Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Two Plays for Dancers
Two Plays for Dancers

Chapter I

Chapter 1 of Two Plays for Dancers is here in full — 310 sentences across 62 reading sections, with audio for every sentence and word.

Cover illustration for Two Plays for Dancers
Context Illustration Reading 1/62 · 5 lines
English subtitles · tap any word to listen 1 / 5
In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.
I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.
October 11th.
1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.
The stage is any bare place in a room close to the wall.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Two Plays for Dancers

Chapter I

Chapter 1 of Two Plays for Dancers is here in full — 310 sentences across 62 reading sections, with audio for every sentence and word.

Reading 1/62 · 5 reading units · Lines 1–5

Line 1
In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.
Line 2
I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.
Line 3
October 11th.
Line 4
1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.
Line 5
The stage is any bare place in a room close to the wall.
/ðə steɪdʒ ɪz ˈeni ber pleɪs ɪn ə ruːm kloʊs tuː ðə wɔːl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

allusions noun US /əˈluːʒənz/

plural of “allusion” — passing reference or indirect mention

From this reading “1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.”

drama noun US /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading “In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.”

historical adjective US /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading “1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.”

Japan noun US /dʒəˈpæn/

a string of more than 3,000 islands to the east of Asia extending 1,300 miles between the Sea of Japan and the western Pacific Ocean

From this reading “I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.”

models noun US /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading “In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.”

refer verb US /rəˈfɜːr/

make reference to

From this reading “I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.”

Swans noun US /swɑːnz/

plural of “swan” — stately heavy-bodied aquatic bird with very long neck and usually white plumage as adult

From this reading “In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.”

Yeats noun US /jeɪts/

Irish poet and dramatist (1865-1939)

From this reading “I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

great kindness adjective + noun

In this reading “1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.”

at the end preposition + article + noun counted as “at … end”

In this reading “In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.”

explained why verb + noun counted as “explain why”

In this reading “In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.”

All words in this reading · 84

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

11th

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading October 11th.

1918

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

afterprepositionUS /ˈæftər/

later than; following

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

allusionsnounUS /əˈluːʒənz/

plural of “allusion” — passing reference or indirect mention

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The stage is any bare place in a room close to the wall.

atprepositionUS /æt/

in or near a particular place or position

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

BnounUS /biː/

aerobic rod-shaped spore-producing bacterium; often occurring in chainlike formations; found primarily in soil

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

bareadjectiveUS /ber/

completely unclothed

From this reading The stage is any bare place in a room close to the wall.

BonesnounUS /boʊnz/

(used in the plural) a percussion instrument consisting of a pair of hollow pieces of wood or bone (usually held between the thumb and fingers) that are made to click together (as by Spanish dancers) in rhythm with the dance

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

CertainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading The stage is any bare place in a room close to the wall.

Coole

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

Cuala

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

Dervorgilla

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

DreamingnounUS /ˈdriːmɪŋ/

imaginative thoughts indulged in while awake

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

endnounUS /end/

either extremity of something that has length

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

explainedverbUS /ɪkˈspleɪnd/

past form of “explain” — make plain and comprehensible

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

foundverbUS /faʊnd/

set up or found

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

futureadjectiveUS /ˈfjuːtʃər/

yet to be or coming

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

Henderson

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

historicaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

introductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The stage is any bare place in a room close to the wall.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

JapannounUS /dʒəˈpæn/

a string of more than 3,000 islands to the east of Asia extending 1,300 miles between the Sea of Japan and the western Pacific Ocean

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

kindnessnounUS /ˈkaɪndnəs/

the quality of being warmhearted and considerate and humane and sympathetic

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

lastadjectiveUS /læst/

immediately past

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

modelsnounUS /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

NobleadjectiveUS /ˈnoʊbəl/

impressive in appearance

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

notenounUS /noʊt/

a brief written record

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

OctobernounUS /ɑːkˈtoʊbər/

the month following September and preceding November

From this reading October 11th.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

PnounUS /piː/

a multivalent nonmetallic element of the nitrogen family that occurs commonly in inorganic phosphate rocks and as organic phosphates in all living cells; is highly reactive and occurs in several allotropic forms

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

performedverbUS /pərˈfɔːrmd/

past form of “perform” — carry out or perform an action

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading The stage is any bare place in a room close to the wall.

playverbUS /pleɪ/

participate in games or sport

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

PlaysnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

preferredadjectiveUS /prəˈfɜːrd/

more desirable than another

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

PressverbUS /pres/

exert pressure or force to or upon

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

referverbUS /rəˈfɜːr/

make reference to

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The stage is any bare place in a room close to the wall.

SnounUS /es/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The stage is any bare place in a room close to the wall.

SwansnounUS /swɑːnz/

plural of “swan” — stately heavy-bodied aquatic bird with very long neck and usually white plumage as adult

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

WnounUS /ˈdʌbəljuː/

a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

wallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading The stage is any bare place in a room close to the wall.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

whenconjunctionUS /wen/

at the time that

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

whereconjunctionUS /wer/

in or at the place that

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

WildadjectiveUS /waɪld/

marked by extreme lack of restraint or control

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

withprepositionUS /wɪð/

in the company of; together with

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading In a note at the end of my last book 'The Wild Swans at Coole' (Cuala Press.) I explained why I preferred this kind of drama, and where I had found my models, and where and how my first play after this kind was performed, and when and how I would have it performed in the future.

writeverbUS /raɪt/

produce a literary work

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading 1918 P. S. That I might write 'The Dreaming of the Bones,' Mr. W. A. Henderson with great kindness wrote out for me all historical allusions to Dervorgilla.

YeatsnounUS /jeɪts/

Irish poet and dramatist (1865-1939)

From this reading I can but refer the reader to the note or to the long introduction to 'Certain Noble Plays of Japan' (Cuala Press.) W. B. Yeats.

Chapter 1 of Two Plays for Dancers by W. B. (William Butler) Yeats holds 310 sentences, grouped into 62 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Two Plays for Dancers contain?

Chapter 1 holds 310 sentences of Two Plays for Dancers, unabridged, divided into 62 reading sections.

This page carries chapter 1 of Two Plays for Dancers by W. B. (William Butler) Yeats exactly as it stands in the source edition, without abridgement. It runs to 310 sentences, grouped into 62 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Two Plays for Dancers?

Work through the 62 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 62 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Two Plays for Dancers

Common questions about reading Two Plays for Dancers by W. B. (William Butler) Yeats on this page, its source edition and its audio.

Is this the complete text of Two Plays for Dancers?

Yes. All 310 sentences of Project Gutenberg eBook #33321 are kept, with a record of which sentences cover which part.

Which edition of Two Plays for Dancers is used?

Project Gutenberg eBook #33321, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Two Plays for Dancers take to read?

About 25 minutes of reading across 62 sections of 5 sentences each, at an unhurried pace.

How to read Two Plays for Dancers section by section

How to work through Two Plays for Dancers section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of Two Plays for Dancers to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Two Plays for Dancers

Words and structures a reader meets early in Two Plays for Dancers, each tappable for pronunciation and meaning.

Swans
A word that appears in the opening chapter of Two Plays for Dancers; the reader can tap it to hear it and see its dictionary entry.
Coole'
A word that appears in the opening chapter of Two Plays for Dancers; the reader can tap it to hear it and see its dictionary entry.
Cuala
A word that appears in the opening chapter of Two Plays for Dancers; the reader can tap it to hear it and see its dictionary entry.
Press
A word that appears in the opening chapter of Two Plays for Dancers; the reader can tap it to hear it and see its dictionary entry.