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Uncle Tom's Cabin
Uncle Tom's Cabin

Chapter XXII · Chapter 22

Chapter 22 of Uncle Tom's Cabin is here in full — 303 sentences across 61 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/60 · 5 lines
English subtitles · tap any word to listen 1 / 5
Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] Weep Not for Those,” a poem by Thomas Moore (1779-1852).
Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.
The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.
St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.
The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Uncle Tom's Cabin

Chapter XXII · Chapter 22

Chapter 22 of Uncle Tom's Cabin is here in full — 303 sentences across 61 reading sections, with audio for every sentence and word.

Reading 1/60 · 5 reading units · Lines 1–5

Line 1
Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).
Line 2
Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.
Line 3
The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.
Line 4
St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.
Line 5
The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

appropriated verb US /əˈproʊprieɪtɪd/

past form of “appropriate” — give or assign a resource to a particular person or cause

From this reading “The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.”

device noun US /dɪˈvaɪs/

an instrumentality invented for a particular purpose

From this reading “The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.”

furnishing noun US /ˈfɜːrnɪʃɪŋ/

(usually plural) accessory wearing apparel

From this reading “St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.”

life's noun US /laɪfs/

possessive form of “life” — a characteristic state or mode of living

matting noun US /ˈmætɪŋ/

a covering of coarse fabric (usually of straw or hemp)

From this reading “The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.”

Moore noun US /mʊr/

United States composer of works noted for their use of the American vernacular (1893-1969)

From this reading “Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).”

muslin noun US /ˈmʌzlən/

plain-woven cotton fabric

From this reading “The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.”

spacious adjective US /ˈspeɪʃəs/

very large in expanse or scope

From this reading “Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.”

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

1779

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

1852

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

apartmentnounUS /əˈpɑːrtmənt/

a suite of rooms usually on one floor of an apartment house

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

appropriatedverbUS /əˈproʊprieɪtɪd/

past form of “appropriate” — give or assign a resource to a particular person or cause

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

bed-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

bordernounUS /ˈbɔːrdər/

a line that indicates a boundary

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

broadadjectiveUS /brɔːd/

having great (or a certain) extent from one side to the other

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

centre-piece

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

Clare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

communicatedverbUS /kəˈmjuːnəkeɪtɪd/

past form of “communicate” — transmit information

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

curtainsnounUS /ˈkɜːrtənz/

plural of “curtain” — hanging cloth used as a blind (especially for a window)

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

DeathnounUS /deθ/

the event of dying or departure from life

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

devicenounUS /dɪˈvaɪs/

an instrumentality invented for a particular purpose

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

Eva's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

eyenounUS /aɪ/

the organ of sight

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

eyesnounUS /aɪz/

opinion or judgment

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

floornounUS /flɔːr/

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

full-flown

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

furnishingnounUS /ˈfɜːrnɪʃɪŋ/

(usually plural) accessory wearing apparel

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

gratifiedadjectiveUS /ˈɡrætəfaɪd/

having received what was desired

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

hathauxiliary verbUS /hæθ/

an old form of “has”

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

hidverbUS /hɪd/

inflected form of “hide” — prevent from being seen or discovered

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

hungverbUS /hʌŋ/

inflected form of “hang” — be suspended or hanging

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

intendedadjectiveUS /ˌɪnˈtendɪd/

resulting from one's intentions

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

keepingnounUS /ˈkiːpɪŋ/

conformity or harmony

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

life'snounUS /laɪfs/

possessive form of “life” — a characteristic state or mode of living

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

likeverbUS /laɪk/

prefer or wish to do something

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

mattingnounUS /ˈmætɪŋ/

a covering of coarse fabric (usually of straw or hemp)

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

MoorenounUS /mʊr/

United States composer of works noted for their use of the American vernacular (1893-1969)

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

mother'snounUS /ˈmʌðərz/

possessive form of “mother” — a woman who has given birth to a child (also used as a term of address to your mother)

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

muslinnounUS /ˈmʌzlən/

plain-woven cotton fabric

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

Ophelia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

orderedadjectiveUS /ˈɔːrdərd/

having a systematic arrangement; especially having elements succeeding in order according to rule

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

ownverbUS /oʊn/

have ownership or possession of

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

patternnounUS /ˈpætərn/

a perceptual structure

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

peculiaradjectiveUS /pəˈkjuːljər/

beyond or deviating from the usual or expected

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

roomsnounUS /ruːmz/

apartment consisting of a series of connected rooms used as a living unit (as in a hotel)

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

rose-buds

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

rose-coloredadjective

reflecting optimism

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

rosesnounUS /ˈroʊzɪz/

plural of “rose” — any of many shrubs of the genus Rosa that bear roses

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

spaciousadjectiveUS /ˈspeɪʃəs/

very large in expanse or scope

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

spreadverbUS /spred/

distribute or disperse widely

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

stylenounUS /staɪl/

how something is done or how it happens

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading St. Clare had gratified his own eye and taste, in furnishing this room in a style that had a peculiar keeping with the character of her for whom it was intended.

ThomasnounUS /ˈtɑːməs/

United States clockmaker who introduced mass production (1785-1859)

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

tombnounUS /tuːm/

a place for the burial of a corpse (especially beneath the ground and marked by a tombstone)

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

veilnounUS /veɪl/

a garment that covers the head and face

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

verandahnoun

a porch along the outside of a building (sometimes partly enclosed)

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

WeepverbUS /wiːp/

shed tears because of sadness, rage, or pain

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Eva’s bed-room was a spacious apartment, which, like all the other rooms in the house, opened on to the broad verandah.

whitenounUS /waɪt/

a Caucasian

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Death Weep not for those whom the veil of the tomb, In life’s early morning, hath hid from our eyes.[1] [1] “Weep Not for Those,” a poem by Thomas Moore (1779-1852).

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading The windows were hung with curtains of rose-colored and white muslin, the floor was spread with a matting which had been ordered in Paris, to a pattern of his own device, having round it a border of rose-buds and leaves, and a centre-piece with full-flown roses.

withprepositionUS /wɪð/

in the company of; together with

From this reading The room communicated, on one side, with her father and mother’s apartment; on the other, with that appropriated to Miss Ophelia.

Chapter 22 of Uncle Tom's Cabin by Harriet Beecher Stowe holds 303 sentences, grouped into 61 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 22 of Uncle Tom's Cabin contain?

Chapter 22 holds 303 sentences of Uncle Tom's Cabin, unabridged, divided into 61 reading sections.

This page carries chapter 22 of Uncle Tom's Cabin by Harriet Beecher Stowe exactly as it stands in the public-domain source edition, without abridgement. It runs to 303 sentences, grouped into 61 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 22 of Uncle Tom's Cabin?

Work through the 61 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 61 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 22 be read aloud to me?

Yes — every sentence and every individual word in chapter 22 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Uncle Tom's Cabin

Common questions about reading Uncle Tom's Cabin by Harriet Beecher Stowe on this page, its source edition and its audio.

Is this the complete text of Uncle Tom's Cabin?

Yes. All 8943 sentences of Project Gutenberg eBook #203 are kept, with a record of which sentences cover which part.

Which edition of Uncle Tom's Cabin is used?

Project Gutenberg eBook #203, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Uncle Tom's Cabin take to read?

About 600 minutes of reading across 1789 sections of 5 sentences each, at an unhurried pace.

How to read Uncle Tom's Cabin section by section

How to work through Uncle Tom's Cabin section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 38 chapters of Uncle Tom's Cabin to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Uncle Tom's Cabin

Words and structures a reader meets early in Uncle Tom's Cabin, each tappable for pronunciation and meaning.

Reader
A word that appears in the opening chapter of Uncle Tom's Cabin; the reader can tap it to hear it and see its dictionary entry.
Introduced
A word that appears in the opening chapter of Uncle Tom's Cabin; the reader can tap it to hear it and see its dictionary entry.
Humanity
A word that appears in the opening chapter of Uncle Tom's Cabin; the reader can tap it to hear it and see its dictionary entry.
Afternoon
A word that appears in the opening chapter of Uncle Tom's Cabin; the reader can tap it to hear it and see its dictionary entry.