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of Two Boys in Wyoming — No. 3?

Work through the 32 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 32 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Two Boys in Wyoming — No. 3

Common questions about reading Two Boys in Wyoming — No. 3 by Edward Sylvester Ellis on this page, its source edition and its audio.

Is this the complete text of Two Boys in Wyoming — No. 3?

Yes. All 3533 sentences of Project Gutenberg eBook #20223 are kept, with a record of which sentences cover which part.

Which edition of Two Boys in Wyoming — No. 3 is used?

Project Gutenberg eBook #20223, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Two Boys in Wyoming — No. 3 take to read?

About 294 minutes of reading across 707 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Two Boys in Wyoming — No. 3

Words and structures a reader meets early in Two Boys in Wyoming — No. 3, each tappable for pronunciation and meaning.

Those
A word that appears in the opening chapter of Two Boys in Wyoming — No. 3; the reader can tap it to hear it and see its dictionary entry.
Youths
A word that appears in the opening chapter of Two Boys in Wyoming — No. 3; the reader can tap it to hear it and see its dictionary entry.
Gives
A word that appears in the opening chapter of Two Boys in Wyoming — No. 3; the reader can tap it to hear it and see its dictionary entry.
Pleasure
A word that appears in the opening chapter of Two Boys in Wyoming — No. 3; the reader can tap it to hear it and see its dictionary entry.